Upcoming exhibition:

Jim Lambie

Totally Wired

5 Jun - Sept 2018 | Piazza Carignano 2

Jason Dodge

‘Rehearsal’ – Group Show

Opening 25 March – by appointment only

Tai Kwun Contemporary – Hong Kong

www.taikwun.hk

Galleria Franco Noero at Art Basel Hong Kong

Booth 1B09

29 – 31 March 2018

Convention & Exhibition Centre

1 Harbour Road, Wan Chai - Hong Kong

www.artbasel.com/hong-kong

Galleria Franco Noero is pleased to present the fifth solo exhibition of Canadian artist Andrew Dadson. SHADE features a series of brand new works that use light to continue Dadson’s extensive experiments with abstraction and space.

The site-specific installation especially conceived for the gallery in residence space is composed of three works all using a minimalist grid of painted fluorescent lights that have been almost completely obscured by a thick layering of paint. Constructed by a sequence of lights where pinpricks of light escape from the brushstrokes, the three works provoke an effect of obliteration, like if it was the vanishing of the sun. Each work within the room would be intensly bright without the effects of the paint and would be almost too bright to look at.

In the work Constellation (Grow Lights), lights that are used for growing plants have been painted over to block out almost all of the UV light creating a contrast to the lights original intention.  Only with the actions of Dadson does he create a cosmic space where the energy of the industrial lights that usually function to make it impossible to see the night sky within the city create their own unique constellation.

The installation creates a place for meditation, where the intense pull of the lights draws one closer to reveal the texture and build-up of paint while making evident the energy contained within the lights.
Andrew Dadson lives and works in Vancouver. Recent solo exhibitions include Andrew Dadson, ‘Site for Still Life’, Contemporary Art Gallery (2017); Painting (organic), David Kordansky Gallery, Los Angeles (2015): ‘Over the Sun’, Vancouver Art Gallery, Vancouver (2015); ‘The Brink’ Andrew Dadson, Henry Art Gallery, Seattle (2012); ‘Evening all afternoon’, Charles H. Scott Gallery, Vancouver (2007). Selected group exhibitions include: Summer 2016: Collection Works, Rennie Collection at Wing Sang, Vancouver (2016); Art Parcours, Art Basel, Switzerland (2016); Phantasmagoria, Presentation House Gallery, North Vancouver (2012); WYSIWYG: What You(ngs) See Is What You Get, Rosenblum & Friends Collection, Paris; On the Nature of Things, Kamloops Art Gallery (2011); Without you I’m Nothing, Museum of Contemporary Art, Chicago (2011); Che cosa sono le nuvole?, Opere dalla Collezione Enea Righi, Museion, Bolzano, Italy (2010); Summer Projects, Olympic Sculpture Park, Seattle Art Museum (2010); Nothing to say and I am saying it, Kunstverein Freiburg, Germany (2009); dedicated to you, but you weren’t listening, The Power Plant, Toronto, (2005); I am a Curator, Chisenhale Gallery, London (2003). In 2011 Dadson won The Brink Award 2011, The Henry Art Gallery, Seattle. Dadson is represented by Galleria Franco Noero, Turin, Italy and David Kordansky Gallery, Los Angeles, USA.

La Galleria Franco Noero, all’interno dello spazio in residence è lieta di ospitare I Went Away and Forgot You. A While Ago I Remembered.I Remembered I’d Forgotten You. I Was Dreaming., un’installazione e un’opera video di Dana Awartani, la prima realizzata sinora dall’artista. Nella doppia installazione l’artista ricerca il modo per rendere onore alla bellezza dell’architettura e del disegno di tradizione islamica.

 

Awartani ha lavorato con pazienza e meticolosità per diversi giorni nello spazio della galleria, realizzando manualmente un disegno geometrico a pavimento di grandi dimensioni; la sabbia di un bianco immacolato di cui è costituito il pavimento è stata reperita localmente, e precedentemente colorata dall’artista stessa con pigmenti naturali in polvere, estratti da elementi minerali e vegetali, in maniera da tradurre in atto la sua passione per le tecniche artistiche tradizionali. Anche il motivo geometrico del pavimento rimanda alla lavorazione tipica delle mattonelle arabe e islamiche, una volta comuni nella maggior parte delle abitazioni di quei paesi.

 

Il video è stato realizzato dall’artista in precedenza, dopo aver realizzato un lavoro simile sul pavimento di una stanza all’interno di una casa abbandonata nella parte antica di Jeddah, un quartiere in cui tempo fa viveva la generazione dell’età dei suoi nonni. Il video mostra l’artista nell’atto di distruggere l’opera da lei terminata, spazzando letteralmente via le mattonelle di sabbia con una scopa: un gesto che fa eco simbolicamente all’attuale disfacimento dei valori di identità e di patrimonio culturale, conseguenza di un ossessivo e incurante bisogno di una società più moderna e industrializzata, senza la netta consapevolezza di ciò che si lascia indietro. Tramite il suo gesto finale, l’artista intende sottolineare l’importanza di preservare e apprezzare ciò che costituisce un aspetto cruciale ed essenziale riguardo all’identità collettiva della sua regione: non si tratta di un attacco alla modernizzazione quindi, piuttosto la volontà di rimarcare quanto fondamentale sia la necessità di convivenza e co-esistenza tra vecchio e nuovo. Anche il tipo di casa scelta dall’artista per realizzare la sua installazione non è casuale e riveste un ruolo importante, in quanto esempio tipico del modo di vivere dell’élite benestante di Jeddah nel periodo tra la fine degli anni ’50 e nei primi ani ’60; è in questo momento che l’architettura delle case vira dal tradizionale stile Hejazi ad un’estetica europea con l’intenzione di trasmettere il segno di una società più “civilizzata” e “avanzata”, andando però completamente perduta la propria identità culturale.

 

Il simbolismo di Awartani si rivela contestualmente in ciò che giace sul pavimento e nella proiezione a parete, quasi fossero un racconto premonitore, rivelando e mostrando un dualismo fra creazione e distruzione, passato e presente. L’artista vuole risvegliare la nostra coscienza riguardo all’importanza di celebrare e preservare il linguaggio senza tempo dell’estetica geometrica come linguaggio universale di bellezza e armonia.

IN RESIDENCE

 

Current Galleria Franco Noero has decided to make available some areas of Apply its premises, for a period of 6 to 12 months, to independent organisations, artists and not-for-profit spaces on the Italian and international scene. With the aim of bringing about real interaction between contemporary languages and experiments, they are invited to submit a programme that is completely independent from that of the Gallery.
For the first year, from November 2013, the space was made available to Cripta 747, a not-for-profit organisation.

APPLY

 

Current Galleria Franco Noero has decided to place the spaces hosted in Apply the basement of the gallery at the disposal of some of the most interesting not-profit-making spaces in Italy and abroad for periods from 6 to 12 months.

 

To apply please collect the following informations in a digital or printed document:

- Name
- Street
- City
- Country
- Postal Code
- Telephone
- Name of Contact person
- Mobile of Contact person
- Email of Contact person
- Website
- In case of additional locations, please indicate name and location

 

Please ensure you send this first page of your application together with the following information and documentation, both via email or via ordinary mail, as you prefer. If you wish to send catalogues or printed material, please consider that unfortunately we are unable to return them.

 

Further required documentation:

- Completed Application Form
- Description of the programme you aim to present
- Curriculum Vitae
- Further documentation on the planned program such as: photographs, articles, dvds, digital files or links, and any other material that you think could represent at the best your history and the presented project.

 

Submit to:
Galleria Franco Noero
Via Mottalciata 10/B 10154 Torino
Italy
info@franconoero.com

Art|Basel Miami Beach – Booth L10

4 - 7 Dicembre 2014

Miami Beach Convention Center

www.artbasel.com/en/Miami-Beach

Artists presented: Darren Bader, Pablo Bronstein, Andrew Dadson, Jason Dodge, Lara Favaretto, Mark Handforth, Gabriel Kuri, Robert Mapplethorpe, Paulo Nazareth, Mike Nelson, Simon Starling, Tunga, Francesco Vezzoli

Artissima – Booth Violet 1 / Green 2

7 - 9 November 2014

Oval, Lingotto Fiere – via Nizza 294,  Torino

www.artissima.it

FIAC – Booth 0B07

23 - 26 Ottobre 2014

Grand Palais, Paris

www.fiac.com

Solo presentation by Kirsten Pieroth
In addition artworks by: Darren Bader, Gabriel Kuri, Jim Lambie, Robert Mapplethorpe, Henrik Olesen, Tunga, Francesco Vezzoli

Frieze London – Booth D12

15 - 18 Ottobre 2014

Regent’s Park – London, UK

www.friezelondon.com

Artists presented: Darren Bader, Pablo Bronstein, Andrew Dadson, Jason Dodge, Lara Favaretto, Phillip Lai, Robert Mapplethorpe, Paulo Nazareth, Tunga, Francesco Vezzoli

Art|Basel – Booth J23

19 - 22 Giugno 2014

Messe Basel

Messeplatz, 4005 Basel

www.artbasel.com

Artists presented: Darren Bader, Pablo Bronstein, Tom Burr, Andrew Dadson, Jason Dodge, Lara Favaretto, Henrik Håkansson, Gabriel Kuri, Jim Lambie, Robert Mapplethorpe, Paulo Nazareth, Kirsten Pieroth, Steven Shearer, Simon Starling, Tunga, Francesco Vezzoli

Art|Unlimited – Re-stretch and Re-framed

19 - 22 Giugno 2014

Tilted Shadow || Magenta Torque Moment

18 - 22 Giugno 2014

Art|Parcours

Mark Handforth

Clarakirch Plaza, 4005 Basel

www.artbasel.com

Art|Basel Hong Kong – Booth 3C04

15 – 18 Maggio 2014

Hong Kong Convention and Exhibition Centre

www.artbaselhongkong.com

Artists presented: Tom Burr, Andrew Dadson, Lara Favaretto, Mark Handforth, Gabriel Kuri, Phillip, Lai, Jim Lambie, Robert Mapplethorpe

SP-Arte – Booth J12

3 – 6 Aprile 2014

Art Dubai – Booth A10

19 – 22 March 2014

Independent Art Fair

6 – 9 Marzo 2014

Art|Basel – Miami Beach – Booth L10

3-6 December 2015

Miami Beach Convention Center

Artissima – Booth Violet 1/ Green 2

5-8 novembre 2015

FIAC – Booth 0.B07

22-25 ottobre 2015

Grand Palais

Paris, France

www.fiac.com

Frieze Masters – Stand B2 | Frieze London – Booth L6

14-18 October 2015

Regent’s Park

London, UK

www.friezemasters.com

www.friezelondon.com

Frieze Masters – Stand B2 | Frieze London – Booth L6

14 - 18 Ottobre 2015

Art|Basel – Booth L23

18 - 21 Giugno 2015

Messe Basel, Messeplatz – Basel, Switzerland

https://www.artbasel.com/en/Basel

Frieze New York – Booth B62

14-17 May 2015

Randall’s Island Park

Manhattan, New York City

http://friezenewyork.com

SP-Arte – Booth H13

09-12 April 2015

Pavilhão Ciccillo Matarazzo
[Biennial Pavilion]
Parque Ibirapuera, Portão 3
São Paulo, Brazil

http://www.sp-arte.com/en

Art Dubai – Booth A12

18-21 Marzo 2015

Madinat Jumeirah

Dubai, UAE

http://www.artdubai.ae

Art|Basel – Hong Kong – Booth 3C03

15-17 March 2015

Hong Kong Convention and Exhibition Centre (HKCEC)

https://www.artbasel.com/en/Hong-Kong

Art|Basel – Miami Beach – Booth L10

1-4 December 2016

Miami Beach Convention Center

Artissima – Booth Violet 1/ Green 2

4-6 November 2016

Oval, Lingotto Fiere

via Nizza 294,  Torino

www.artissima.it

Frieze London – Booth D14

6 - 9 Ottobre 2016

Regent’s Park

www.frieze.com

Art|Basel – Booth L23

15 - 18 Giugno 2015

Messe Basel, Messeplatz

Basel, Switzerland

www.artbasel.com/en/Basel

artmonte-carlo – Booth B4

30 April - 2 May 2016

Grimaldi Forum, Monaco

artmontecarlo.ch

SP-Arte – Booth F13

April 9-12, 2016

Pavilhão Ciccillo Matarazzo [Biennial Pavilion], 

Parque Ibirapuera, Portão 3, São Paulo, Brazil

www.sp-arte.com

Art|Basel – Hong Kong – Booth 1B07

24-26 March 2016

Hong Kong Convention and Exhibition Centre (HKCEC)

www.artbasel.com/en/Hong-Kong

Art Dubai – Booth A6

16-19 March 2016

Madinat Jumeirah

Dubai, UAE

www.artdubai.ae

ARCOmadrid – Hall 9 Booth A20

24-28 February 2016

FERIA DE MADRID

www.arco.ifema.es

Art Genève – Booth B12

28-31 January 2016

palexpo

route françois-peyrot 30

www.artgeneve.ch

Frieze London – Booth D-17

5 - 8 October 2017

Regent’s Park – London, UK

www.frieze.com

Art|Basel Basel – Booth L23

15 - 18 Giugno 2017

Messeplatz, 4005 – Basel

www.artbasel.com

artmonte-carlo – Booth B4

28 - 30 Aprile 2017

Grimaldi Forum, Monaco

www.artmontecarlo.ch

SP-Arte – Booth RP5

6 - 9 Aprile 2017

Pavilhão Ciccillo Matarazzo, Biennial Pavilion

Parque Ibirapuera, Portão 3, São Paulo, Brazil

www.sp-arte.com

Art|Basel – Hong Kong – Booth 1B07

23 - 25 March, 2017

Hong Kong Convention and Exhibition Centre (HKCEC)

www.artbasel.com/hong-kong

Art|Basel Hong Kong – Booth 1B07

23 - 25 Marzo 2017

Hong Kong Convention and Exhibition Centre (HKCEC)

www.artbasel.com/hong-kong

Art Dubai – Booth B8

15 - 18 March, 2017

Madinat Jumeirah

Dubai, UAE

www.artdubai.ae

Art Dubai – Booth B8

15 - 18 Marzo 2017

Madinat Jumeirah – Dubai, UAE

www.artdubai.ae

Artgenève – Booth B14

26-29 January 2017

Palexpo SA | Route François-peyrot 30

Art|Basel Basel – Booth L23

14 - 17 giugno 2018

Messeplatz, 4005 – Basel

www.artbasel.com

artmonte-carlo – Booth C7

27-29 april 2018

Grimaldi Forum, Monaco

www.artmontecarlo.ch

SP-Arte – Booth L5

3 - 7 April 2018

Parco Ibirapuera, porta 3

Avenida Pedro Álvares Cabral, s/n São Paulo, Brasile

www.sp-arte.com

Art|Basel Hong Kong – Booth 1B09

Convention & Exhibition Centre

1 Harbor Road - Wan Chai, Hong Kong

www.artbasel.com/hong-kong/

Art Genève – Booth A7

1 - 4 February 2018

Palexpo Geneva

www.artgeneve.ch

Art Dubai – Booth B6

21 - 24 March 2018

Building 7, Dubai Design District
www.artdubai.ae

ANDREW DADSON

Born in 1980, White Rock, Canada
Lives and works in Vancouver, BC, Canada

 

EDUCATION

1999-2003 BFA, Emily Carr Institute of Art and Design
1998-1999 Kwantlen College

 

GRANTS AND PRIZES

2011 Prize awarded with the Brink Award 2011

 

SOLO EXHIBITIONS

2017
‘SHADE’, Galleria Franco Noero, Torino, Italy
‘Site For Still Life’, curated by Nigel Prince, CAG, Contemporary Art Gallery, Vancouver, Canada
‘Off site: Andrew Dadson’, Contemporary Art Gallery, New York, USA

2015
‘Painting (Islands)’, Galleria Franco Noero, Turin, Italy
‘Painting (Organic)’, David Kordansky Gallery, Los Angeles, USA
‘AAA Art Altstetten Albisrieden’, F+F School of Art and Media Design, Zürich, Switzerland
‘Over the Sun’, Vancouver Art Gallery, Vancouver, BC, Canada

2013
‘Suburban Suprematism’, Galleria Franco Noero, Torino, Italy
ReMap, Athens, Greece
‘Paint Pour’, RaebervonStenglin, Zurigo, Switzerland
‘Waited’, David Kordansky Gallery, Los Angeles, USA

2012
‘The Brink: Andrew Dadson’, Henry Art Gallery, Seattle, USA

2011
‘Solo Presentation’, ABC Berlin About Painting, Berlin, Germany

2010
‘Solo presentation’, Galleria Franco Noero, FIAC, Paris, France
‘Art Unlimited’, Galleria Franco Noero, Art 41 Basel, Basel, Switzerland
‘Summer Projects’, Olympic Sculpture Park, Seattle Art Museum, Seattle, USA
‘New Paintings and Visible Heavens’, Lawrimore Project, Seattle, USA

2009
Galleria Franco Noero, Torino, Italy
‘The Apartment’, Vancouver, BC, Canada

2007
‘Evening all afternoon’, Charles H.Scott Gallery, Emily Carr Institute of Art and Design, Vancouver, BC, Canada
Galleria Franco Noero, Torino, Italy

2005
‘Aforementioned’, Helen Pitt Art Gallery, Vancouver, BC, Canada

2003
‘Neon Bank’, Or Gallery, Vancouver, BC, Canada

 

SELECTED GROUP EXHIBITIONS

2018
‘Nose Job’, BBQLA, Los Angeles, CA

2017
‘N. Vancouver’, The Polygon, Vancouver, B.C., Canada

2016
Art Parcours, Art Basel, Basel

2015
‘De Pictura Vol.III’, Metropolitan Art Society, Beirut, Lebanon

2014
‘De Pictura Vol. II’, 11 Columbia, Monaco
‘De Pictura’, Galleria Franco Noero, Torino, Italy

2013
‘Les traces matérielles, la temporalité et le geste en art contemporain (Material Traces: Time and the Gesture in Contemporary Art), Galerie Leonard & Bina Ellen, Université Concordia, Montreal, B.C., Canada

2012
‘Again and Again and Again’, Vancouver Art Gallery, Vancouver
‘Phantasmagoria’, Presentation House Gallery – PHG, North Vancouver, Canada

2011
‘On the Nature of Things’, Kamloops Art Gallery, Kamloops, Canada
‘What You(ngs) See Is What You Get, Rosenblum & Friends Collection, Paris
‘Everything you can imagine is real..’, Xavier Hufkens, Brussels, Belgium
‘Orbiculuc’, 304 days, Vancouver, BC, Canada

2010
‘Che cosa sono le nuvole? Opere dalla Collezione Enea Righi’, Museion, Bolzano, Italy
‘Endgame’, Slaughterhousespace, Healdsburg, CA

2009
‘Nothing to say and I am saying it’, Kunstverein Freiburg, Freiburg, Germany
‘Spite House’, Lawrimore Project, Seattle, WA
‘Flower Power’, cur. by Andrea Busto, CRAA – Centro Ricerca Attuale, Villa Giulia, Verbania, Italy
‘Enacting Abstraction’, Vancouver Art Gallery, Vancouver, BC, Canada

2008
‘RBC Canadian Painting Competition 10th Anniversary 2008 exhibitions’, National Gallery of Canada, Ottawa, Canada
‘Are you allright? You look so… orange’, Erik Steen Gallery, Oslo, Norway
‘The tree: from the sublime to the social’, Vancouver Art Gallery, Vancouver, BC, Canada

2007
‘Street Scene’, cur. by Lee Plested, Murray Guy Gallery, New York, NY

2006
‘Pardon Me’, Charles H. Scott Gallery, Vancouver, BC, Canada
‘Republic Gallery’, Prologue 1, Vancouver, BC, Canada

2005
‘Pardon Me’, Saidye Bronfman Centre for the Arts, Montreal, Canada

2004
‘At Play’, cur. by Sadira Rodrigues, Liu Haisu Museum, Shanghai, China

2003
‘I am a Curator’, cur. by Per Hüttner, Chisenhale Gallery, London, UK
‘It’s better inside’, Video In, Vancouver, BC, Canada

2002
‘Risk: Playing the Game’, Belkin Satellite, Vancouver, BC, Canada
‘Backpacker ‘Work from Vancouver and Beyond’’, London Biennale, London, UK
‘Wreck Room’, Art System, Toronto, Canada
‘Is it Today Already’, Antisocial Gallery,  Vancouver, BC, Canada

2001
Helen Pitt Gallery, Stylotech, Vancouver, BC, Canada
‘LIVE Biennial of Performance Art’, Western Front, Vancouver, BC, Canada
‘Identity Dividers’, (in collaboration with Matt Aiken), Helen Pitt Gallery, Vancouver, BC, Canada

 

SELECTED CATALOGUES

2012  ‘The Brink: Andrew Dadson’, published by Henry Art Gallery, 2012, ed. of 100

2008 ‘Visible Heavens: 1850-2008’, published by Charles H. Scott Gallery and Galleria Franco Noero, 2008

2006 ‘Pardon Me’, essay by Cate Rimmer, Saidye Bronfman Centre for the Arts, and the Charles H. Scott Gallery,Vancouver, British Columbia, 2006

2003 ‘I am a Curator’, essays by Duncan Mclaren, Scott Rigby and Per Huttner, Chisenhale Gallery, London, England, 2003

2002 ‘Risk: Playing the Game’, essays by Jennifer Pickering and Clifford Lauson. Belkin Satelite Gallery, Vancouver, British Columbia, 2002

 

SELECTED ARTICLES

2009
Szewczyk, Monika. ‘There is something to nothing here’, Mousse Magazine, n. 20, 2009, pp. 87-89
Tiziana Conti, ‘Andrew Dadson/Galleria Franco Noero’, Exibart, November 2009

2008
‘Artist shortlisted for $25,000 prize’, Peace Arch News, July 9, 2008
Kevin Griffin. ‘Artists paint Vancouver proud’, Vancouver Sun, July 3-9, 2008

2007
Tolosano, Elisabetta. ‘Andrew Dadson’, FlashArt, Agosto/Settembre 2007, p.142

2006
Burnham, Clint. ‘Space invaders create lively, lovely show’, Vancouver Sun, April 6-12 2006, p. D17
Laurence, Robin, ‘Pardon Me tests privacy’, Georgia Straight, March 30 2006, p. 60
Low, Anne, ‘Andrew Dadson’, C Magazine, Spring, 2006, pp. 26 – 29

2005
Crevier, Lyne, ‘Only you’, Ici, 15-21 Dec, 2005, p. 47
Mavrikakis, Nicolas, ‘Partenariat public-privé’, Voir, December 1, 2005
Redfern, Christine. ‘Intruder Art’, Mirror, December 1-7, 2005, p. 53
Tousignant, Isa, ‘Polite invasion’, Hour, December 1-7, 2005, p. 63
Sandals, Leah, ‘Dedicated to you, but you weren’t listening’, Canadian Art, fall 2005, pp. 149 – 152.
Sayej, Nadja, ‘Dedicated to you, but you weren’t listening, review’, Art Papers, July/ August 2005, pp. 61 – 62.
Low, Anne, ‘The Neon Bank Project’, Or gallery Quaterly, Summer 2005, p. 5

2002
Lauson, Clifford, ‘The artifice of Risk’, Risk: Playing the Game, Belkin Satelite Gallery, 2002
Pickering, Jennifer, ‘Risk in Art’, Playing the Game, Belkin Satelite Gallery, 2002

 

Download CV

 

Andrew Dadson

SHADE

31 October 2017 - 15 May 2018 | Via Mottalciata 10/B - in residence

Andrew Dadson

Painting (Islands)

22 September - 27 October 2015

Andrew Dadson

Suburban Suprematism

Sep 19 - Oct 26, 2013

Group Show

De Pictura

16 Apr – 24 Mag 2014

Andrew Dadson

Solo show

7 Nov 2009 - 14 Jan 2010

Andrew Dadson

Solo Show

28 Jun - 31 Jul 2007

ARTURO HERRERA
Born in 1959, Caracas, Venezuela
Lives and works in Berlin and New York
 
EDUCATION
1992 MFA, University of Illinois at Chicago, IL
1982 BFA, University of Tulsa, OK
 
AWARDS
2005
Guggenheim Foundation Fellowship, New York, NY
Foundation for Contemporary Arts, New York, NY
2003
DAAD Fellowship, Berlin, Germany
2002
YADDO Fellowship, Saratoga Springs, NY
1999
Elizabeth Foundation for the Arts, New York, NY
1998
Pollock-Krasner Foundation, New York, NY
ArtPace Fellowship, San Antonio, TX
1997
Louis Comfort Tiffany Foundation, New York, NY
The Marie Walsh Sharpe Art Foundation, New York, NY
1996
Visual Arts Fellowship, Illinois Arts Council, Chicago, IL
1995
Art Matters, Inc., New York, NY
CAAP Grant, Department of Cultural Affairs, Chicago, IL
SA Grant, Illinois Arts Council, Chicago, IL
 
SELECTED SOLO EXHIBITIONS
2018
Forthcoming: ‘You Are Here’, Galleri Bo Bjerggaard, Copenhagen, Denmark
2017
‘Arturo Herrera: Paintings’, Sikkema Jenkins & Co, New York NY
‘Sotario’, (public project), Bloomberg European Headquarters, London, England
‘Track’ (wall painting), OGR, Turin, Italy
2016
‘Soave sia il vento’, Galleria Franco Noero, Torino, Italy
Tate Modern Restaurant Commission, Tate Modern Bankside, London, UK
2015
‘Faculty Band’, Thomas Dane Gallery, London, UK ‘Acquired Tastes’, Museum London, London, UK
‘Opener 29: Arturo Herrera’, Tang Museum, Saratoga Springs, New York, USA
 
SELECTED GROUP EXHIBITIONS
2018
Forthcoming: ‘This Brush for Hire: Norm Laich & Many Other Artists’, Institute of Contemporary Art LA, Los Angeles CA
Forthcoming: ‘Inherent Structures’, Wexner Center for the Arts, Columbus OH
Deconstruction: ‘Venezuelan contemporary art’, curated by Isabella Villanueva, Arco Madrid, Madrid, Spain
2017
‘L’emozione dei COLORI nell’arte’, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli; GAM – Galleria civica d’Arte Moderna e Contemporanea, Torino, Italy
‘Der Turm der blauen Pferde’, Haus am Waldsee, Berlin, Germany
‘Force and Form’, de la Cruz Collection, Miami FL
‘How to Read El Paso Pascual: Disney’s Latin America and Latin America’s Disney’, Pacific Standard Time:LA/LA, Schindler House, Los Angeles CA
‘The Coffins of Paa Joe and the Pursuit of Happiness’, Jack Shainman Gallery, New York NY
‘Selections’, Pace Prints, New York NY
‘More Simply Put’, Sikkema Jenkins & Co, New York NY
‘2017 Invitational Exhibition of Visual Arts’, American Academy of Arts and Letters, New York NY
2016
‘House’, Holbaek Art Summer Exhibition, Holbaek, Denmark
‘Contralapared’, Espacio Monitor, Caracas, Venezuela
‘Do Ask, Do Tell’, Henrique Faria Fine Art, New York NY
2015
‘Hello Walls’, Gladstone Gallery, New York, USA ‘Construction/Destruction’, Almine Rech Gallery, Paris, France
‘By-Products’, Haus am Luetzowplatz, Berlin, Germany
2014
‘Ready for the Show: Arturo Herrera & Martin Arnold’, Heldart at Bikini Berlin, Berlin, Germany
‘Minimal Baroque: Post-Minimalism and Contemporary Art’, Rønnebæksholm, Naestved, Denmark
‘Graphicstudio: Uncommon Practice’, USF, Tampa Museum of Art, Tampa, FL, USA
‘Cut, Paste and Repair’, Sicardi Gallery, Houston, TX, USA
‘Bookish’, Corbett vs. Dempsey, New York, USA
 
COLLECTIONS
The Smart Museum, Chicago, Illinois
Blanton Museum of Art, Austin , Texas
Boston Museum of Art, Boston, Massachusettes
Miami Art Museum, Miami, Florida
Museum of Contemporary Art, Chicago, Illinois
Albright-Knox Art gallery, Buffalo ,New York
UCLA Hammer Museum, Los Angeles, California
MoMA – Museum of Modern Art, New York City
Whitney Museum of American Art, New York
Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
Tate Modern, London, UK
San Francisco Museum of Modern Art, San Francisco, California
 
MONOGRAPHS
2007
Galerie Max Hetzler/Sikkema Jenkins & Co/ Holzwarth Publications (Ed.): ‘Arturo Herrera. Boy and Dwarf’, Berlin/New York, 2007
Ikon Gallery (Ed.): ‘Arturo Herrera’, Birmingham, 2007
2005
Friedrich Meschede: Aruro Herrera. You Go First, New York, 2005
Centro Galero de Arte Contemporanea (Ed.): ‘Arturo Herrera. Keep in Touch’, Santiago de Compostela, 2005
2004
Galleria Franco Noero / Sikkema Jenkins & Co (Ed.): ‘Arturo Herrera. Photographs’, Berlin, 2004
2002
Jessica Bradley: Fragments and Figments. ‘Works on Paper’, Art Gallery of Ontario, Toronto, 2002
2001
Whitney Museum of American Art (Ed.): ‘Arturo Herrera. Bifore We Leave’, New York, 2001
UCLA HAmmer Museum (Ed.): ‘Hammer Project. Arturo Herrera’, Los Angeles, 2001 (exhibition brochure)
ICA Philadelphia (Ed.): ‘You Go First’, Philadelphia, 2001 (exhibition brochure)
1998
Neville Wakefield, Maria Tatar: ‘Arturo Herrera, The Renassaince Society’, Chicago, 1998
 
SELECTED PUBLICATIONS
2008
Koraalberg (Ed.): ‘Superstratum’, Antwerp, 2008
2007
Rosa, Olivares (Ed.): ‘100 Latin American Artists’, Madrid, 2007
Marcoci, Roxana, ‘Comic-Abstraction: Image-Breaking’, Image-Making, (Exhibition Catalog) c. 2007 Museum of Modern Art, New York,
NY
Marcoci, Roxana. ‘Comic-Abstraction: Image-Breaking’, Image-Making, (Exhibition Catalog) c. 2007 Museum of Modern Art, New York,
NY
Adams, Beverly, ‘The Diane and Bruce Halle Collection of Latin American Art’, c. The Museum of Fine Arts, Houston, 2007
2006
Galerie Max Hetzler (Ed.): ‘Carbonic Anhydride’, Berlin, 2006
Haus am Waldsee (Ed.): ‘Anstoß Berlin. Kunst macht Welt’, Berlin, 2006
Museum of Modern Art (Ed.): ‘Transforming Chronologies’, New York, 2006
Pavel Zoubok (Ed.): ‘The New Collage’, Pavel Zoubok Gallery, New York, 2006
2005
Jordan Kantor: ‘Drawing from The Modern. 1975 – 2005’, Museum of Modern Art, New York, 2005
Galerie Max Hetzler (Ed.): ‘Works on Paper’, Berlin, 2005
Albright-Knox Art Gallery (Ed.): ‘Extreme Abstraction’, Buffalo, 2005
2004
Miriam Basilo, Fatima Bercht, Deborah Cullen et al. (Ed.): ‘Latin American & Carribean Art. MoMA at El Barrio’, El Museo del
Barrio, New York, 2004
Tuscon Museum of Art (Ed.): ‘Contemporary Art and Latin America. Selections from the Diane and Bruce Halle Collection’, Tucson,
2004
Kassandra Nakas (Ed.): ‘Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst’, Staatsgalerie Stuttgart, Bielefeld, 2004
2003
Barbara Bloemink, Vicky A. Clark ( Ed.): ‘Comic Release’, New York, 2003
Christov Bakargiev: ‘I Moderni. The Moderns’, Castello di Rivoli Museo d’Arte Contemporanea, Milan, 2003
Valerie Cassel (Ed.): ‘Splat Boom Pow! The Influence of Cartoons in Contemporary Art’, Contemporary Arts Museum, Houston, 2003
Barry Schwabsky (Ed.): ‘Vitamin P. New Perspectives in Painting’, London, 2003
2002
Kari Dahlgren, Trisha Beck (Ed.): ‘Life, Death, Love, Hate, Pleasure, Pain. Selected Works from the MCA Collection’, Museum of
Contemporary Art, Chicago, 2002
Musée d’Art Moderne de la Ville de Paris (Ed.): ‘Urgent Painting’, Paris, 2002
Renato Barilli (Ed.): ‘Officina America. Rete Emilia Romagna’, Galleria d’Arte Moderna, Milan, 2002
Lawrence Rinder, Chrissie Iles, Christianne Paul, Debra Singer: ‘2002 Biennial, The Whitney Museum of American Art’, New York 2002
2001
Holly Block: ‘Max2001. All About Paint, Art Museum of the University of Memphis’, Memphis, 2001
Douglas Fogle: ‘Painting at The Edge Of The World’, Walker Art Center, Minneapolis, 2001
Mark Sladen: ‘The Americans’, Barbican Art Centre, London, 2001
2000
Staci Boris: ‘Drawing on the Figure. Works on Paper of the 1990s from the Manilow Collection’, Museum of Contemporary Art,
Chicago, 2000
1999
Ralf Christofori: ‘Goofy’s Hermeneutic Crisis, Colour Me Blind!’, Württembergischer Kunstverein, Stuttgart, 1999 MUHKA (Ed.):
‘TroubleSpot. Painting’, Antwerp, 1999
 
SELECTED ARTICLES AND CATALOGUES
2012
Asthoff ,Jens & David Schutter, Arturo Herrera: Series, Chicago, Corbett vs Dempsey; London, Thomas Dane Gallery; New York, Sikkema Jenkins & Co, 2012
2011
Robert Shuster: a web pubblication The Village voice art ‘Arturo Herrera’s ‘Los Noces’ at the Americas Society’. February, 2011
‘Arturo Herrera Kreuzberg’, Art Review, April 2011
Arturo Herrera: Les Noces / The Wedding, New York, Americas Society, 2011
2010
Arturo Herrera, Caracas, Sala TAC, 2010.
Hiromoto, Nobuyuki, Global New Art: Taguchi Art Collection #01, Tokyo, Bijutsu, 2010.
2009
Arturo Herrera: Home, Berlin, Haus am Waldsee; Cologne, Verlag der Buchhandlung Walther Koning, 2009
2008
Heartney, Eleanor. ‘GSA Art in Architecture Selected Artworks 1997-2008,’ c. GSA U.S. General Services Administration 2008
Juncosa, Enrique. ‘Order. Desire. Light. : An Exhibition of Contemporary Drawings,’ c. IMMA Dublin 2008 ISBN: 9781-903811-90-0
(Exhibition Catalogue)
Schonwald, Josh. ‘A Weekend of Contemporary Arts’, January 2008, p. 5
The Chronicle January 2008
Gapers Block: A Web Publication ‘Adaptation Opening @ Smart Museum of Art’, January 2008
Arnett, Lisa. Metromix Chicago Events ‘Thursday Best Bets’, 2008
Flavorpill ‘Adaptation’, January 2008
Time Out Chicago ‘Adaptation’, January 2008, p. 61
Moroney, Morgan, ‘The Art of Adaptation’, Chicago Weekly, January 2008, p. 7
Luce, Cheryl, ‘Adaptations Prove Worthy as Originals’, Maroon Voices, February 2008, pp. 9, 11
Artner, Alan G. ‘Video Exhibit Inhabits Many Worlds’, Chicago Tribune, February 2008
Hyde Park Herald, ‘Arts @ UChicago’, February 2008
Chester, Alicia, ‘Smart Adaptation: Visual Installations at the Smart Museum’, Newsmagazine, March 2008
‘Smart Museum of Art: Adaptation’, NEWCITY, March 2008
‘Art Guide: Adaptation’, Art Tribune, March 2008
‘Things to do this weekend’, Time Out Chicago: The TOC Blog May 2008
‘Inspired by the Original’, UCHIBLOGO: University of Chicago Magazine’s Web log March 2008
‘Catherine Sullivan and Arturo Herrera in Adaptation in Chicago’, Art21 Blog, February 2008
MacKenzie, Duncan & Ward, Jeff M. ‘Interview: Stephanie Smith’, Proximity Magazine, May/June 2008, pp. 24-27
‘Rediscovering the Classics’, Art on Paper, July- August 2008
‘Always There,’ c. Galerie Max Hetzler, Berlin, Germany 2008
2007
Zing Magazine, Issue 21, 2006-07
Gibson, Amber, ‘Arturo Herrera at Galeria Helga de Alvear,” Exit, 2007
Bader, Graham. Boy and Dwarf, c. Sikkema Jenkins & Co. and Galerie Max Hetzler 2007
Adams, Beverly, ‘The Diane and Bruce Halle Collection of Latin American Art’ c. The Museum of Fine Arts, Houston 2007
Vetrocq, Marcia E. ‘Arturo Herrera’, Art in America, April 2007
Smith, Roberta, ‘Visions that flaunt cartoon pedigrees’, The New York Times, March 2, 2007
2006
Euridice, Arratia; Blomberg, Katja, ‘Anstoss Berlin’, Haus am Waldsee (Catalogue)
Nedo, Kito, ‘Das Atelier der Welt’, ART Das Kunstmagazin, p. 25
Pérez-Oramas, Luis. ‘An Atlas of Drawings: Transforming Chronologies’, Museum of Modern Art, New York, NY, 2006
‘I’m Yours Now’, The New Yorker, August 26, 2006
Zoubok, Pavel, ‘The New Collage’, Pavel Zoubok Gallery, 2006
Hentschel, Martin; John Wesley, ‘Works on Paper’, 2006, p. 149
Sheets, Hillary M., ‘The Big Draw’, Artnews, January 2006, pp. 98 – 103
Blum, Kelly, and Annette DiMeo Carlozzi, ed. Blanton Museum of Art: ‘American Art Since 1900’, The University of Texas at Austin,
TX.
Cohen, David. ‘Yours Until the Walls Come Down’, The New York Sun, n. 10, Thursday, August 2006 .
Arratia, Euridice, ‘Entre Lo Familiar y lo Extraño’, Veinti Uno, September 2006
Kerr, Merrily, Time Out New York, July 27-August 2, 2006, p. 71
Sardo, Delfim, ‘Pintura Redux: Desenvolvimentos Na Ultima Decada’, Coleccao de Arte Contemporanea Publico Serralves, pp. 68-69
2005
‘Extreme Abstraction’, Albright-Knox Art Gallery, Buffalo, NY (Catalogue).
Christofori, Ralf, ‘Arturo Herrera: Photographs’, Galeria Franco Noero and Sikkema Jenkins & Co., 2005
Saunders, Matt, ‘Berlin’, Artforum, December 2005, p. 235
Lange, Christy, ‘Arturo Herrera’, Frieze, November- December 2005, p. 142
‘Art:21 Art in the 21st Century’, published by Harry N. Abrams, Inc, PBS television series broadcast, October 2005 .
Lange, Christy, ‘Arturo Herrera’, Frieze, November-December 2005, p. 142
McElheny, Josiah, ‘Arturo Herrera’, Bomb Magazine, Fall 2005, pp. 68-75
Kantor, Jordan, ‘Drawing from The Modern: 1975-2005’, Museum of Modern Art, New York, NY, p. 158
Keep In Touch, Centro Galego de Arte Contemporanea, Xunta de Galicia, (Artist Book) collages by Arturo Herrera, stories by Diane
Williams, edited by Miguel Fernandez-Cid (11th Volume of “Words of Art” series), 2005
Meschede, Friedrich; Schaffner, Ingrid. Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (Catalogue), 2005
2004
Initial Encounters, ‘The Arts center of the Capital Region’, Troy, NY Latin American & Carribean Art: ‘MoMA at El Museo’, El
Museo del Barrio, (Exhibition Catalogue), edited by Miriam Basilio, Fatima Bercht, Deborah Cullen, Gary Garrels, Luis Enrique
Perez-Oramas, c. El Museo del Barrio, and The Museum of Modern Art, NY, 2004
Contemporary Art and Latin America: ‘Selections from the Diane and Bruce Halle Collection’, (exhibition catalog) Tucson Museum of
Art, Tucson AZ, 2004
2003
Johnson, Ken, ‘Market-Driven Survey Through the 20th Century’, The New York Times, p. 42, Friday February 21
Bloemink, Barbara and Clark, Vicky A. Comic Release: ‘Negotiating Identity for a New Generation’, DAP, New York, p. 167
Wei, Lilly, ‘Twisting and Turning: Abstract Painting Now at Blue Star’, Voices of Art Magazine, Volume 11, issue 2, pp. 29-30
2002
Molon, Dominic, ‘Arturo Herrera’ Vitamin P: New Perspectives in Painting, London, Phaiden Press, 2002, pp. 142-143
‘Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection’, Museum of Contemporary Art, Chicago.
(Exhibition Catalog) Edited by Kari Dahlgren, Trisha Beck, c. 2002, p. 302
Montreuil, Gregory, ‘Arturo Herrera/Brent Sikkema’, Flash Art, July-September 2002, pp. 117-118
Smith, Roberta, ‘Art In Review: Arturo Herrera’, The New York Times, Friday May 17, 2002,p. E 35,
‘Urgent Painting’, Musee d’Art Moderne de la Ville de Paris, by Sandra Antelo-Suarez, et al. Paris France 2002
Bradley, Jessica. ‘Fragments and Figments: Works on Paper’, Exhibition brochure, Art Gallery of Ontario Toronto, Canada
Barilli, Renato, ‘Officina America ReteEmiliaRomagna Catalogue’, Galleria d’Arte Moderna, Bologna, Italy, 2002
Rinder, Lawrence; Iles, Chrissie; Paul, Christianne; ‘Singer’, Debra, 2002 Biennial Exhibition Catalogue, The Whitney Museum of American Art
‘ForwArt’, Mont des Arts/Kunstberg, BBL, Brussels, Belgium, 2002
Lambrecht, Luc, ‘ForwArt’, Flash Art, November- December 2002, p. 41 and p. 50
Firstenberg, Lauri, Fogle, Douglas; Pakesh, Peter, ‘Curating Painting’, Flash Art, November- December 2002, pp. 59-61
‘Again, a “Paint with Water” project’, by Arturo Herrera, TRANS> 9/10, pp. 231-246
Gobin, Gilbert, ‘Promenade d’art contemporain au Coeur du Mont des Arts’, L’Echo, October 10, 2002
McFadden, Sarah, ‘ForwArt’, The Bulletin, October 11, 2002
Henry, Claude, ‘Quatorze artistes contemporains à Bruxelles, grâce à la BBL’, Banque Active, September 16, 2002
2001
Block, Holly. ‘Max2001. All About Paint’, Catalogue, Art Museum of the University of Memphis, TN
Briggs, Patricia, ‘Painting at the Edge of the World’, Artforum, Summer pp. 185-186
Caniglia, Julie, ‘Arturo Herrera’, Brent Sikkema, Artforum, January, p. 138
Fogle, Douglas, Painting At The Edge Of The World Catalogue, The Walker Art Center, Minneapolis, MN, 2001
Gioni, Massimiliano, ‘Painting at the Edge of The World’, Flashart, May-June 2001, p. 147
Grabner, Michelle, ‘Painting at the Edge of the World’, Frieze, Summer, pp. 116-117
Helgera, Pablo, ‘Imaginary Landscape’, Tema Celeste #83, pp. 46-51
Jacobson, Marjory, ‘On Arturo Herrera at the ARCO’01 Fair’, Review ARCO’01, Madrid, Spain
Lefkowitz, David, ‘Edgy. Painting at the Edge of the World at Walker Art Center’, New Art Examiner, September – October 2001,
p. 66 – p 71, p. 103
Sladen, Mark, ‘The Americans. New Art. Catalogue’, Barbicon Gallery, Barbicon Centre. Additional texts by Bruce Hainley, Katy
Siegel, Bennett Simpson, John Slyce. Booth-Clibborn Editions, London
Taylor, Victor Zamudio. Políticas de la diferencia. ‘Arte Iberoamericano fin de siglo’ Catalogue, Additional text by Kevin Power, Fernando Castro and others. Generalitat Valenciana
2000
Boris, Staci. ‘Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection Catalogue’, Museum of Contemporary
Art, Chicago, IL., 2000
‘Herrera, Arturo: That Very Day’, Art on Paper, July-August, 2000, pp. 52-53
Cruz, Amada, ‘Arturo Herrera’, Fresh Cream, Phaidon Press, p. 328
Newhall, Edith, ‘On View: New York’s New Art’, New York Magazine, February 28, 2000, p.76
‘New York Hatches New Publishers’, Art on Paper, July-August 2000, pp. 12-14.
Phillips, Christopher, ‘Report from Istanbul: Band of Outsiders’, Art in America, April 2000, p. 70-75
1999
Christofori, Ralf, ‘Goofy’s Hermeneutic Crisis, Color Me Blind!’, Catalogue, Württembergischer Kunstverein, Stuttgart, Germany
Helguera, Pablo, ‘Arturo Herrera, The Edges of the Invisible’, Art Nexus,#33, August – October, 1999, pp. 48-52
TroubleSpot, ‘Painting’, Catalogue, MUHKA, Antwerp, Belgium, 1999
1998
Morgan, Jessica, ‘Arturo Herrrera’, Grand Street, # 66, p. 229
Camper, Fred, ‘Arturo Herrera at the Renaissance Society’, Chicago Reader, February 13, 1998, pp. 28-29
Estep, Jan, ‘Arturo Herrera’, New Art Examiner, March 1998, pp. 50-51
Glatt, Cara, ‘Intriguing, Again’, Hyde Park Herald, January 28, 1998, p. 6
Grabner, Michelle, ‘Arturo Herrera, Renaissance Society & Wooster Gardens’, Art Press, April 1998, pp. 80-81
McKenna, Max, ‘U.S. Artist Q & A, Arturo Herrera’, The Art Newspaper, April 1998, p. 48
Patner, Andrew, ‘Arturo Herrera’, Chicago Sun-Times, January 29, 1998
Wakefield, Neville & Tatar, Maria, ‘Arturo Herrera’, Catalogue, The Renaissance Society, Chicago, IL
Walker, Hamza, ‘Arturo Herrera/A Gentle Trauma’, Newsletter, The Renaissance Society, Chicago, IL
1996
Alexander, Randy. “Hero,” New Art Examiner, May, p. 54
Hixon, Kathryn. “Clarity,” New Art Examiner, May, pp. 42-43
Birbragher, Francine. “Body of Works,” Art Nexus, April, pp. 105-107
1995
Hixon, Kathryn, ‘Arturo Herrera at Randolph Street Gallery’, Flash Art, October 1995, p. 111
1994
Bulka, Michael, ‘Arturo Herrera at MWMWM’, New Art Examiner, Summer 1994, pp. 50-51
Schleifer, Kristen Brooke, ‘Trial by Fire’, New Art Examiner, May 1994, pp. 23-27
Cotter, Holland, ‘The Joys of Childhood Re-examined’, The New York Times, March 25, 1994, p. 30
McCraken, David, ‘Blank Check’, Chicago Tribune, March 4, 1994, p. 66
1993
Beecher, Carla, ‘Reaching the City of Chicago’, Illinois Quarterly, January 1993, pp. 24-27
 
AWARDS
2005
Guggenheim Foundation Fellowship, New York, NY
Foundation for Contemporary Arts, New York, NY
2003
DAAD Fellowship, Berlin, Germany
2002
YADDO Fellowship, Saratoga Springs, NY
1999
Elizabeth Foundation for the Arts, New York, NY
1998
Pollock-Krasner Foundation, New York, NY
ArtPace Fellowship, San Antonio, TX
1997
Louis Comfort Tiffany Foundation, New York, NY
The Marie Walsh Sharpe Art Foundation, New York, NY
1996
Visual Arts Fellowship, Illinois Arts Council, Chicago, IL
1995
Art Matters, Inc., New York, NY
CAAP Grant, Department of Cultural Affairs, Chicago, IL
SA Grant, Illinois Arts Council, Chicago, IL

 

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Arturo Herrera

Soave sia il vento

25 May - 1 October 2016 | Via Mottalciata 10/b

Arturo Herrera

Solo show

2 Apr - 16 May 2009

Arturo Herrera

Solo Show

31 May - 30 Jul 2005

COSTA VECE

Born in 1969, Herisau, Switzerland
Lives and works in Zurich, Switzerland

EDUCATION

1989-94 F+F School for Art and Media, Zurich

GRANTS AND PRIZES

2008 Grant for Fine Arts Appenzell, Ausserrhodische Culture Foundation
2008 Studio grant London, Landys & Gyr Foundation Zug
2007 Foundation for Art and Appenzell
2004 Grant for Fine Arts Appenzell, Ausserrhodische Culture Foundation
2003 Studio grant Berlin, the Swiss Culture Departement (BAK)
2001 Grant for Fine Arts Appenzell, Ausserrhodische Culture Foundation
1999 Studio grant Genua, from the Culture Departement City of Zurich
1999 Grant of the Kiefer Hablitzel Foundation
1999 National grant for Fine Arts Switzerland
1998 – 00 Swiss Institut in Rome, Studio grant from the Swiss Culture Departement (BAK)
1998 National grant for Fine Arts Switzerland
1997 National grant for Fine Arts Switzerland
1997 – 98 Studio grant Binz 39 Foundation, Zurich
1996 International Video art prize of ZKM and SWF (nomination of the best 50)

SELECTED SOLO EXHIBITION

2013 ’Costa Vece: Neurose’, Christinger de Mayo, Zurich, Switzerland, July 7 2013 – July 20 2013
2012 Georg Kargl BOX, Vienna
‘Metissage’, Kunstraum Kreuzlingen, Kreuzlingen

SELECTED GROUP EXHIBITION

2012 – 13 ‘Heimspiel 2012’, Neue Kunsthalle, Sankt Gallen, Switzerland
2012 Von Zeichen und Körpern. curated by _Thomas Locher, curated by_vienna 2012, Georg Kargl Fine
Arts, Vienna
Shine on you crazy diamond, wemakeit.ch Project Space, Zurich

PUBLIC AND PRIVATE COLLECTIONS (SELECTION)

La Gaia, Busca, Italy
Flavio Albanese, Verona, Italy
Hauser & Wirth Collection, Zurich, Switzerland
Migros Museum für Gegenwartskunst, Zurich, Switzerland
Kunsthaus Zurich, Switzerland

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Costa Vece

this was not the end

6 May - 19 Jun 2010

Costa Vece

Revolución / Patriotismo

22 Apr - 23 May 2005

Costa Vece

Solo Show

18 Sep - 31 Oct 2002

Costa Vece

Solo Show

11 May - 13 Jun 2000

DARREN BADER
Born in 1978 Bridgeport, CT, USA
Lives and works in New York City, USA
 

EDUCATION
2000
Film/TV + Art History BFA, NY

 
AWARDS
2013
Atelier Calder Prize

2012
Louis Comfort Tiffany Foundation, biannual artist support program

 
SOLO EXHIBITIONS
2018
‘More or less with Anca Munteanu Rimnic, Michael E. Smith, and a cast of thousands’, Sadie Coles HQ, London, UK

2017
‘(@mined_out)’, Museo Madre, Naples, Italy
‘Forrest/Trees’, Greenspon Gallery, NY, USA
Meaning and Difference, The Power Station, Dallas, TX

2016
‘such are promises’, Sadie Coles HQ, London

2015
‘rocks and mirrors’, Galleria Franco Noero, Turin, Italy
‘The World As Will And Representation’, Kölnischer Kunstverein, Köln, Germany
‘39/50, fig-2’, ICA, London
‘Reading Writing Arithmetic’, Radio Athènes, Athens, Greece

2014

Andrew Kreps Gallery, New York, USA
‘Come away with me’ Frieze Project at Frieze New York 2014, New York, USA

 
GROUP EXHIBITIONS
2018
‘Pizza is God’, NRW-FORUM, Düsseldorf, Germany
‘Stories of Almost Everyone’, Hammer Museum, Los Angeles, CA

2017
Galeria Madragoa, Lisbon
Galerie Maria Bernheim, Zürich
Ramiken Crucible, New York
Acordo de confiança, Biblioteca Mario de Andrade, São Paulo
‘.com/.cn’, K11 Art Foundation, Hong Kong
K11 Foundation, Hong Kong
‘LOW’, The Steak House Doskoi, Tokyo
‘Jade Bi’, Galeria Madragoa, Lisbon
‘Dreamlands (Screenings)’, Whitney Museum of American Art, New York
‘Fleming Faloon’, Office Baroque, Brussels, Belgium
Interlude, Cookie Butcher, Antwerp, Belgium

2016
‘For Pete’s Sake’, Carl Kostyál, Stockholm, Sweden
‘Organized with Hester & ANDNOW’, Santa Fe, New Mexico
‘Can I step on it?’, Galleria Franco Noero, Torino, Italy
‘Fluidity’, Kunstverein in Hamburg, Hamburg, Germany
‘One, No One and One Hundred Thousand’, Kunsthalle Wien Karlsplatz, Wien, Austria
‘The Calder Prize 2005-2015’, Pace London, London, United Kingdom
‘In the Making’, Luxembourg & Dayan, New York, NY
‘The Coverter’, curated by Alex Glauber, Dickinson Gallery, New York, NY
‘Goulding the Lolly’, curated by Brian Belott, Gavin Brown Enterprise, New York, NY

2015
‘La Vie Moderne’, 13th Lyon Biennale, Lyon, France
‘Political Populism’, Kunsthalle Wien, Vienna, Austria
‘Art Unlimited’, Solo presentation of ‘The Vagrant’, Art|Basel
‘Visitors, Governors Island’, curated by Tom Eccles and Ruba Katrib, New York, NY
‘Small Sculpture’, Shane Campbell Gallery, Chicago, IL
‘Love for Three Oranges’, Gladstone Gallery, Brussels, Belgium
‘Under the Clouds: From Paranoia to the Digital Sublime’, Serralves Museum of Contemporary Art, Portugal
‘The Lulennial: A Slight Gestuary, Lulu’, Mexico City, Mexico
‘Objects, Food, Rooms (curated by Andria Hickey)’, Tanya Bonakdar, New York, NY

2014
‘In Real Life’, curated by_Luca Lo Pinto, Christine Koenig Galerie, Vienna
Whitney Biennial 2014, Whitney Museum of American Art, New York
‘Nuit Américain’, Office Baroque, Brussels, Belgium
‘RRBGGGRWW (polysemes)’, Grand Century, New York, curated by Franklin Melendez
Urs Fischer, Sadie Coles HQ, London, curated by Urs Fischer
‘Parcours’, Art Basel, Basel, Switzerland, curated by Florence Derieux
‘Day-For-Night’, Office baroque, Brussels, Belgium
‘Little Nassau’, organized by Liam Neff, Brooklyn, NY
‘Vegetal Passion’, Royal Garden 5 (online exhibition)

 
CURATED SHOWS

2017
‘Meaning and Difference’ the power Station, Dallas, TX

2010
G_M_O__[sho], Nero Magazine online: http://www.neromagazine.it/gmo.html

2009

‘The living and the dead’ (with Gavin Brown), Gavin Brown’s enterprise, New York

 
OTHER PROJECTS

2017
‘chess: relatives’, High Line, New York

2015
‘39/50’, fig-2 at ICA Studio, London, United Kingdom
‘The Daily Show’, one-day video program, Bureau, New York, NY

2014 ‘Come Away with Me’, Frieze Projects, New York, NY
 

PUBLIC COLLECTION

Aspen Art Museum, Aspen, CO
Centre national des arts plastiques (CNAP, Paris)
Centre Pompidou Foundation, Paris
Dallas Museum of Art, Dallas, TX
University of Chicago Booth School of Business Art Collection
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York
 

SELECTED PRESS

2016

Witt, Andrew. “Darren Bader.” Artforum, February
Bader, Darren. “Superimages” Kaleidoscope, Winter # 26
Gassmann, Gay. “At One London Gallery, Chess Is Larger Than Life.” The New York Times, February 9
“‘Darren Bader: such are promises’ at Sadie Coles HQ.” Artnews, February

2015

Moody, Oliver. “Art collector pays £12,500 for work precisely £10,211.” The Times, February
Buffenstein, Alyssa. “Darren Bader is Calling All Candys, Lisas, Stephanies, and Carolines for His ICA Exhibition.” Artnet News, September
Trembley, Nicolas. “Le nouveau ready-made de Darren Bader” Numéro, March
“The Vagrant” FlashArt, Issue 305, November/December
Scott, Andrea K. “A Visit to ‘Visitors’ on Governor’s Island.” The New Yorker, September
Duray, Dan. “Darren Bader is Crowd-Funding a Lot at Christie’s” Artnews, January
Pickford, James. “Christie’s sells money in art stunt.” The Financial Times, Febraury

2014

Rimanelli, David. “Critic’s Picks, Best of 2014.” Artforum. December
Smith, Roberta. “Roberta Smith’s Top Art Shows of 2014: Gober, Koons and More.” The New York Times. December 11
Ammarati, Dominic. “What’s Not to Like?” Frieze, Issue 166, October
“500 Words: Darren Bader.” Artforum, June 2
The New Yorker, June 23
Bader, Darren. “and/with” System, Spring/Summer
Smith, Roberta. “Darren Bader.” The New York Times, May 30, p. C23
Artforum.com, 500 words, edited by Allese Thomson Baker
Simonini, Ross, “Darren Bader,” Interview, March
Comer, Stuart, Anthony Elms, and Michelle Grabner. Whitney Biennial 2014. New York: Whitney Museum of American Art

 

BOOKS

2015
‘77 and/or 58 and/with 19’, published by Primary Information, Brooklyn, NY
‘Photographs I Like To Have and To Hold [A Show On a Piece of Paper at the Front Desk]’, published by Karma, New York

2010
‘oaint’, published by Alex Zachary

2009

‘SHE HAS A HOT ASS’, co-authored with Brian Kennon and Chris Lipomi, 2nd Cannons Publications, Los Angeles

2008

‘pulturebook (B&W version)’, published by 2nd Cannons Publications, Los Angeles

2004

coai(t)ag:(hd-di(0058)):gtcte,”bis,”acil,cp AKA James Earl Scones, published by Rivington Arms, New York & David Kordansky Gallery, Los Angeles

2002

2 [Works for ScreenSpace]: (the)Fish + St. James

 
BOOKS WRITTEN BY OTHER PEOPLE

2010

‘Greater New York 2010’, Klaus Biesenbach, Connie Butler, Neville Wakefield; text written by Christopher Lew

2009

‘The Younger Than Jesus Artist Directory’, Massimiliano Gioni, Laura Hoptman, Lauren Cornell; Phaidon: London
 
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Group Show

Can I Step On It?

30 March - 14 May 2016

Darren Bader

rocks and mirrors

3 November - 23 December 2015

Darren Bader

#I am just living to be dying by your side

21 Feb - 13 Apr 2013

FRANCESCO VEZZOLI
Born 1971 (Brescia, Italy)
Currently lives and works in Milan, Italy
 
EDUCATION
1992-95
BA, Fine Art, Central St. Martin’s School of Art, London
 
SELECTED SOLO EXHIBITIONS
2017
‘TV 70: Francesco Vezzoli guarda la Rai’, Fondazione Prada, Milan, Italy
‘You × Art × Centre Pompidou Carte blanche to Francesco Vezzoli’, Centre Pompidou, Paris, France
‘Metafisica da Giardino’, Nahmad Projects, London, UK
2016
‘Cinerama’, OCA – Parque do Ibirapuera, São Paulo, Brazil
‘Museo Museion: Francesco Vezzoli’, Museion, Bolzano, Italy
‘Francesco Vezzoli. Villa Marlene’, Villa Paloma, Nouveau Musée National de Monaco, Monaco
2015
‘Francesco Vezzoli’s Eternal Kiss’, Almine Rech Gallery, London, UK
‘Le Metamorfosi di Francesco Vezzoli’, Galleria Franco Noero, Turin, Italy
2014
‘Teatro Romano’, MoMA PS1, New York, NY
‘Vezzoli Primavera-Estate’, Museo di Casa Martelli, Museo Bardini, Museo Bellini, Firenze, Italy
‘The Trinity: Cinema Vezzoli’. MOCA, Los Angeles, CA
2013
Museum of Crying Women, Qatar Museums Autorithy, Doha, Qatar
‘Trinity, Galleria Vezzoli’, by Anna Mattirolo, MAXXI, Roma, Italy
‘The Curch of Vezzoli’, MoMA PS1, New York, NY
‘Cinema Vezzoli’, MoCA, Los Angeles, CA
 
SELECTED GROUP EXHIBITIONS
2018
‘ART CAPSUL’, New York, Contemporary Magic : A Tarot Deck Art Project
2017
‘Take me (I’m Yours)’, Pirelli Hangar Bicocca, Milano, Italy
‘Carta Bianca’, Museo di Capodimonte, Napoli, Italy
‘LOVE. L’arte contemporanea incontra l’amore’, Museo della Permanente, Milan, Italy
‘Olga Picasso’, Musée national Picasso-Paris, Paris, France
‘Winckelmann. Modern Antiquity’, Neues Museum Weimar, Weimar, Germany
‘La Forza della Fotografia: Opere della Collezione Museion’, Fondazione MUSEION, Bolzano, Italy
2016
‘Altri tempi, altri miti’, 16a Quadriennale di Roma, Rome, Italy
‘Quand fonda la neige, où ira le blanc: opere della Collezione Enea Righi’, Palazzo Fortuny, Venezia
‘Luscious Thrills: Baroque reflections then and now’, GL Holtegaard, Holte, Denmark
‘LOVE : Contemporary Art Meets Amour’, Chiostro del Bramante, Rome
2015
‘After Picasso: 80 Contemporary Artists’, Wexner Center for the Arts, Columbus (OH), USA
‘Ennesima’, Triennale di Milano, Milan, Italy
‘Performa 15’, New York, USA
‘Dans un Intérieur. Meubles, œuvres murales & textiles d’artistes’, Almine Rech Gallery, Brussels, Belgium
‘Yes, We’re Open’, Giò Marconi, Milan, Italy
‘Picasso in Contemporary Art’, Deichtor Hallen, Hamburg, Germany
2014
‘Fundamentals’, 14th International Architecture Exhibition, Venice, Italy
‘Shit and Die’, Palazzo Cavour, Turin, Italy
2012
The 24 Hour Museum. Palais d’léna, Paris, France. 2007
‘Antinoo. Il fascino della bellezza’, Antiquarium di Villa Adriana,Tivoli, Italy,
‘For President. Viaggio nelle campagne elettorali americane’, cur. By Mario Calabresi and
Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy,
‘Regarding Warhol: Sixty Artists, Fifty Years’, The Metropolitan Museum of Art, New York, NY
 
SELECTED PUBLICATIONS
2017
Francesco Vezzoli, ‘TV 70: Francesco Vezzoli guarda la Rai, Fondazione Prada, Milano
2016
Francesco Vezzoli, ‘Museo Museion’, Mousse Publishing and Museion, Bolzano, 2016
Francesco Vezzoli, ‘Francesco Vezzoli’. Rizzoli, 2016
2013
Mattirolo, Anna, ‘Galleria Vezzoli’. Rome: MAXXI, Museo nazionale delle arti del XXI secolo, 2013
 
SELECTED ARTICLES
2015
Michele D’Aurizio ‘Francesco Vezzoli on “Museo/Museion”’, Flash Art International, November/December 2015
Malcolm Pagani, ‘Intervista con Francesco Vezzoli’, Il Fatto Quotidiano, 8 febbraio 2015
2012
Christopher Mooney, ‘Francesco Vezzoli 24 hour museum’, Art Review, no. 58, April 2012, pp. 124- 127
Paolo di Stefano, ‘Vezzoli e quelle lacrime anti glamour’, Corriere della Sera, 25 febbraio 2012, p. 8
‘Vezzoli-Prada-Koolhaas e il museo effimero’, Lei-web, 25 gennaio, 2012
2011
Bollen, Christopher, ‘How Francesco Vezzoli is Changing the Way You Look at Celebrity’, Details, February 2011
Zhong, Fan, ‘Francesco Vezzoli, When: February 5‘, W Magazine, February 2011, p. 93
Hartvig, Nicolai, ‘France’s Stock Market for Art Launches with an IPO of LeWitt and Vezzoli Works’, Art Info, January 2011
Kazanjian, Dodie, ‘Mother Love’, Vogue, January 2011, p. 122
 
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Francesco Vezzoli

Le Metamorfosi di Francesco Vezzoli

9 Giu - 12 Sett 2015

Francesco Vezzoli, Pablo Bronstein

Francesco Vezzoli – Pablo Bronstein con Giorgio de Chirico

10 Nov 2012 - 15 Jan 2013

Francesco Vezzoli

Arts & Facts

29 Feb - 29 Mar 2000

GABRIEL KURI
Born in 1970, Mexico City, Mexico
Lives and works in Mexico City, Mexico and Bruxelles, Belgium
 
EDUCATION
1993- 95
MA Fine Art Goldsmithsʼ College University of London
1988- 92
Degree on Visual Arts, National School of Plastic Arts U.N.A.M. Mexico
1987- 90
Workshop by Gabriel Orozco, with Abraham Cruzvillegas, Damien
Ortega and Jeronimo Lopez, Mexico
 
PRIZES
2018
Nomination for BelgianArtPrize 2019
2007
Artist-in-residence OCA Office for Contemporary Art, Norway
2006
Artist in Residence Govett-Brewster Art Gallery, New Plymouth, New Zealand
2002
ACA Master, Artist in residence. Atlantic center for the Arts, Florida, USA
1999
Premio Omnilife, Grafica. Mexico
1997-98
Beca de Apoyo a Jovenes Creadores FONCA Mexico
 
SOLO EXHIBITIONS
2017
‘Gabriel Kuri: Afterthought is Never Binary,’ Sadie Coles HQ, London, UK
2016
‘Product Testing Unit’, Alte Fabrik, Old Factory, Rapperswil, Switzerland
2015
‘Gabriel Kuri: An Old Niche For Your New Need Esther Schipper’, Berlin, Germany
‘Gabriel Kuri’, Kukje Gallery, Seoul, South Korea
2014
‘Gabriel Kuri: with personal thanks to their contractual thingness’, Aspen Art Museum, Aspen, USA
ʻAll probability resolves into formʼ, The Common Guild, Glasgow, UK
2013
Parc Saint Leger-Centre d’art contemporain, Pougues-les-Eaux, France
Gabriel Kuri, ʻpunto y línea en el altiplanoʼ, Galleria Franco Noero, Torino, Italy
 
SELECTED GROUP EXHIBITIONS
2014
ʻMade in L.A. 2014ʼ, Hammer Museum, Los Angeles, USA
2013
ʻSoft Picturesʼ, curated by Irene Calderoni, Fondazione Sandretto Re Rebaudengo,
Turin, Italy, October 23, 2013 – March 23, 2014
ʻAuf Zeit. Was hinter dem Putz stecktʼ, Kunsthalle Baden Baden, Baden Baden,
Germany, July 20 – October 27, 2013
 
SELECTED GROUP EXHIBITIONS
2018
‘Converter’, Kunstmuseum St. Gallen, Gallen, Switzerland
2017
‘ISelf Collection: The Upset Bucket’, Whitechapel Gallery, London, UK
‘Field Guide’, Remai Modern, Saskatoon, Canada
‘We Are Here: We Are Everywhere’, Museum of Contemporary Art Chicago, Chicago, IL
‘Latin American artists in the Marciano Collection’, Marciano Art Foundation, Los Angeles, CA
‘Perpetual Construction: A dialogue with the house of Jean Prouvé III,’ CAB Art Center, Brussels, Belgium
‘Birth as Criterion,’ 32nd Biennial of Graphic Arts Ljubljana, International Centre of Graphic Arts – Tivoli Mansion, Ljubljana, Slovenija,
‘Living Apart Together: Recent Acquisitions,’ Hammer Museum, Los Angeles, CA
‘ISelf Collection: Self-portrait as the Billy Goat’, Whitechapel Gallery, London, United Kingdom
‘Harold Ancart – Michel-François – Gabriel Kuri’, Espace 251 Nord, Liège, Belgium
‘Desert X’, Coachella Valley, USA
2016
‘L’Esprit du Bauhaus’, Musée des Arts Décoratifs, Paris, France
‘Mount Analogue’, curated by Neville Wakefield, Performance Ski, Aspen, USA
‘Resonancias desde el jardín de las delicias. Una experiencia aural y de entropía’, Museo de Arte Carrillo Gil, Mexico City, Mexico
‘Portrait De L’artiste En Alter’, FRAC – Haute-Normandie, Sotteville-lès-Rouen, France
‘The Distance of a Day’, The Israel Museum, Jerusalem, Israel
‘Can I step on it?’, Galleria Franco Noero, Turin, Italy
‘DYSTOTAL’, Ludwig Forum Aachen, Aachen, Germany
‘The Natural Order of Things’, Fundación Jumex Arte Contemporáneo, Mexico City, Mexico
‘ICH’, Schirn Kunsthalle Frankfurt, Frankfurt, Germany
‘Money, Good and Evil. A Visual History of the Economy’, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
‘Xylañynu. taller de los viernes’, Kurimanzutto, Mexico City, Mexico,
‘Artificial Realities’, East Wing Biennial, The Courtauld Institute of Art, London, United Kingdom
‘from here to there: kurimanzutto travels to Jessica Silverman Gallery,’, Jessica Silverman Gallery, San Francisco, United Kingdom
 
AWARDS AND GRANTS
2011
The Armory Show, New York, Artist Commission
2007
OCA Office for Contemporary Art Norway, Artist in Residence
2006
Govett-Brewster Contemporary Art Gallery, Artist in Residence
2002
Atlantic Center for the Arts Master, Artist in Residence
1999
Omnilife México Premio Omnilife de Gráfica
1997
FONCA FONDO Beca de Apoyo a Jóvenes Creadores
 
PUBLIC COLLECTIONS
CAC Malaga, Malaga, Spain
Centre Pompidou, Paris, France
FRAC des Pays de la Loire, Carquefou, France
Hamburger Bahnhof, Berlin, Germany
The Hammer Museum, Los Angeles, CA
Museion, Bolzano, Italy
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, San Diego, CA
Museo Jumex, Mexico City, Mexico
Museo Universitario Arte Contemporáneo, Mexico City, Mexico
Seattle Art Museum, Seattle, WA
Tate Modern, London, United Kingdom
Walker Art Center, Minneapolis, MN
 
SELECTED PUBLICATIONS
2011
‘Before contingency after the fact’, South London Gallery, London
2010
‘Gabriel Kuri’ Published by Kunstverein Freiburg with Kunstverein Bielefeld
‘Gabriel Kuri’ Published by The Art Museum of the University of Houston
2009
‘3.66%’Gabriel Kuri. Published by Galleria Franco Noero.
 
SELECTED ARTICLES
2008
Gregos, Katerina, ‘Between hard facts and soft information’, Janus magazine, Belgium, January 2008
2007
Garza, Evan J, ‘The work of Mexican artist Gabriel Kuri’, Literal, USA- Mexico, Dec 07,
Marrón, Lorena, ‘Intervención en seis partes por Gabriel Kuri’, La tempestad, Mexico, may–june 2007
Minera, María, ‘La patria es el RFC, entrevista a Gabriel Kuri’, Letras Libres, Mexico City, May, 2007
R, Blanco, Sergio, ‘Juega Gabriel Kuri con la semántica’, Reforma, Mexico City, March 12, 2007
Mac Masters, Merry, ‘Frente al dominio de la economia hay otros mundosposibles: Gabriel Kuri’, La Jornada, Mexico City, February 21, 2007
Hernández, Edgar, ‘Kuri especula con el arte en la kurimanzutto’, Excelsior, Mexico City, February 21, 2007
2006
Reyes Fragoso, Arturo, ‘Entre México y Europa, Hablan los restos de comida’, El Universal, Mexico City, August 31, 2006
‘Gabriel Kuri, retrato no hablado’, Reforma, Mexico City, September 10, 2006
Sevilla, María Eugenia, ‘Es Kuri lo que come’, Reforma, Mexico City, September 1, 06
Palapa Quijas, Fabiola, ‘En Cuenta, libro de fotografías de Gabriel Kuri que muestra al alimento como objeto artístico, El hábito de comer, momento de contemplación muy elocuente’, La Jornada, Mexico City, September 14, 2006
MacMasters, Merry, ‘Presentan hoy dos libros bilingües de arte en la Casa del Lago’, La Jornada, Mexico City, March 6, 2006,
Alejo, Jesús, ‘Dos propuestas de arte, ahora en libros’, Milenio, Mexico City, March 5, 2006
Metropolis M, Brussels, Belgium : February-March, 2006
Searle, Adrian, ‘It’s a kind of magic’, The Guardian, London, January 17, 2006
Kent, Sarah, ‘Open Ended’, Time Out London, 11 January – 18th 2006
 
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Group Show

Can I Step On It?

30 March - 14 May 2016

Gabriel Kuri

punto y linea en el altiplano

4-30 May 2013

Gabriel Kuri

Untitled (Skip with Popcorn)

28 Jun - 20 Oct 2012

Gabriel Kuri

3.66% of 3.66%

12 Feb – 21 Mar 2009

Gabriel Kuri

dato duro, dato blando, dato ciego

8 Nov 2006 - 16 Jan 2007

Gabriel Kuri

Calorie counting

9 Nov 2004 - 8 Jan 2005

HENRIK HÅKANSSON
Born in 1968, Helsingborg, Sweden
Lives and works in Ullared (Sweden) and Berlin
 
SELECTED SOLO EXHIBITIONS
2018
‘The Beetle’, 2018 IHME Project, Helsinki, Finland (forthcoming)
2016
Kunstverein Frieburg, Freiburg, Switzerland
2015
Swedish Institute, Paris, FR
2014
‘Indefinite Swarms’ – A Presentation of Selected Works 2009 – 2012, Meyer Rigger Berlin
2012
‘AUG.11,2012 The Symptoms of the universe studies. (6min 29 sec)’, Meyer Riegger, Berlin
‘A Forest Divided’, Lunds Konsthall, Lund, Sweden
2011
Hors Les Murs at Jardins Des Plantes, Fiac Art Fair, Paris
‘The End’, The Modern Institute/Toby Webster Ltd, Glasgow
2010
Galleria Franco Noero, Torino
2009
‘Henrik Håkansson’, Middlesbrough Institute of Modern Art – MIMA, Middlesbrough, England
2008
‘Henrik Håkansson. Novelas de la selva’, Museo Tamayo Arte Contemporáneo, Mexico DF*
 
SELECTED GROUP EXHIBITIONS
2018
‘Journeys with ‘The Waste Land’ Vibrates’, Turner Contemporary, Kent, UK
2017
‘The Air Vibrates with the Buzz of Insects’, Musée départemental d’art contemporain de Rochechouart, France
‘Hamatli & Patriae’, Museion, Bolzano, Italy
‘Natura Dentata’, Kulturhuset Stadsteatern, Stockholm, Sweden
‘Night of Philosophy’, ‘Birdconcert (Carduelis carduelis)’ and ‘The End’, Moderna Museet, Stockholm, Sweden
‘Disruption – Remapping Nature, Lustwarande – Platform for Contemporary Sculpture’, Fundament Foundation, Tilburg, Netherlands
‘And Then There Were None’, Meyer Riegger, Karlsruhe, Germany
‘Karin Sander: ZEIGEN. An audio tour through the collection of the GfZK Leipzig’, GfZK Leipzig
2016
‘Emscherkunst 2016’, Holzwickede, Dortmund, Germany
‘Ecovention Europe: Current Art to Reimagine Ecologies’, Museum Het Domeinen in Sittard, Netherlands
2015
‘SupraEnvironmental, Katonah Art Museum’, New York, USA
‘Terrapolis’, NEON and Whitechapel Gallery, French School at Athens, Athens, Greece
‘Hohenrausch’, OK Center for Contemporary Arts, Linz, Austria
‘D’après nature’, Institut Suedois à Paris, Paris, France
‘#catcontent’, Kunstpalais, Erlangen, Germany
2014
‘De Pictura’, Galleria Franco Noero, Turìn
‘You Imagine What You Desire’, Sydney Biennale, Sydney
‘Artegenève Art Fair, Geneva
‘Listen-Up!’, varius location, New Deli
2013
‘Internaturalism’, PAV – Parco Arte Vivente, Turìn
 
PUBLIC COLLECTIONS
Klasma – Museum of Contemporary Art, Helsinki, Finland
FRAC – Languedoc-Roussion, Montpellier, France
Musée Départemental d’Art Contemporain de Rochechouart, Rochechouart, France
Galerie füf Zeltgenössische Kunst – GfZK, Leipzig, Germany
Fondazione Marco Greco, Napoli, Italy
 
COLLECTIONS
Klasma – Museum of Contemporary Art, Helsinki, Finland
FRAC – Languedoc-Roussion, Montpellier, France
Musée Départemental d’Art Contemporain de Rochechouart, Rochechouart, France
Galerie füf Zeltgenössische Kunst – GfZK, Leipzig, Germany
Fondazione Morra Greco, Napoli, Italy
 
SELECTED PUBLICATIONS
2015
‘Decolonizing Nature: Contemporary Art and Political Ecology’, T.J. Demos, Sternberg Press, 2015 (forthcoming)
2011
‘Diligent Observation: A year of bees on the Bretton Estate’, Yorkshire Sculpture Park, Yorkshire (Exhibition Guide to accompany Rebecca Chesney’s Bee Project), 2011
2009
‘Footprints’, The WANÅS Foundation, Sweden, 2009
‘Radical Nature’, Barbican Art Gallery, London, 2009
 
SELECTED ARTICLES
2011
Kitze, Talitha: ‘Exhibitions’ (review of Henrik Håkansson: ‘The End’, The Modern I nstitute Osborne Street, Glasgow), The List, Dicember 2011
Sutton, Kate: ‘Critics’ Picks: “La Carte d’Après Nature”’ (review of ‘La carte d’après Nature’, Matthew Marks Gallery, New York), Artforum, September 2011
2009
Heiser, Jörg, ‘Earth Sound Research Revival’, Mousse Magazine 21, November 2009
Campbell-Johnston, Rachel, ‘Radical Nature at the Barbican’ (review of ‘Radical Nature’, Barbican Art Gallery, London), The Times, June 16, 2009
Townshend, Emma: ‘Barbican shows how to save the planet with Radical Nature exhibition’ (review of ‘Radical Nature’, Barbican Art Gallery, London), Times Online, June 13, 2009
2007
Heiser, Jörg, ‘Condor: A poster project by Henrik Håkansson’, Frieze 108, June 2007
Apperly, Eliza, Whelan, Lucy, ‘Birds on film’ (review of Henrik Håkansson: ‘Three Days of the Condor’, Kettles Yard, Cambridge), Varsity 665, November 9, 2007

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Group Show

De Pictura

16 Apr – 24 Mag 2014

Henrik Håkansson

A Tree with Roots

6 Nov 2010 - 26 Feb 2011

Henrik Håkansson

July 20, 2004 (Pieris napi)

12 Nov 2005 - 14 Jan 2006

Henrik Håkansson

Solo Show

17 Nov - 24 Dec 2002

Henrik Håkansson

Solo Show

29 Sep - 16 Nov 2000

HENRIK OLESEN
Born in 1967, Esbjerg, Denmark
Lives and works in Berlin, Germany
 
EDUCATION
1989-96
The Royal Academy of Fine Arts, Copenhagen, Denmark
1995-1997
Staatliche Hochschule für Bildende Künste, Städelschule, Frankfurt, Germany
1996
DAAD Scholarship, Städelschule, Frankfurt, Germany
 
SOLO EXHIBITIONS
2018
‘Henrik Olesen’, Cabinet, London, UK
2017
‘The Euphoria of Turin’, Galleria Franco Noero, Turin, IT
2016
‘Henrik Olesen:The Walk’, The Wattis Institute, California, USA
‘Henrik Olesen’, Reena Spaulings Fine Art, New York, USA
‘Henrik Olesen’, Galerie Daniel Buchholz, New York, USA
2014
‘Henrik Olesen – Companion Species’, Galerie Deborah Schamoni, Munich, Germany
‘Henrik Olesen’, Dépendance, Brussels, Belgium
2013
‘Hysterical Man’, Galerie Daniel Buchholz, Cologne, Germany
2012
‘Wolgang Hahn Prize’, Museum Ludwig, Cologne, Germany
2011
Solo Show at Galleria Franco Noero, Torino, Italy
‘Projects 94: Henrik Olesen’, cur. by Doryun Chong, The Museum of Modern Art, New York, USA
The Museum für Gegenwartskunst, cur. by Nikola Dietrich, Basel, Switzerland
‘Master-Slave Dialectic’ (with Danh Vo), Galerie Buchholz, Cologne, Germany
2010
‘How Do I Make Myself a Body?’, Malmö Konsthall, Malmö, Sweden*
2009
‘Studio Voltaire Presents: Mr. Knife & Mrs. Fork’, Studio Voltaire, London, UK
2008
‘How do I make myself a body?’, Galerie Daniel Buchholz, Berlin, Germany
Pinakothek der Moderne, Munich, Germany (mit/with Sergej Jensen)
Kunstverein München at Ludlow 38, New York, NY
2007
‘Some Gay-Lesbian Artist and/or Artists relevant to Homo-Social Culture Born between 1300-1870’, cur. by Heike Munder, Migros Museum fur Gegenwartskunst, Zurich Switzerland
Galerie Daniel Buchholz, Köln, Germany
2006
‘L’État C’est Moi’, Leopold-Hoesch-Museum, Düren, Germany
‘Information is Content. Content is Fiction. Content is Messy.’, Andersen, Copenhagen, Denmark
‘Anthologie de l’amour sublimé’, Günther-Peil-Stipendiaten, Leopold Hoesch Museum, Düren, Germany
2005
‘Abschied von den Eltern’, Art Cologne, Cologne, Germany
‘Le corps sous la peau est une usine surchauffée’, Dépendance, Brussels, Belgium
Cubitt Gallery and Studios, London, UK (mit/with Kirsten Pieroth)
‘There are no rules in pointing’, Transmission Gallery, Glasgow, UK (mit/with Kate Davis)
2004
Secession, Wien, Austria
2003
‘Interventionen 33: 1935 1922’, Sprengel Museum, Hanover, Germany
‘Hosni Mubarak, Aaron McKinney, Richmond, Belgrad’, Städtisches Museum Abteiberg, Mönchengladbach, Germany
‘6 oder 7 neue Arbeiten’, Klosterfelde, Berlin, Germany
‘Series of exhibitions in the Cabinet’, Kunstverein Salzburg, Austria
2002
Galerie Daniel Buchholz, Köln, Germany
Galleria Franco Noero, Torino, Italy (in collaboration with Kirsten Pieroth)
2001
Studio Galerie, Kunstverein Braunschweig, Germany
2000
Anton Kern Gallery, New York, NY (with Marcel Odenbach)
Martin Klosterfelde, Berlin, Germany
Helga Maria Klosterfelde, Hamburg, Germany
1999
‘Berlin, Berlin!’, cur. by Goethe Institut, Galleria Franco Noero, Torino, Italy
Otto-mobile exhibition formu, Copenhagen, Denmark
1998
Galerie Klosterfelde, Berlino, Germany
1997
Galleri Campbells Occasionally, Copenhagen
1996
‘Meike Behm zeigt Henrik Olesen’, Frankfurt, Germany
1993
Esbjerg Kunstmuseum, Denmark, Germany
‘Lageret’, Kunstforeningen Gl. Strand, Copenhagen, Denmark
‘Overgaden’, Exhibition space of the Minestry of Culture, Copenhagen, Denmark
 
SELECTED GROUP EXHIBITIONS
2018
‘In The Reading Room of Hell’, galleria AplusA, Venice, IT
‘Stories of Almost Everyone’, Hammer Museum, Los Angeles, USA
2017
‘Cosmic Communities: Coming out Into Outer Space- Homofuturism, Applied Psychedelia &Magic Connectivity’, Galerie Daniel Buchholz, New York, USA
2016
32. Bienal de São Paulo, São Paulo, Brazil
‘The Keeper’, New Museum, New York, USA
‘Accrochage’, Punta della Dogana – Pinault Foundation, Venice, Italy
‘L’image volée’, curated by Thomas Demand, Fondazione Prada, Milan, Italy
2015
‘Slip of the Tongue’, Punta della Dogana, Venice, Italy
2014
‘The Great Acceleration’, Taipei Biennial 2014, Taipei, Taiwan
‘Manifesta 10’, Saint Petersburg, Russia
‘The November Issue’, Mathew, Berlin, Germany
‘One Million Years, System and Symptom’, Museum für Gegenwartskunst, Basel
Dépendance at Cralos/Ishikawa, The Hawker, London, UK
‘Skeptical Thoughts on Love’, Künstlerhaus Stuttgart, Stuttgart, Germany
‘Future Perfect. Contemporary Art From Germany’, Centre For Contemporary Art Ujazdwski Castel , Warsaw, Poland
2013
Gerry Bibby, Künstlerhaus Bethanien, Berlin, Germany
‘Formas Biogràficas – Construcciòn y Mitologìa Individual’, MNCARS, Madrid, Spain
‘In The Cut – ACCA’, Australian Center for Contemporary Art, Melbourne, Australia
2012
‘D’Après Giorgio’, curated by Luca Lo Pinto, Fondazione Giorgio e Isa De Chirico, Roma, Italy
‘Art of life, aesthetics and bipolitics’, Georg Kargl Fine Arts, Georg Kargl Fine Arts & Georg Kargl Box, Vienna, Austria
‘Counter-Production’, Generali Foundation, Vienna, Austria
‘Ghosts in the Machine’, New Museum of Contemporary Art, New York City, NY
‘You are right, it flows much better this way’, Galerie Andreas Huber, Vienna, Austria
Etna Carrara – Ludwig Forum für Internationale Kunst, Aachen, Germany
Collaborations & Interventions – CCA Andratx, Andratx, Spain
Collaborations & Interventions – Nymphius Projekte Berlin, Berlin, Germany
Supplica Per Un’appendice,Villa Romana, Florence, Italy
Relocated, MD 72, Berlin, Germany
‘Im Raum des Betrachters, Skulptur der gegenwart, Werke aus der Sammlung Moderne Kunst’, Pinakothek der Moderne, Munich, Germany
‘Never odd or even, a text spaced exhibition‘, Museet for Samtidskunst / Museum of Contemporary Art, Roskild, Denmark
2011
‘Lake of fire’, curated by Mikken Carl,Den Frie Centre of Contemporary art, Copenaghen, Denmark
12th Istanbul Biennale, Istanbul, Turkey
‘Quodlibet III – Alphabets and Instruments’, Galerie Buchholz, Berlin, Germany
‘Henrik Olesen / Danh Vo’, Fondazione Morra Greco, Napoli, Italy
‘Please go around the construction area by the lights and over the traffic island (and other stories)’, Kunstverein Schattendorf, Germany
‘Kalte Gesellschaft’, KW Institute for Contemporary Art, Berlin, Germany
‘Elaine’, Museum für Gegenwartskunst, Basel, Switzerland
‘Museum der Wünsche’, Museum Moderner Kunst Stiftung Ludwig, Wien, Austria
2010
8th Gwangju Biennale, South Cor
‘Von Realer Gegenwart’, Kunstverein Düsseldorf / Kunsthalle Düsseldorf, Germany
6th Berlin Biennale for Contemporary Art, Berlin, Germany
‘Modernologies’, Museum of Modern Art in Warsaw, Poland
‘Mr. Knife & Mrs. Fork’ Art Cologne, Cologne, Germany
2009
‘Quodlibet II’, Köln, Germany
‘Exit-Ausstieg aus dem bild’, ZKM | Museum für Beue Kunst, Karlsruhe, Germany
‘Modernologies’, MACBA, Barcelona, Spain
‘Moby Dick’, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA
‘Scorpio’s Garden’, Temporäre Kunsthalle Berlin, Berlin, Germany
‘Re-figurative Ordering’, dnj Gallery, Los Angeles, CA, USA
‘Everywhere’, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
‘Silberkuppe in Kur’, Kunsthalle Baden-Baden, Baden-Baden, Germany
‘The Collectors’, Danish & Nordic Pavilions, la Biennale di Venezia, Italy
‘22 Major Works From the Malmö Art Collection’, Dunkers Kulturhus, Helsingborg, Sweden
2008
‘Home is the place you left’, Kunstmuseum Trondheim, Trondheim, Norway
Reality Chec’, Statens Museum for Kunst, Copenhagen, Denmark
‘Sex brennt’, Magnus Hirschfelds Institut für Sexualwissenschaft und die Bücherverbrennung, Berliner Medizinhistorisches Museum der Charité, Berlin, Germany
‘Dispersion’, Institue of Contemporary Arts, London, UK
‘Collage: The Unmonumental Picture’, New Museum, New York, NY
‘How do I make myself a body?’, Galerie Daniel Buchholz, Köln, Germany
‘Italia Italie Italien Italy Wlochy’, cur. by Gigiotto Del Vecchio, Alessandro Rabottini, Elena Lydia Scipioni, Andrea Villiani, ARCOS, Museo d’Arte Contemporanea Sannio, Benevento, Italy
‘History Keeps Me Awake at Night: A Genealogy of Wojnaowicz’, P.P.O.W., New York, NY
‘Editionen und Multiples’, Helga Maria Klosterfelde, Berlin, Germany
‘Ein Semiotisches Haus, Das Nie Gebaut Wurde’, Neuer Aachener Kunstverein, Aachen’, Germany
Supportico Lopez 32, Milan, Italy
2007
‘Oh Girl, It’s a Boy’, Kunstverein München, Munich
‘After the butcher’, Ausstellungsraum für zeitgenössische Kunst, Berlin, Germany
‘Bodypoliticx’, Witte de With, Rotterdam, the Nederlands
‘Devotee’, Cabinet, London, UK
‘A queer tour guide’, Künstlerhaus Bethanien, Berlin, Germany
‘A-Z Advanced Technologies’, Galeria Massimo de Carlo, Milano, Italy
‘Door Slamming Festival’, Curated by Dominik Eichler, Berlin, Germany
‘Judith Hopf and Henrik Olesen, Doors’, Portikus, Frankfurt, Germany
‘Made in Germany’, Sprengelmuseum Hannover, Kestnergesellschaft, Hannover, Germany
‘Neolithic Porn’, Galerie Isabella Bortolozzi, Berlin, Germany
2006
‘Das Achte Feld’, Museum Ludwig, Cologne, Germany
‘Art After Concenptual Art’, Generali Foundation, Vienna, Austria
‘Von der Abwesenheit des Lagers. Reflexionen zeitgenössischer Kunst zur Aktualität des Erinnerns’, Kunsthaus Dresden, Dresden, Germany
‘presented by’, Galerie Andreas Huber, Vienna, Austria
2005
‘Verdunkelung/Darkening’, Künstlerhaus Stuttgart, Stuttgart, Germany
‘Projekt Migration’, Kölnischer Kunstverein, Cologne, Germany
‘Possession’, Paul-Lincke-Ufer 33, Berlin, Germany
‘I really should…’, Lisson Gallery, London, UK
Andersen_S Contemporary Art, Copenhagen, Denmark
Museum Kurhaus Kleve, Kleve, Germany
‘Xenopolis’, Rathausgalerie München, Munich, Germany
2004
Quodlibet’, Galerie Daniel Buchholz, Cologne, Germany
‘World Watchers’, Kunsthaus Dresden, Dresden, Germany
‘Werke aus der Sammlung Boros’, ZKM | Museum für Neue Kunst & Medienmuseum, Lorenzstraße, Karlsruhe, Germany
‘Communauté’, Institut d’Art Contemporain, Frac Rhone-Alpes, Villeurbanne, France
‘Black Friday. Exercises in Hermetics’, Galerie Kamm, Berlin, Germany
2003
‘World Watchers’, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
‘id’, Platform, Vasa, Finland
‘Global positioning system’, Palais de Tokio, Paris, France
‘Utopia Station’ (Collaboration with Kirsten Pieroth), 50th Venice Biennial, Italy
‘Influence, Anxiety, and Gratitude (Toward an Understanding of Trans-generational Dialogue as a Gift Economy)’, MIT List Visual Arts Center, Cambridge, MA
2002
‘Roma Roma Roma’, Rome, Italy
‘Hossa’, Centro Cultural Andracx Mallorca, Spain
‘Rent-a-bench’, Street Project, Los Angeles, CA
‘Strike’, Wolverhampton Art Gallery, UK
‘Zusammenhänge herstellen’, Kunstverein Hamburg, Germany
‘Ökonomien der Zeit’, Museum Ludwig, Köln/Akademie der Künste, Berlin, Germany, D/Migros Museum, Zürich, Switzerland
Werkleitz-Biennale, Werkleitz, Germany
‘The collective unconsciousness’, Migros Museum, Zürich, Switzerland
‘Centre of Attraction, 8th Baltic Triennial of International Art’, Contemporary Art Center, Vilnius, Litauen
2001
‘Sex –Vom Wissen und Wünschen’, Deutsches Hygiene Museum, Dresden
‘Pedigree Pal – Neudefinition von Familie’, Shedhalle, Zürich, Switzerland
‘Arbeit, Essen, Angst’, Kokerei Zollverein, Essen, Germany
‘Trans Sexual Express Barcelona’, 1st Barcelona Triennial, Centre d’Art Santa Mònica, Barcelona, Spain
‘Frankfurter Kreutz’, Schirnhalle, Frankfurt/M., Germany
‘Neue Welt’, Frankfurter Kunstverein, Frankfurt/M., Germany
‘New Settlements’, Nikolaj Contemporary Art Center, Copenhagen, Denmark
‘inside space / experiments in redefinding rooms’, MIT List Visual Arts Center, Cambridge, MA
2000
‘All you can eat’, Galerie für Zeitgenössische Kunst, Leipzig, Germany
‘Turning into a loop’, Galleria Giò Marconi, Milano, Italy
‘No swimming – schwimmen verboten, Kunstverein München, Germany
‘Berlin – Binnendifferenz. Phase 2’, Bregenz und Salzburg, Austria
‘Momentum’, Moss, Norway
‘[re:songlines]’, halle_für_Kunst e.V., Lüneburg, Germany
‘German Art in Moskau’, Moskau, Russia
‘Park’ curated by Jonas Ekeberg, Momentum 2000, Moss, Norway
1999
‘Objects in the rear view mirror may appear closer than they are’, Galerie Max Hetzler, Berlin, Germany
‘The work in this space is a response to the existing condition and/or work previously shown within the space’, Neugerriemschneider, Berlin, Germany
‘Dispensing with Formalities’, Recent works / Jacob Fabricius, Denmark
‘Kraftwerk Berlin’, Aarhus Kunstmuseum, Denmark *
‘S.’ Recent Works / Jacob Fabricius, Copenhagen, Denmark
1998
‘Underground’, Galleri Asbaek, Copenhagen, Denmark Stalke
1997
‘Ex-centrics’, Waves, Vordingborg, Denmar
‘Speisen, der umbaumraum’…, Künstlerhaus, Stoccarda, Germany
1996
‘Au revoir, les enfants’, Kunstraum Mitte, Berlin, Germany
‘Aktion: Azizoglu, Yann Siebrecht’, 7 Orte und ein Tisch, Frankfurt, Germany
‘Filme’, Klubhaus, Frankfurt, Germany
‘Kunst & Zeil’, Projekt:Portikus, Frankfurt, Germany
‘Exiles, Overgaden’, Exhibitionspace of the Ministry of Culture, Copenhagen, Denmark
‘three rooms’, Ausstellungsraum Hübner, Francoforte, Germany
‘Aktion: Lars Erik Frank, Henrik Olesen’, Update Gallery, Copenhagen, Denmark
1995
‘Art against AIDS’, Galleri Nicolai Wallner, Copenhagen, Denmark
‘Wir begengen uns nicht zufälling’, Klasse Christa Näher, Haus am Lützowplatz, Berlin, Germany
‘2 dimensional theory’, Nikolaj Contemporary Art Center, Copenhagen, Denmark
‘I Confess’, Nikolaj Contemporary Art Center, Copenhagen, Denmark
1994
‘KM2’, Malmö Kunstmuseum, Malmö, Sweden
‘Something’s wrong’, Nikolaj Contemporary Art Centre, Copenhagen, Denmark
1993
‘KON (SEX)’, Galleri Nicolaj Wallner, Copenhagen, Denmark
 
SELECTED BIBLIOGRAPHY
2011
‘Family’, in: ‘Magazine’, ‘Sexuality’ Issue, Berlin, 2010/11
Sharp, Chris, ‘Henrik Olesen’, ArtReview, Issue 49, April 2011, p. 123
Hermansen, Tom, ‘Henrik Olesen – Malmö Konsthall’, Artforum, April 2011
Robinson, Walter, ‘Me Robot’, artnet.com, February 13, 2011
‘Henrik Olesen’, Kunst Bulletin, July – August 2011, p. 62
Dietrich, Nikola / Fabricius, Jacob, ‘To Make a Room of One’s Own – An Introductions’, exh. cat. How Do I Make Myself A Body, Malmö Kunsthall and Museum für Gegenwartskunst Basel, Hatje Cantz, 2011, pp. 7-9
Larsen, Lars Bang, ‘On Striking and Body Making’, exh. cat. How Do I Make Myself A Body’, Malmö Kunsthall and Museum für Gegenwartskunst Basel, Hatje Cantz, 2011, pp. 14-25
Hopf, Judith, ‘Contrat Entre Les Hommes Et Les Ordinateurs’, exh. cat. How Do I Make Myself A Body, Malmö Kunsthall and Museum für Gegenwartskunst Basel, Hatje Cantz, 2011, p. 26-27
Müller, Ariane, ‘U as in One’, exh. cat. How Do I Make Myself A Body, Malmö Kunsthall and Museum für Gegenwartskunst Basel, Hatje Cantz, 2011, pp. 80-85
‘To Have Done With The Judgment Of God’, A Radio Play by Antonin Artaud, 1947, 2011
2010
Evers, Elodie, ‘Henrik Olesen’, exh. cat. Kunsthalle Düsseldorf, Verlag der Buchhandlung Walther König, Cologne, 2010, pp. 94-101
McKenzie, Robert, ‘Please cremate my body. Loathing’, May, No. 5, October 2010, pp. 119-133
Rhomberg, Kathrin, ‘Berlin Biennale 2010 – Oranienplatz 17’, Kunstforum, Vol. 203, Juli – September 2010, pp. 98 – 99
‘7×14 Silberkuppe in Kur’, exh. cat. Silberkuppe – Under one umbrella, Bergen Kunsthall, Bergen, 2010, pp. 84 – 99
Delille, Damien, ‘Une histoire de la folle’, Kaiserin, Issue 07, Primo Semestre 2010, pp. 84-89
‘Henrik Olesen’, exh. cat. 6. Berlin Biennale für zeitgenössische Kunst, Berlin, 2010
2009
Wullschlager, Jackie, ‘Of dogs and doges’, Financial Times, June 13, 2009, p. 11
Olesen, Henrik, ‘Henrik Olesen’, exh. cat. Modernologies, Museum D’Art Contemporani de Barcelona, Barcelona, pp. 160-167
Bonacina, Andrew, ‘Henrik Olesen’, Frieze, Issue 128, January / February 2010, p. 129
Martin, Alberto, ‘Modernologies – Macba Barcelona’, Camera Austria International, Issue 108, p. 68
‘Henrik Olesen’, exh. cat. ‘Scorpio’s Garden’, Temporäre Kunsthalle Berlin, Berlin 2009, p. 20
Olesen, Henrik, ‘Talks About ‘Better Sleep with a Sober Cannibal than a Drunken Christian’ (with an introduction by Nicholas Cullinan), Artforum, October 2009, pp. 208-211
Aliaga, Juan Vicente, ‘Información y paradero desconocidos’, Exit Book, No. 11, p. 146
Luigi Fassi, ‘Future Bodies and Gender Prophecy’, Mousse Magazin, Issue 18, May 2009, pp. 12-16
Verwoert, Jan, ‘Secret Society’, Frieze, Issue 124, June 2009, pp. 132-137
Hontoria, Javier, ‘Barcelona: Mondernologies’, MAP, Issue 20, Winter 2009/10, p. 88
2008
Adorf, Sigrid, ‘Sex Brennt’, Camera Austria, 103-104, 2008, pp. 105-106
Busta, Caroline, ‘Henrik Olesen – Ludlow 38’, Artforum, January 2008, pp. 213-214
Eichler, Dominic, ‘How will this affect me?’, Frieze, Issue 120, January 2008, pp. 120-127
‘Henrik Olesen – Some Faggy Gestures’, exh. cat. Migros Museum für Gegenwartskunst, Zürich
Locher, Thomas, ‘See for Yourself’, Sum, Issue 3, pp. 79-87
Breitwieser, Sabine, ‘Sergej Jensen and Henrik Olesen’, Artforum, December 2008, p. 281
‘Henrik Olesen’, exh. cat. Dispersion, Institute of Contemporary Arts, London, pp. 63-76
Rabottini, Alessandro, ‘Oblique Vision’, MAP, Issue 14, pp. 48 – 53
vernissage.tv, Videoblog, http://vernissage.tv/blog/?s=kunstverein+cologne
Skupin, Bernd, ‘Die Macht der Pracht’, Vogue Deutschland, June 2008, p. 172
Bellavia, Salvatore, ‘Henrik Olesen’, Italia Italie Italien, published by Electa, Milano, pp. 78-83
Steinbrügge, Bettina, ‘Henrik Olesen’, Sammlung migros museum 1978 – 2008, Zürich, 2008, pp. 226-229
2007
‘Henrik Olesen: »London Goth«, »Paris Femmes«, »Lesbian-Americans«’, exh. cat. ‘NormalLove’, Künstlerhaus Bethanien, Berlin, 2007, p. 49, 78-79, 98
Olesen, Henrik / Hopf, Judith, ‘Türen’, exh. cat. Portikus, Frankfurt / Main 2007, texts by Eichler, Dominic, Rinck, Monica, Dietrich, Nikola Gonnela, Fanny, ‘Poetic materialism’, 008/100, Issue 7, p.100
‘Henrik Olesen’, exh. cat. Made in Germany, Sprengel Museum Hannover, 2007, pp. 134-135
‘Henrik Olesen’, Monopol, July 2007, No. 7, p. 134
‘A queer tour guide’, press release, Künstlerhaus Bethanien, Berlin, 2007
‘Türen’, press release, Portikus, Frankfurt Main, March 2007
Kuni, Verena, ‘Judith Hopf und Henrik Olesen: ‘Türen’ im Portikus’, Kunst Bulletin, Issue 5, p. 57
Herczeg, Stephan, ‘Die Größte aller Niederlagen’, Frankfurter Allegemeine Zeitung, June 24, p. 29
‘Erinnerungsarbeit’, Neue Züricher Zeitung, June 9
Schindler, Feli, ‘Henrik Olesen’, Tages-Anzeiger, June 12
Frochaux, Thierry, ‘Umschau’, P.S., June 14
‘Henrik Olesen im Migrosmuseum’, Zürich West, June 28
‘Henrik Olesen’, Collage – The (un)Monumental Picture, Mondadori Electa, Milan, pp. 76 – 86
2006
Olesen, Henrik, ‘Pre Post: Speaking Backwards’, exh. cat. Art After Conceptual Art, Generali Foundation, Vienna, pp. 213-230
‘Henrik Olesen’, Frieze Art Fair Yearbook 2006
Eichler, Dominic, ‘Projekt Migration’, Frieze, Issue 97, March 2006, pp. 153-154
Abs, Peter, ‘Hallo Wände: Henrik Olesen’, Spex, Issue 295, No. 01-02, 2006, p. 64
Beyn, Ariane / Ladewig, Rebekka, ‘Tino Seghal und Henrik Olesen’, Neue Review, January 2006, pp. 20-22
2005
Bell, Kirsty, ‘Henrik Olesen’, Art Now, ed. by Uta Grosenick, Cologne 2005, pp. 364-367
‘A Hierarchical Structure of Identity Norms makes up the Backdrop for a Surface Appearance of Normality in its Idealized Dimensions’, Henrik Olesen, exh. booklet Projekt Migration, Kölnischer Kunstverein, 2005, p. 120-121, engl. translation booklet, p. 80f
Krebber, Michael, ‘On how Henrik Olesen simultaneously dismantles and retains the graphic concept of the Secession’, exh. cat. Artists’ Books Revisited, Art Metropole, 2005
Blasi, Johanna, ‘Das andere Begehren’, Kölner Stadt-Anzeiger, No. 255, November 3, 2005 p. 34
Press release ‘Open Space’, Art Cologne, November 2005
Olesen, Henrik, contribution for basso magazin Issue 1 ‘sexual ambiguity’, Berlin
Kennedy, Alexander, ‘Kate Davis and Henrik Olesen’, The List, March 31 – April 14, 2005 p.103
Cubitt, ‘Henrik Olesen/ Kirsten Pieroth’, www.cubittartists.org.uk/current.html, 2/ 2005
2004
Rebentisch, Juliane, ‘Henrik Olesen’, exh. cat. Secession, Vienna 2004
‘Henrik Olesen’, Star Ship, No. 7 Y, publ. by Starship e.V. Berlin
‘Henrik Olesen’, Frieze, Yearbook, London 2004
Stange, Raimar, ‘ in der Galerie Kamm’, Kunst-Bulletin, September 2004, p. 41
Kopsa, Maxine, ‘Henrik Olesen’, Metropolis M, 3, June / July 2004, p. 102-105
Olesen, Henrik, ‘Open letter to The Wrong Gallery’, Wrong Times, ed. by The Wrong Gallery, New York 2004, p. 16.
2003
Stange, Raimar, ‘Henrik Olesen’, Magazin 8, Jahresbericht 2003, Salzburger Kunstverein, Salzburg 2003, pp. 93-94, 119
‘Henrik Olesen – Anthologie de l’Amour Sublime’, exh. cat. Sprengel Museum, Hannover 2003
‘Rent-a-Bench’, Introduction by Jacob Fabricius, exh. cat. Trapholt Museum, Kolding, Dänemark 2003, p. 5-7, illustration p. 58
Stange, Raimar, ‘Von Mann zu Mann’, Der Tagesspiegel, June 7, 2003, p. 24
Miller, John / Rosenberg, Aura, ‘6 oder 7 neue Arbeiten’, Neue Review, Berlin, July 2003, p. 28
‘Henrik Olesen’, GNS, exh. cat. Palais de Tokyo, Éditions Cercle d’Art, Paris, p. 168-173
Lorch, Katrin, ‘Henrik Olesen im Museum Abteiberg’, Kunst-Bulletin, April 2003, p. 55
Wege, Astrid, ‘Henrik Olesen. Collapse of Information’, exh. cat. Zusammenhänge herstellen, on the occasion of the same titled exhibition at Kunstverein Hamburg 2002, Cologne: DuMont 2003, pp. 56-62.
2002
Olesen, Henrik, ‘What is Authority?’, publ. by Pork Salad Press, Copenhagen
Diederichsen, Diedrich, ‘Die Dämonen der neuen Romantik’, Frankfurter Allgemeine Sonntagszeitung, November 3, 2002, Issue 44, p. 24
Frangenberg, Frank, ‘Der Betrachter gerät auf eine andere Spur – Henrik Olesen in der Galerie Buchholz’, Kölner Stadt-Anzeiger, Issue 45, Februar 22, 2002, p. 28
‘Ökonomie der Zeit’, exhibition folder, Migros Museum für Gegenwartskunst Zürich, November 8, 2002 – January 5, 2003
‘Strike’, exh. cat., Wolverhampton Art Gallery, September 14 – November 9, 2002 (Illustration)
Fabricius, Jacob, ‘Possible Works – Henrik Olesen and Kirsten Pieroth’, Flash Art, Issue 224, May – June 2002, pp. 98-99
Larsen, Lars Bang, ‘Natural Justice’, Frieze, Issue 70, October 2002, p. 78-81
Centre of Attraction, 8th Baltic Triennial of International Art, exhibition catalogue on the occasion of the same titled exhibition at Vilnius, Lithuania, September 14 – November 3, 2002, pp. 176-179
2001
Behm, Meike, ‘Transformationen des Alltäglichen in der zeitgenössischen Kunst’, exh. cat. Frankfurter Kreuz, Schirn Kunsthalle, Frankfurt am Main, June 16 – August 12, 2001, p. 246
Hoffmann, Justin, ‘No Swimming’, frieze, January / February 2001, p. 113
Larsen, Lars Bang, ‘New Settlements’, Aertext, No. 74, August 2001, p. 80f
Silver, Joanne, ‘Home is where the cliches aren’t. Visual Arts’, Boston Herald, February 2, 2001
Stange, Raimar, ‘minimal Moralia’, Kunst-Bulletin, Issue 9, September 2001, pp. 34-39
Temin, Christine, ‘Exhibition mixes art and architecture’, The Boston Globe, February 20
Verwoert, Jan, ‘New Settlements, Nicolaj Copenhagen’, Frieze, September 2001, p. 95
Vogel, Sabine, ‘Arbeiterparadiese ohne Arbeiter’, Berliner Zeitung, August 24, 2001
‘Henrik Olesen’, Trans Sexual Express, Centre d’Art Santa Mónica, Barcelona, 2001, pp. 142-147,176
‘Henrik Olesen – Lack of information’, exh. cat. Kunstverein Braunschweig, 2001, text by Buchmann, Sabeth
‘Inside Space. Experiments in redefining rooms’, exh. cat. MIT List Visual Arts Center, Cambridge, MA, USA, 2001, texts by Arning, Bill / Sanders, Joel, illustration p. 27
‘Jahresrückblick 2000 – Die besten Berliner Ausstellungen 2000: Zitty-Umfrage unter Kuratoren und Kritikern’, Zitty, Issue 1, p. 42f
2000
Berg, Ronald, ‘Giraffen sind schwul’, Zitty, Issue 21, p. 54
Cotter, Holland, ‘Marcel Odenbach and Henrik Olesen’, The New York Times, December 22, 2000
Hansen, Frederikke, ‘A twist in his sobriety’, nu: The nordic art review, Vol. 2, Issue 3-4, pp. 60-65
Hauffen, Michael, ‘No Swimming’, springerin, Vol. 6, Issue 4/2000, December 2000 – February 2001, p. 74
‘Irrsinn aus der Retorte’, Abendzeitung, August 28, 2000
Kofod Olsen, Sanne, ‘Tavsheder og forskelle: Repraesentationskritik i et nyt årtusinde. Værker af Henrik Olesen’, passepartout. skrifter for kunsthistorie, Issue 15, Vol. 8, pp. 265-273
Peters, Britta, ‘Kein Entweder-oder. Zwischenstufen bei Klosterfelde’, Szene Hamburg, Vol. 27, Issue 2, February 2000, p. 90
Stange, Raimar, ‘über Henrik Olesen’, artist kunstmagazin, Issue 4, November 2000 – January 2001, pp. 20-23
Stange, Raimar, ‘Henrik Olesen in der Galerie Klosterfelde’, Kunst-Bulletin, Issue 11, November 2000, p. 36
Stange, Raimar, ‘Henrik Olesen. Helga Maria Klosterfelde’, Flash Art, May – June 2000, p. 120
Sembill, Stefanie, All you can eat!, exh. cat., Galerie für Zeitgenössischen Kunst, Leipzig, pp. 5-6, 44-47
PARK, The main exhibition of Momentum – Nordic Festival of Contemporary Art 2000, exh. cat., pp. 76f
‘Stierkampf, Fotorealismus und leere weiße Wände’, Hamburger Abendblatt, March 2, 2000
1999
Camparini, Pier Luigi, ‘Dal genio di Goethe alle rassegne subalpine’, Corriere dell’Arte, November 6, p. 3
Funken, Peter, ‘Objects in the rear view mirror’, Kunstforum International, September – November, pp. 361-362
Föll, Heike, ‘Henrik Olesen’, kraftwerk Berlin, exh. cat., Aarhus Kunstmuseum, 2000, p. 73
Herbstreuth, Peter, ‘Mit den Ohren sehen’, Tagesspiegel, July 3,1999
Wendenburg, Christina, ‘Dichter als gedacht’, Berliner Morgenpost, June 15, 1999
1998
Herbstreuth, Peter, ‘Aus Milch wird Quark, aus Quark wird Leben’, Tagesspiegel, September 26, 1998
‘Maskuliner Styropor’, Ticket Berlin, September 10 – 16, 1998 p. 22
 

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Henrik Olesen

2 November 2016 - 15 January 2017 | Via Mottalciata 10/B

Group Show

Can I Step On It?

30 March - 14 May 2016

Henrik Olesen

Solo Show

5 Nov - 14 Jan 2011

Pieroth / Olesen

2002 Show

21 Feb - 16 Mar 2002

Henrik Olesen

Solo Show

15 Oct - 15 Nov 1999

JAC LEIRNER
Born in São Paulo, Brasil, 1961
Lives and works in São Paulo, Brasil
 
EDUCATION
1984 BFA, Fundação Armando Álvares Penteado, São Paulo, Brasil
 
RESIDENCIES AND AWARDS
2012
APCA Award: Best Exhibition of the Year – Estação Pinacoteca, São Paulo
2012
Yale University School of Art
2001
John Simon Guggenheim Fellowship
1991
University College, Oxford
1991
Ruskin School of Drawing and Fine Arts, Oxford University
1991
Museum of Modern Art, Oxford, England
1991
Walker Art Center, Minneapolis, United States
1998
Ryjksakademie Beeldende van Kunsten, Amsterdam
 
SOLO EXHIBITIONS
2017
Add It Up, The Fruitmarket Gallery, Edinburgh, UK
Institutional Ghost, IMMA Dublin
2016
Borders are Drawn By Hand, MoCa Pavilion, Shanghai
Junkie, White Cube Mason’s Yard, London
2015
Jac Leirner: metrica minima, Galeria Fortes Vilaca, Sao Paulo
2014
Jac Leirner, Pesos Y Medidas, Centro Atlantico de Arte Moderna, Las Palmas de Gran Canaria
Jac Leirner.Functions of a variable, Museo Tamayo, Mexico City
2013
Hardware Silk, White Cube, London
2012
Hardware Silk, Edgewood Avenue Gallery, Yale University School of Art, Connecticut; Galeria Fortes Vilaça, São Paulo
2011
Estação Pinacoteca, São Paulo
2010
Osso, Yvon Lambert, New York
2008
Osso 008, Centro Universitário da USP, Maria Antonia, São Paulo
Gallery Sonja Roesch, Houston
2006
Little Lights, Galeria Baró Cruz, São Paulo
Museu de Arte da Pampulha, Belo Horizonte
2005
Little Lights, Centre d ́Art de Saint Nazaire, Saint Nazare
2004
James Dean (and other writings), Galeria André Viana, Porto
Adhesive 44, Miami Art Museum, Miami
2003
Galerie Kusseneers, Antwerp
2002
Jac Leirner: Ad Infinitum, Centro Cultural Banco do Brasil, Rio de Janeiro
2001
Cem Temas, Uma Variação, exposição relâmpago, Museu de ArteModerna de São Paulo
Hip Hop, Centro Universitário da USP, Maria Antonia, São Paulo
Brent Sikkerma, New York
2000
Adesivos 0-9, Galeria Camargo Vilaça, São Paulo
Galeria Helga de Alvear, Madrid
1999
Centro Cultural, São Paulo
Projeto Parede, Museu de Arte Moderna de São Paulo
1998
Sala Mendoza, Caracas, Venezuela
Hip Hop, The Bohen Foundation, New York
1997
Foi um prazer, Galeria Camargo Vilaça, São Paulo
Nice to meet you, Galerie Lelong, New York
Paço Imperial, Rio de Janeiro
1994
Galerie Lelong, New York
1993
Galeria Camargo Vilaça, São Paulo
Corpus Delicti, Centre d ́Art Contemporain, Genebra
Casa de Cultura Mário Quintana, Porto Alegre
1992
Blue Phase and Ghost, Galerie Hoffman, Friedberg
Directions, Hirshhorn Museum and Sculputure Garden, Washington DC
1991
Currents, The Institute of Contemporary Art, Boston
Museum of Modern Art, Oxford
Viewpoints, Walker Art Center, Minneapolis
1989
Nomes, Galeria Millan, São Paulo
1987
Os Cem, Petite Galerie, Rio de Janeiro
Pulmão, Galeria Millan, São Paulo
1982
Objetos Brancos e Imagens Objetuais, Galeria Tenda, São Paulo
 
GROUP EXHIBITIONS
2018
‘Afinidades Eletivas’, Esther Schipper, Berlin, Germany
2017
Institutional Ghosts, IMMA, Dublin
2016
Between Object and Architecture, Tate Modern, London
Tertúlia, Galeria Fortes Vilaça, São Paulo
Obras, Lora Reynolds Gallery, Austin
A Moment of Grace, Modern Art Oxford
Elas: mulheres artistas no acervo do MAB, Museu de Arte Brasileira da Fundação Armando Álvares Penteado – MAB FAAP, São Paulo
Fora da Ordem – Obras da Coleção Helga de Alvear, Pinacoteca do Estado de São Paulo
Clube de Gravura – 30 Anos, MAM – Museu de Arte Moderna de São Paulo
Mount Analogue, Darrow Contemporary, Aspen
Situações: a instalação no acervo da Pinacoteca de São Paulo, Estação Pinacoteca, São Paulo
Auroras: pequenas pinturas II, Auroras, São Paulo
Os muitos e o um, Instituto Tomie Ohtake, São Paulo
Transparência e Reflexo, MuBE – Museu Brasileiro da Escultura, São Paulo
O Útero do mundo, MAM-SP – Museu de Arte Moderna de São Paulo
2015
The past, the present, the possible, Sharjah Biennial 12
10ª Bienal do Mercosul, Mesagens de uma nova América, Porto Alegre
Do Objeto para o Mundo – Coleção Inhotim, Instituto Itaú Cultural, São Paulo
Possibilities of the Object: Experiments in Brazilian Art, The Fruitmarket Gallery, Edinburgh
Museu Dançante, Museu de Arte Moderna de São Paulo
Encruzilhada, Parque Lage, Rio de Janeiro
Empty House / Casa Vazia, Luhring Augustine, New York
Retroprospectiva: 25 anos do Programa de Exposições CCSP, Centro Cultural São Paulo
Deserto Modelo, Herald St Gallery, London
O Espírito de Cada Época, Instituto Figueiredo Ferraz, Ribeirão Preto
Reverta – Arte e Sustentabilidade, OCA – Pavilhão Lucas Garcez, São Paulo
30RAT/ART, Luciana Brito Galeria, Sao Paulo
Empty House Casa Vazia, Luhring Augustine, New York
Possibilities of the Object: Experiments in Modern and Contemporary Brazilian Art, The Fruitmarket Gallery, Edinburgh
2014
Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros, Museum of Fine Arts Boston
Cruzamentos: Contemporary Art in Brazil, Wexner Center for the Arts, Ohio
Brazil: Arbeit und Freundschaft, Pivô, São Paulo
Banana Boat, Álvaro Razuk Arquitetura, São Paulo
Inventário da Paixão, Museu Histórico Nacional, Rio de Janeiro
À sua saúde, Museu Nacional de Brasília
Colour on Paper, Galeria Leme, São Paulo
Diálogos com Palatinik, Museu de Arte Moderna de São Paulo
Impulse, Reason, Sense, Conflict. Abstract Art from the Ella Fontanals-Cisneros collection, CIFO Art Space, Miami
A Two-Dimensional Surface Without Any Articulation Is a Dead Experience, BeatTricks, Milano
Do Objeto para o Mundo – Coleção Inhotim, Fundação Clóvis Salgado, Belo Horizonte
Coletiva de Verão, Galeria Fortes Vilaça, São Paulo
A two-dimensional surface without any articulation is a dead space, Beat Tricks, Milan
Permisson to be Global, Museum of Fine Arts, Boston
PERSONAL CHOICE: Collectors’ selections from their own collections, Garage Center for Contemporary Culture, Moscow
2013
Saberdesconocer, 43 Salón (inter)Nacional de Artistas, Medellín
Tomie Ohtake – Correspondências, Instituto Tomie Othake, São Paulo; Centro Cultural Correios, Rio de Janeiro
30x Bienal, Fundação Bienal de São Paulo
O Cotidiano na Arte, Santander Cultural, São Paulo
Noite Azul Elétrico, Galeria Mendes Wood DM, São Paulo
Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros, CIFO – Cisneros Fontanals Art Foundation, Miami
Geração 80, Galeria Berenice Arvani, São Paulo
Concrete Remains: Postwar and Contemporary Art from Brasil, Cristin Tierney Gallery, New York
ConcretraSonho, Galerie Krinzinger, Vienna
Tomie Ohtake: Correspondências, Instituto Tomie Othake, São Paulo
2012
Princípios Flexor, Galeria Gramatura, São Paulo
Trienal Poli/Gráfica de San Juan, San Juan
Hot Time Tube Machine, Canada New York Gallery, New York
This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art, Chicago
Aberto Fechado: Caixa e Livro na Arte Brasileira, Pinacoteca do
Estado de São Paulo, São Paulo
Parque Industrial, Galeria Luisa Strina, São Paulo
2011
748.600, Paço das Artes, São Paulo; Santander Cultural, Recife, Brasil
12th Istanbul Biennial, Istanbul
Leda Catunda, Carmela Gross, Jac Leirner e Jorge Macchi, Centro Universitário Maria Antônia, São Paulo
Viajantes Contemporâneos, Pinacoteca do Estado de São Paulo, São Paulo
O Museu Sensível, Museu de Arte do Rio Grande do Sul, Rio Grande do Sul
2010
The Traveling Show, Fundación/Colección Jumex, Ecatepec
Kierkgaards Walk, Galeria Marilia Razuk, São Paulo
Sempre à vista (Miragem), Galeria Mendes Wood, São Paulo
As Construções de Brasília, Instituto Moreira Salles, Rio de Janeiro
FIESP, São Paulo
2009
Jardim de infância: Os irmãos Campana visitam o MAM, Museu de Arte Moderna, São Paulo
Viagem a Campos: O MAM-SP visita o Palácio Boa Vista, Campos do Jordão, São Paulo
Objeto Imaginado, Centro Cultural de São Paulo, São Paulo
From Private to Public. Collections at the Guggenheim, Guggenheim Bilbao, Bilbao
Here is Every. Four decades of Contemporary Art, The Museum of Modern Art, New York
The Human Stain, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
Atenção: estratégias para perceber a arte, Museu de Arte Moderna, São Paulo
Cover, Museu de Arte Moderna, São Paulo
2da Trienal Poli/Gráfica de San Juan, San Juan
2008
Gabinete, Galeria Virgilio, São Paulo
This is Not a Void, Galeria Luisa Strina, São Paulo
Cover, Museu de Arte Moderna, São Paulo
Galeria Vermelho, São Paulo
Here is Every.Four Decades of Contemporary Art, Museum of Modern Art, New York
An Unruly History of Readymade, Fundación/Colección Jumex, Ecatepec
2007
Itaú Contemporâneo: arte no Brasil 1981–2006, Itaú Cultural, São Paulo
Strand, New York Center for the Arts and Media Studies, New York
2006
Manobras Radicais, Centro Cultural Banco do Brasil, São Paulo
Sikkema Jenkins and Co, New York
2005
5ª Bienal do Mercosul, Porto Alegre, Brasil
10 anos de um novo MAM: Antologia do Acervo, Museu de Arte Moderna, São Paulo, Brasil
2004
Galeria Baró Cruz, São Paulo, Brasil
Stil Life/Natureza Morta, Centro Cultural Fiesp, São Paulo, Brasil
Transversal, Galeria Baró Cruz, São Paulo, Brasil
As Bienais, Galeria Bergamin, São Paulo, Brasil
Fragmentos e Souvenirs Paulistanos, Galeria Luisa Strina, São Paulo, Brasil
Brent Sikkema, New York, United States
2003
Latinidades, SESC Pompéia, São Paulo, Brasil
ICA, University of Pennsylvania, United States
Meus Amigos, MAM – Villa Lobos, São Paulo, Brasil
Matéria Prima, Novo Museu, Curitiba, Brasil
Secrets in the Light of Day, Galeria Andre Viana, Porto, Portugal
A subversão dos meios, Institut o Cultural Itaú, São Paulo, Brasil
Jac Leirner Compressores e Condensadores, MAM – Villa Lobos, São Paulo, Brasil
Tomie Ohtake na Trama Espiritual da Arte Brasileira, Instituto Tomie Ohtake, São Paulo, Brasil
2002
O plano como estrutura/o plano como figura, Museu de Arte Moderna – Villa Lobos, São Paulo, Brasil
Keep in Touch, Brent Sikkema, New York, United States
Ceará Redescobre o Brasil, Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brasil
Paralelos – Arte Brasileira da Segunda Metade do Século 20 em conte xto, Coleção Cisneros, Museu de Arte Moderna de São Paulo, Museu de Arte Moderna do Rio de Janeiro, Brasil
Caminhos do Contemporâneo 1952/2002, Paço Imperial, Rio de Janeiro, Brasil
Transit. Latin American Art at the university gallery, University of Essex, Essex, England
2001
Espelho Cego (seleções de Uma coleção Contemporânea), Paço Imperial, Rio de Janeiro, Brasil
Obscura Luz, Instituto Itaú Cultural, São Paulo, Brasil
Experiment/Experiência: Art in Brazil 1958
2000
Museum of Modern Art, Oxford, England
Museum as Subjecta, National Museum of Art, Osaka, Japan
13 Horas, Sala Mendoza, Caracas, Venezuela
Deslocamentos do Eu, Paço das Artes, São Paulo, Brasil
Voilà, Le Monde dans la tête, Musée d ́Art Moderne de la Ville de Paris
The Marriage of Reason and Squalor, Museum of Modern Art, New York
Brasil 500 Anos Artes Visuais, Fundação Bienal de São Paulo, São Paulo
Século XX: Arte do Brasil, Fundação Calouste Gulbenkian, Lisboa
Zona F, Espai D ́Art Contemporain de Castelló, Spain
Versiones del Sur, Museo Centro de Arte Reina Sofia, Madrid
7ª Bienal de la Habana, Havana
Ads Logos and Videotapes, Galeria Helga de Alvear, Madrid
Vanitas (Meditations on Life and Death in Contemporary Art), Virginia Museum of Fine Arts, Richmond
Outros 500 (Highlights of Brazilian Contemporary Art), Albert Sloman Library, University of Essex, England
1999
Museum as Muse: Artists Reflect, Museum of Modern Art, New York
America Latina: De las Vanguardias al Fin del Milenio, Centro Cultural Culturgest, Lisboa
O Objeto, Anos 60-90, Instituto Cultural Itaú/Museu de Arte Moderna do Rio de Janeiro
Por que Duchamp?, Paço das Artes, São Paulo
Art Lovers, First Liverpool Biennial of Contemporary Art, Liverpool
Panorama da Arte Brasileira 1999, Museu de Arte Moderna de São Paulo e Museu de Arte Contemporânea de Niterói, Rio de Janeiro
1998
Teoria dos Valores, Museu de Arte Moderna de São Paulo, Fundação Casa França Brasil, Rio de Janeiro
Transatlântico, Centro Atlântico de Arte Moderno, Las Palmas de Gran Canaria
Der Brasilianische Blick, Coleção Gilberto Chateaubriand, Haus der Kulturen der Welt, Berlin
Além do Arco Íris, Fundação Armando Álvares Penteado, São Paulo
Petite Galerie – Uma visão da Arte Brasileira (1954–1988), Paço Imperial, Rio de Janeiro
1997
47ª Bienalle di Venezia, Venice
15 Artistas Brasileiros, Museu de Arte Moderna, Rio de Janeiro
Así esta la cosa: Arte, Objecto y Instalaciones de America Latina, Centro Cultural Arte Contemporaneo, Mexico
Além da Forma, Casa das Rosas, São Paulo
1996
Inclusion/Exclusion, Graz Kunst Museum, Graz
15 Artistas Brasileiros, Museu de Arte Moderna de São Paulo
Sin Fronteras/ Arte Latino Americano Actual, Museo Alejandro Otero, Caracas
Pequenas Mãos, Paço Imperial, Rio de Janeiro
Defining the Nineties, Museum of Contemporary Art, Miami
1995
Latin American Women Artists, Milwaukee Art Museum, Milwaukee
Latin American Women Artists, Denver Art Museum, Denver
Boarder Crowl, Kukje Gallery, Seoul
About Place: Recent Art in the Americas, The Art Institute of Chicago, Chicago
Anos 80: O Palco da Diversidade–Coleção Gilberto Chateaubriand, Museu de Arte Moderna, Rio de Janeiro
Coleção Valentina y Ignacio Oberto, Museo de Arte Contemporâneo Sofia Imber, Caracas
Oh Beauty, Regina Gallery, Moscow
Classifictions, Galerie Art and Essai, Université de Rennes, France
Continuum- Brazilian Art, 1960s–1990s, University Gallery, University of Essex, Essex
1994
Bienal Brasil Século XX, Fundação Bienal de São Paulo, São Paulo
Sense and Sensibility: Women Artists and Minimalism in the Nineties, Museum of Modern Art, New York
BR/UK, Museu de Arte Moderna/British Council, Rio de Janeiro
América, Universidade Federal de Juiz Fora, Minas Gerais, Brasil
1993
Latin America Artists of the XX Century, Museum of Modern Art, New York
Ultramodern: The Art of Contemporary Brazil, The National Museum of Women in the Arts, Washington, D.C.
A Presença do Ready-Made, 80 anos, Museu de Arte Contemporânea, São Paulo
Brasil Hoy, Valenzuela & Klenner Galeria, Bogotá
1992
By Arrangement, Galerie Ghislaine Hussenot, Paris
Latin American Artists of the XX Century, Pavilhão das Armas, Seville; Hotel Des Arts, Paris; Kunsthalle Josef Haubrich, Cologne
Only Paper?, Stadtische Galerie Villa Zanders, Bergisch Gladbach
Branco Dominante, Galeria São Paulo
Berlin 37 Räume, Kleine Hamburger 15, Germany
Quatro Brasileiros na Documenta, Museu da República, Rio de Janeiro
1991
Viva Brasil Viva, Kulturhuset, Stockholm
Brasil: La Nueva Genereacíon, Museo de Belas Artes, Caracas
Transmission, Roseeum Center for Contemporary Art, Malmo
Fluxus Virus, Galerie Schupenhauer, Cologne
Documenta IX, Kassel
1990
Aperto 90, Biennale di Venezia, Venice
Transcontinental, Ikon Gallery, Birmingham
Contemporary Art Brazil/Japan, Tokyo Central Museum, Japan
Past Future Tense, Winnipeg Art Gallery; Vancouver Art Gallery, Canada
$, Gust Vasiliades Gallery, New York
Brasil-Japão de Arte Contemporânea, Museu de Arte de São Paulo, Brasil
1989
Projeto Arte em Jornal, Jornal da Tarde, São Paulo
20ª Bienal Internacional de São Paulo, São Paulo
Galerie Andata/Ritorno, Basel Art Fair, Switzerland
1988
Panorama de Arte Atual Brasileira–Formas Tridimensionais, Museu de Arte Moderna de São Paulo, São Paulo
Papel no Espaço, Galeria Aktuell, Rio de Janeiro
1986
V Bienal Americana de Artes Gráficas, Museu de Arte Moderno, Cali
A Nova dimensão do objeto, Museu de Arte Contemporânea de São Paulo, Brasil
Uma virada no século, Pinacoteca do Estado de São Paulo, São Paulo
1985
SP3, Petite Galerie, Rio de Janeiro
1984
Proposta para os anos Oitenta, Pinacoteca do Estado de São Paulo, Brasil
1983
Arte nas Ruas, Museu de Arte Contemporânea de São Paulo, São Paulo
Arte e Videotexto, XVII Bienal Internacional de São Paulo
 
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JASON DODGE
Born in 1969, Newton, Pennsylvania
Lives and works in Berlin, Germany
 
EDUCATION
1996
MFA, Yale University School of Art, New Haven, CT
1992
BFA, Maryland Institute College of Art, Baltimore, MD
1991
Independent Study, Studio Art Centers International, Florence, Italy
1990
Independent Study, in association with Maryland Institute, Malawi, Africa
 
AWARDS AND FELLOWSHIPS
2005/06
Ars Viva, Germany
2004
Residency at Villa Arson, Nice, France
1999
IASPIS, International Artists’ Studio Program in Sweden, Stockholm, Sweden
1996
Fannie B. Pardee Prize, Yale University, New Haven, CT
1995
Schickle Collingwood Prize, Yale University, New Haven, CT
 
SOLO EXHIBITIONS
2018
Galleria Franco Noero, Turin, Italy
TBA21, Thyssen-Bornemisza Art Contemporary, Wien, Austria
2017
‘Liberty’, Kunsthalle Bremerhaven, Bremerhaven, Germany
‘Jason Dodge/ Paul Thek’, Schinkel Pavillon, Berlin, Germany
2016
‘Behind this machine anyone with a mind who cares can enter’, Insitut d’Art Contemporain Villeurbanne/Rhône-Alpes, Villeurbanne, France
‘Jason Dodge with CAConrad Width of a Witch’, Mercer Union, Toronto, Canada
2015
‘Jason Dodge’, Centre d’Edition Contemporain, Geneva, Switzerland
2014
‘These, ours’, Galleria Franco Noero, Turin, Italy
‘We Are The Meeting’, Casey Kaplan, New York, USA
2013
‘What we have done.’, Henry Art Museum, Seattle, USA
‘Two person show’, Archaeological Museum Athens, Athens, Greece
Lentos Kunstmuseum, Linz, Austria
‘Jason Dodge | Martino Gamper’, American Academy in Rome, Rome, Italy
2012
Kunstverein Nürnberg, Nurnberg, Germany
Galleria Franco Noero, Turin, Italy
2011
‘Jason Dodge’, Andersens Contemporary, Copenhagen, Denmark
CAC Vilnius, Lithuania
‘The Language of Less (Then and Now)’, Art Museum of Contemporary Art Chicago, Chicago
2010
Lüttgenmeijer, Berlin, Germany
Veneklasen/Werner, Berlin, Germany
Yvon Lambert, Paris, France
‘I woke up. There was a note in my pocket explaining what had happened’, La Galerie, Noisy le Sec, France
‘I woke up. There was a note in my pocket explaining what had happened’, Kunstverein Hannover, Germany
2009
‘And for this I will call you the listener’, Project Space, Kunstverein Düsseldorf, Germany
‘When I woke up. There was a note in my pocket explaining what had happened’, Casey Kaplan, New York, NY
Yvon Lambert, Paris, France
2008
Lüttgenmeijer, Berlin, Germany
Massimo De Carlo, Milan, Italy
‘Rituals: Jason Dodge / Tereza Buskova’, One One One (The David Roberts Art Foundation), London, United Kingdom
2007
Yvon Lambert, Paris, France
2006
REC., Berlin, Germany
Casey Kaplan, New York, NY
2005/04
‘Installation Series’, Orange County Museum of Art, Newport Beach, CA
traveled to Villa Arson, Nice, France*
2003
‘Mercury Vapor Lamp & a Month of Sundays’, Casey Kaplan, New York, NY
2002
‘Milton Keynes New City’, Galleria Massimo De Carlo, Milan, Italy
‘Milton Keynes New City’, c/o Atle Gerhardsen, Berlin, Germany
2001
‘Biathlon’, Casey Kaplan 10-6, New York, NY
2000
Casey Kaplan, New York, NY Taka lshii Gallery, Tokyo, Japan
1999
‘Anders Contrave: Part 1’, Art Statements, Art/30/Basel, Messe Basel, Basel, Switzerland
‘Anders Contrave: Part 2, Your Description of an Impossible Scenario of How We Could Be Together is What Made Me Love You and Broke Both our Hearts’, Moderna Museet Projekt, Stockholm, Sweden
1998
‘Helsinki’, Casey Kaplan, New York, NY
 
GROUP EXHIBITIONS
2018
‘Stories of Almost Everyone’, Hammer Museum, Los Angeles, USA
‘Rehearsal’,Tai Kwun, Hong Kong, China
2017
‘Sever’, Galeria Boavista, Lisbon, Portugal
‘Enemy of the stars’, curated by Jason Dodge and and Krist Gruijthuijsen, director of KW Institute for Contemporary Art, KW Institute for Contemporary Art, Berlin, Germany
‘Neither’, Mendes Wood DM, Brussels, Belgium
‘The trsnsported man’, The Broad Museum, East Lansing, USA
‘An Inventory of Shimmers: Objects of Intimacy in Contemporary Art’, MIT List Visual Arts Center, Cambridge, MA, USA
‘A rock that keeps tigers away’, Kunstverein Munich, Munich, Germany
‘More Than Just Words [On the Poetic]’, Kunsthalle Wien Museumsquartier, Wien, Austria
‘No Place Like Home’, The Israel Museum, Jerusalem, Israel
2016
‘Can I Step On It?’, Galleria Franco Noero, Torino, Italy
9th Liverpool Biennial, Liverpool, UK
‘No One and One Hundred Thousand’, Kunsthalle Wien, Wien, Austria
‘Fluidity’, Kunstverein in Hamburg, Hamburg, Germany
‘Prototypology: An Index of Process and Mutation’, Gagosian Gallery, Rome, Italy
2015
Collection’15, Institute of Contemporary Art Villeurbanne/ Rhône-Alpes, Villeurbanne, France
‘Artists’ Voices’, Centre d’édition Contemporaine, Genéve, Switzerland
‘WOOSH’, Griffin Art Projects, Vancouver, Canada
‘Blue Moon: The feeling of light’, Kunsthalle Duderstadt, Germany
‘A Space is a Space is a Space’, DAZ, Berlin
‘Être chose’, Centre International d’Art et du Paysage, Ile de Vassivière, France
‘The doorstep’, Jhaveri Contemporary, Mumbai, India
‘Out of Office’, Museum of Contemporary Art Chicago, Chicago, IL, USA
‘You’re in the Right Place’, Fondazione Sandretto Re Rebaudengo, Turis, Italy
‘The Blue of Distance’, Aspen Art Museum, Aspen, CO, USA
‘Le regole del gioco’, Studio Achille Castiglioni, Milan, Italy
‘Conversation sur l’invisible’, Galerie Martine Aboucaya, Paris, France
2014
‘SMALL Rome’, FRUTTA, Rome, Italy
‘@ the shrink’, Shanaynay, Paris, France
‘Never Look Back When Leaving’, Casey Kaplan, New York, USA
‘WAR’, Mostyn, Llandudno, Wales
‘The Crime Was Almost Perfect’, Witte de Whith Center for Contemporary Art, Rotterdam
‘The Peacock’, Grazer Kunstverein, Graz
2013
‘Night (1947-2015)’, Philip Johnson’s glass house
‘1966-79’, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, Villeurbanne, France
12th Biennale de Lyon, curated by Gunnar B. Kvaran, Lyon, France
‘A House of Leaves. Third Movement’, curated by Vincent Honoré, David Roberts Art ‘Foundation,’ London, England
‘Now Here is Also Nowhere II’, Henry Art Gallery, WA
Archeological Museum Athens, Athens, Greece
‘Specific Collisions’, Curated by Melissa Gordon, Marianne Boesky
The 9th Mercosul Biennial, curated by Sofía Hernández Chong Cuy, Porto Alegre, Brazil
Lithuanian Pavilion, 55th Venice Biennial, Venezia, Italy
‘Sin motivo aparente’, cur. Javier Hontoria, CA2M Museum, Madrid, Spain
»Struktur & Organismus«, Mühldorf, Austria
‘L’Image papillon’, MUSAM, Luxembourg
Vistamare, Pescara, Italy
‘A Stone Left Unturned’, cur. by Simon Castets, Yvon Lambert, Paris, France
2012
No. 17, Casey Kaplan, New York
‘Intense Proximité’, 3d edition La Triennale, Palais de Tokyo, Paris, France
Group exhibit curated by Dieter Roelstraete, Museum of World Culture, Gothenburg, Sweden
‘Economy of Means: Toward Humility in Contemporary Sculpture’, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Taipei Biennial curated by Anselm Franke, Taipei, Taiwan
‘Metaphoria’, Guimaraes, Portugal
‘Dimensions Variables’, Institut d’Art Contemporain Villeurbanne / Rhone-Alpes, Villeurbanne, France
‘A House of Leaves. Second Movement’, curated by Vincent Honoré, David Roberts Art Foundation, London, England
Independent Fair, New York, NY presented by Venneklasen Werner, Berlin
2011
‘In the Name of the Artists – American Contemporary Art from the Astrup Fearnley Collection’, in cooperation with the Sao Paulo Biennale, Astrup Fearnley Museum of Modern Art, São Paulo, Brazil
‘Arte Essenziale’, Frankfurter Kunstverein, Frankfurt am Main, Germany
‘Poste Restante’, Limoncello, London
‘30th Sao Paulo Biennial’, Sao Paulo, Brazil
‘Adrift’, Memphis College of Art, Tennessee
‘The Bell Show’, Lüttgenmeijer, Berlin, Germany
‘The Workers’, Mass Moca, MA
‘Light in Darkness’, Western Bridge, Seattle, Washington
‘Language of less (then & now)’, Museum of Contemporary Art Chicago, Chicago, Illinois*
‘Essential Art’, Collezione Maramotti, Reggio Emilia, Italy
‘Barely There’, Museum of Contemporary Art and Design, Detroit, MI*
‘Blessedness’, COCO Kunstverein, Vienna, Austria
‘MOMENTUM 2011’, 6thNordic Biennial for Nordic Contemporary Art, Moss, Norway ‘More or Less: A Few Pocket Universes’, Gallery Augusta, Helsinki, Finland
2010/2011
‘En Cada Instante, Ruptura’, curated by Carla Herrera-Prats and Susan Cross, Sala de Arte Publico Siqueiros, Mexico City, Mexico, travelling to Mass MoCA, The Workers: Contemporary Representations of Labor
2010
‘21st Century Outlook’, Frac Ile-de-France/Le Plateau, Paris, France
‘En Cada Instante, Ruptura’, curated by Carla Herrera-Prats, Sala de Arte Publico Siqueiros, Mexico City, Mexico
‘L’Exposition Lunatique’, Kadist Art Foundation, Paris, France
‘Objects are like they appear’, Meessen de Clercq, Brussels, Belgium
‘Exhibition, Exhibition’, curated by Adam Carr, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy *
‘Reflection: 15 Years’, Casey Kaplan, New York, NY
‘The Berlin Box’, curated by Friederike Nymphius, CCA Andratx, Mallorca, Spain ‘Freeze’, Nils Staerk Gallery, Copenhagen, Denmark
‘Woodman Woodman Spare That Tree’, Lüttgenmeijer, Berlin, Germany
2009
‘Into Black… et pas blanc comme neige’, Dazibao Centre de Photographies Actuelles, Montreal, Canada
‘Cargo Manifest’, Kunsthalle Autocenter, Berlin, Germany
‘Scorpios Garden’, Temporäre Kunsthalle, Berlin, Germany*
‘Plus Général En Particular’, Frac des Pays de la Loire, Carquefou, France
‘Spatial Works’, curated by Theodor Ringborg, Färgfabriken, Stockholm, Sweden
‘Cargo Manifest’, Bavarian State Opera, Bayerische Straatsoper, Munich, Germany
‘The Quick and the Dead’, curated by Peter Eleey, Walker Art Center, Minneapolis, MN
‘Gallery III’, Casey Kaplan, New York, NY
2008/09 ‘The Awakening of the Birds: Homage to Olivier Messiaen’, Collection Lambert, Avignon, France
2008
‘Tell me everything you saw and what you think it means: Jason Dodge / Lisa Oppenheim / Elisabeth Magdalena Reitmeier’, Galerie Iris Kadel, Karlsruhe, Germany
‘I Vedenti’, curated by Luca Cerizza, Uovo Open Space, Basel, Switzerland
‘Neutre Intense’, MITIM La Maison Populaire Centre D’Art, Montreuil, France
‘Le Cabinets des Merveilles’, Eternuements de Corneilles, Pieds d’Huîtres et Oeufs de Léopard, la Galerie du Conseil Général in Aix-en-Provence, France
‘Arts Le Havre’: Biennale of Contemporary Art, Le Havre, France
‘The Store’, curated by Adam Carr, Tulips & Roses, Vilnius, Lithuania
‘Visions/Nocturnes’, La Galerie, Noisy-le-Sec, France
‘Ultramoderne’, CAC Passerelle, Brest, France
2008/07 ‘From a distance’, curated by Vincent Honoré, Wallspace, New York, NY
2007
‘This Winter’, Casey Kaplan, New York, NY
‘You Always Move in Reverse’, curated by Bjarne Melgaard, Leo Koenig Inc., New York, NY
‘Ultramoderne’, Luxemberg et Grande region capitale europeenne de la culture 2007, Luxemburg
‘Vincent Honoré Curates’, Wallspace, New York, NY
‘SOME TIME WAITING’, curated by Adam Carr, Kadist Art Foundation, Paris, France
2006
‘Into Black’, Western Bridge, Seattle, WA
‘When the Moon Shines on the Moonshine’, curated by Robert Meijer, The Breeder, Athens, Greece
‘Street: Behind the Cliché’, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
‘Message Personnel’, Galerie Yvon Lambert, Paris, France
2006/05
‘Ars viva 05/06 – Identity’, KW Institute for Contemporary Art, Berlin, Germany
‘Ars viva 05/06 – Identity’, Kunsthalle Rostock, Rostock, Germany; Extra City – Museum for Contemporary Art, Antwerp, Belgium; Kunst-Werke Berlin e.V. Institute for Contemporary Art, Berlin, Germany*
2005
‘24th Incidental’, part of Performa Biennial 2005, Swiss Institute of Contemporary Art, New York, NY
‘Parallel Life’, Frankfurt Kunstverein, Frankfurt, Germany
‘Goodbye Fourteenth Street’, Casey Kaplan, New York, NY
‘Therefore Beautiful’, Ursula Blickle Stiftung, Kraichtal- Unteröwisheim, Germany
2004
‘None of the Above’, Swiss Institute-Contemporary Art, New York, NY
‘The Stars Are So Big’, The Earth Is So Small..Stay As You Are (Part II), Esther Schipper, Berlin, Germany; traveling to Studio Manuela Klerkx, Milan, Italy
‘Formalism. Modern Art Today’, Hamburg Kunstverein, Hamburg, Germany*
‘Repeat Performance’, Artists Space, New York, NY and Villa Arson, Nice, France
2003
‘160 Meisterzeichnungen’, Oldenburger Kunstverein, Oldenburg, Germany
‘Nation’, Franfurter Kunstverein, Frankfurt, Germany
‘Adorno’, Franfurter Kunstverein, Frankfurt, Germany*
‘Unbuilt Cities’, Bonner Kunstverein, Bonn, Germany*
2003/02
‘The Fall’, curated by Jesper N. Jørgensen, Galleri Christina Wilson, Copenhagen, Denmark
2002
‘Lap Dissolve’, Nathan Carter, Jason Dodge, Ceal Floyer, Liam Gillick, Carsten Höller & Simon Starling, Casey Kaplan, New York, NY
Gallery Luhman, Nils Staerk Contemporary Art, Copenhagen, Denmark
2001
‘The Wedding Show’, Casey Kaplan 10-6, New York, NY
‘Casino’, S.M.A.K., Ghent, Belgium
2001/00
‘The Rules of Croquet’, The Rules of a Fluttering Heart, part of Halcyon Days, organized by the Public Art Fund, MetroTech Center, Brooklyn, NY
2000
‘10 – 6’, Casey Kaplan, New York, NY
‘What if?’, Moderna Museet, Stockholm, Sweden
‘Game On!’, Sara Meltzer Gallery, New York, NY*
Echigo-Tsumari Art Triennial, Niigata, Japan
‘Luggage’, Galerie Max Hetzler, Berlin, Germany
‘All You Can Eat’, Galerie Fur Zeitgenossische Kunst, Leipzig, Germany
1997
‘Clean and Sane’, curated by Maria Lind, Edsvik Konst Kultur, Sollentuna, Sweden, traveled to Galleri F15, Moss, Norway
1995
‘Familiar places/Currents ‘95’, ICA, Boston, MA
‘Verisimilitude’, curated by Gregory Crewdson, White Columns, New York, NY
 
PERMANENT COLLECTIONS
Astrup Fearnley Museum of Modern Art, Oslo, Norway
Corcoran Gallery of Art, Washington D.C.
Moderna Museet, Stockholm, Sweden
Solomon R. Guggenheim Museum, New York, NY
Frac des Pays de la Loire, Carquefou, Franc
Institut d’art contemporain, Villeurbanne/Rhône-Alpes, Villeurbanne, France
Israel Museum, Jerusalem, Israel
 
PUBLICATIONS
2016
Jason Dodge with CAConrad, ‘Width of a Witch’, Mercer Union
2015
‘Fivehundred places’, edited by Jason Dodge, Motto Distribution
2014
Dodge, Jason, ‘A permanently open window’, Mousse Publishing
2011
‘Drawing Room Confessions: Jason Dodge’, Issue #2, London: Drawing Room Confessions, 2011
‘language of less (then & now)’, edited by Michael Darling and David Raskin, Chicago: Museum of Contemporary Art, 2011, p. 30-32, 55-57.
‘Barely There’, Part I, exh. cat., Detroit: Museum of Contemporary Art Detroit, 2011*
2010
‘Exhibition, Exhibition’, edited by Adam Carr, Castello di Rivoli, Milan, Skira: 2010
‘The Art of Tomorrow’. Edited by Laura Hoptman, Yilmaz Dziewior, Uta Grosenick, Distanz, Verlag, Germany, 2010, p.114-117.
‘Jason Dodge: I woke up. There was a note in my pocket explaining what had happened’. Edited by Friederike Schönhuth, Hatje Cantz, Germany, 2010
2009
‘Scorpio’s Garden’, compiled by Kirstine Roepstorff, Temporäre Kunsthalle Berlin, Verlag der Buchhandlung Walther König, Köln, 2009.
‘The Quick and the Dead’, curated by Peter Eleey, Walker Art Center, D.P.A Publishers, Minneapolis, 2009.
2008
Dodge, Jason, ‘Homing Pigeons’, Paris: Onestar Press, 2008.
‘Jason Dodge’, Editions Yvon Lambert, Paris, 2007.
2005
‘Ars Viva 05/06: Identity: Jason Dodge, Takehito Koganezawa, Michaela Meise, Robin Rhode’, Frankfurt: Revolver, 2005.
Hoffman, Irene and Laurence Gateau (eds.), ‘Jason Dodge’. Newport Beach, CA and Nice, France: Orange County Museum of Art & Villa Arson, 2005.
2004
Dziewior, Yilmaz, et. al, ‘Formalism. Modern Art, Today’. Germany: Kunstverein Hamburg & Hatje Cantz Verlag, 2004.
2003
Graw, Isabelle and Georg Schöllhammer, Adorno: The Possibility of the Impossible, Frankfurt: Franfurter Kunstverein, 2003.
Pohlen, Annelie, ‘Unbuilt Cities’, Bonn: Bonner Kunstverein, 2003-2004.
2001
‘AUTUMN WINTER SPRING SUMMER AUTUMN’, Krabbesholm, Denmark, 2001.
Spector, Nancy (catalogue text), Moderna Museet Projekt: Jason Dodge, Stockholm: Moderna Museet, 2001.
2000
‘Game On!’, Sara Meltzer Gallery, New York, 2000, 5.
‘All You Can Eat’, Galerie Fur Zeitgenbssische Kunst, Leipzig: Galerie Fur Zeitgenbssische Kunst, 2000.
1997
‘Fresh Cream’, London: Phaidon, 1997.
‘Clean & Sane’, Edsvik Konst och Kultur, Sollentuna, Sweden, and Galleri FiS, Moss, Norway, 1997.
 
BIBLIOGRAPHY
2011
Wilson-Goldie, Kaelen, ‘Critics Picks: ‘The Workers,’ Artforum online, May 2011.
2010
Cerizza, Luca, ‘Jason Dodge,’ Frieze, July/August 2010, 178.
2010
Hixson, Kathryn, ‘The Quick and the Dead, Minneapolis,’ Art Papers, January/ February 2010, 62.
2010
Lewis, David, ‘Jason Dodge: Galerie Yvon Lambert,’ Artforum online, April 2010
Sholis, Brian, ‘Jason Dodge Casey Kaplan Gallery,’ Artforum, January 2010.
2009
Coburn, Tyler. ‘Rear View December.’ Art Review Dec. 2009: 121.
Jackson, Matthew Jesse. ‘The Quick and the Dead’, ArtForum, November 2009.
Stern, Steven, ‘The Quick and the Dead,’ Frieze, September 2009.
Giroud, Vincent, ‘Les vivants et les morts,’ www.nonfiction.fr, July 2009.
Thomas, Dylan, ‘Questions only art can answer,’ Southwest Journal, May 2009.
Simons, Tad. ‘The Quick and the Dead @ The Walker Art Center,’ Mpls St.Paul Magazine, May 2009.
Walleston, Aimee. ‘Weird Science,’ V Magazine, Spring 2009.
‘Walker Art Center announces exhibition that examines the magic and mysteries of conceptual art,’ April 2009.
2007
Carr, Adam, ‘You Always Move in Reverse: An Interview with Jason Dodge,’ Uovo
Magzine, Issue 13, April –June 2007, p. 148-167.
2006
‘Goings on About Town,’ The New Yorker, May 15, 2006. Barliant, Claire, [Online,Internet]’New York; Critics’ Picks,’ Artforum, May 2006, www.artforum.com.
Coffey, Justin Edward, ‘Thought, Provoking,’
2005
The Orange County Weekly, September 16-22, 2005, www.ocweekly.
Rosenberg, Angela, ‘Where is Wickerfinn Lutz?’ Parkett, May 2005, p. 11-15.
Kley, Elisabeth, ‘Goodbye Fourteenth Street: A Review,’ ARTnews, May 2005, p. 146.
2004
Roberta, Smith, ‘Jonah Freeman, ‘The Franklin Abraham,’’ The New York Times, July 30, 2004, p. 35. Johnson, Ken, ‘Art in Review: Repeat Performance,’ The New York Times, 11, 2004, p. E 38.
2003
Chasin, Noah, Time Out New York, November 6-13, 2003, Issue 423, p. 59. ‘Goings on About Town,’ The New Yorker, November 10, 2003, p. 27.
‘Art: Galleries,’ New York Magazine, November 3, 2003.
Saltz, Jerry, ‘Babylon Rising,’ The Village Voice, September 5, 2003.
Eichler, Dominic, ‘Jason Dodge,’ Frieze, January / February 2003, p 92.
2002
Charlesworth, JJ, ‘Sign and Substance in Recent Sculpture,’ Art & Text, Fall 2002, p. 36-43.
2000
Scott, Michael, ‘Game On! Sarah Meltzer Gallery,’ Time Out New York, July 6, 2000.
Debord, Matthew, ‘Review: Jason Dodge,’ Art & Text, No 69, July 2000.
Avgikos, Jan, ‘Reviews: Jason Dodge,’ Artforum, May 2000.
Smith, Roberta, ‘Art in Review: Jason Dodge,’ The New York Times, February 4, 2000.
Anton, Saul, ‘Jason Dodge,’ Time Out New York. February 17, 2000.
Long, Andrew, ‘Goings on about town: Jason Dodge,’ The New Yorker, February 7, 2000.
Levin, Kim, ‘Voice choices/art: Jason Dodge,’ The Village Voice, Feb. 8, 2000.
1998
Jones, Ronald, ‘Best of 1998; Jason Dodge,’ Artforum, December 1998.
Williams, Gregory, ‘Views: Jason Dodge,’ Siksi, Summer 1998.
Saltz, Jerry, ‘Jason Dodge,’ Time Out New York, May 7, 1998.
Johnson, Ken, ‘Art in Review: Jason Dodge,’ The New York Times, May 1, 1998.
Codrington, Andrea, ‘Public Eye,’ The New York Times, January 15

* refers to catalogues
 
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Jason Dodge

19 February - 15 May 2018 | Via Mottalciata 10/B

Jason Dodge

19 February - 17 March 2018 | Piazza Carignano 2 - Site specific installation

Group Show

Can I Step On It?

30 March - 14 May 2016

Jason Dodge

These, ours.

16 Set - 25 Ott 2014

Jason Dodge

Solo Show

22 Mar - 5 May 2012

JEFF BURTON

Born in 1963, Anaheim, CA
Lives and works in Los Angeles, CA

 

EDUCATION

Art Matters Foundation, Grant Recipient
MFA, California Institute of the Arts, Valencia, CA
BFA, Texas Christian University, Forth Worth, TX

 

SOLO EXHIBITIONS

2011

‘Polaroids’, Galleria Franco Noero, Torino
2010

‘Portraits’, Casey Kaplan Gallery, New York, NY
2007

Galleria Franco Noero, Torino

2006

Casey Kaplan, New York

 

SELECTED GROUP EXHIBITIONS

2016

‘Camera of Wonders, Casa Franca-Brazil, Rio de Janeiro, Brazil

Defying Darkness: Photography at Night’, Museum of Photographic Arts, San Diego, CA

‘Camera of Wonders’, Medellin Museum of Modern Art, Medellin, Colombia

2015

‘Camera of Wonders’, Centro de la Imagen, Mexico City

In Girum Imus Nocte et Consumimur Igni’, Museo Jumex, Mexico City

‘viewer DISCRETION… children of BATAILLE’, Stux + Haller Gallery, New York, NY

He: The Hergott Shepard Photography Collection’, The University of Michigan Museum of Art, Ann Arbor, Michigan

2014

‘One Way: Peter Marino’, Bass Museum of Art, Miami, FL

Something Beautiful’, Marianne Boesky, New York, NY

Never Look Back When Leaving’, Casey Kaplan, New York, NY

‘Darren Bader’, Andrew Kreps, New York, NY

2012

‘No. 17’, Casey Kaplan Gallery, New York City, NY

BIBLIOGRAPHY

SELECTED PUBLICATIONS

2010

‘I Want to See How You See’, Julia Stoschek Collection, Deichtorhallen, Hamburg, Germany April 16 – July 25, 2010, pp. 64-65.

2008

‘Number One: Destroy, She Said’, Julia Stoschek Collection, Dusseldorf, June 18 2007—August 2 2008, pp. 145-150.

‘Darkside I: Photographic Desire and Sexuality’, Urs Stahel, Fotomuseum Winterthur, 2008.

2007

‘Into Me / Out Of Me’, Ostfildern, Germany: Hatje Cantz, 2007, p. 49.

‘Artworks: The Progressive Collection’, New York, NY: D.A.P., Inc., 2007, p. 119.

‘Konstantin Kakanias, Darling’, Take Fountain, Kalfayan Galleries, Athens, Greece, 2007.

SELECTED ARTICLES

2011

Burton, Jeff (photographer), ‘Edita Vilkeviciute’, NuméroIssue no. 120, February 2011

http://www.ohfashionmodel.com/2011/01/edita-vilkeviciute-numero-120-february.html

Burton, Jeff (photographer), ‘Tom Ford: A Man for All Seasons.’ AnOther Man, Issue no.12, Spring-Summer 2011, cover page and pp. 189-197

Burton, Jeff (photographer), ‘Jeff Burton, Polaroids from 1990s Film Sets,’, 10 Magazine Men, Issue no.27, Autumn-Winter 2011, pp. 152-157

Burton, Jeff (photographer), ‘Heaven Upside Down’, 10 Magazine Art Issue, Issue no.40, Autumn-Winter 2011, pp. 104-113

Burton, Jeff (photographer), ‘Prada’, 10 Magazine the Guerrilla Issue, Issue no.38, Spring-Summer 2011, cover page, pp.138-151

Williams, Eliza, ‘We Are Animals’, British Journal of Photography, May 2011, pp. 26-29

2010

‘Drunk.’, Double Magazine, Issue no. 20, Autumn-Winter 2010, pp. 21-94

Paineau, Fabric, ‘Jeff Burton Drunk’, Double Magazine, Issue 20, Fall/Winter 2010, pp. 22-97

Burton, Jeff (photographer), ‘The Dead Weather’, Dazed and Cofused, Issue no 87 Vol #2 July 2010 pp. 66-79

Burton, Jeff (photographer), Horacio, Silva, ‘Red Hottie,’ T Magazine online, New York Times, February 25, 2010 T Magazine online,

http://www.nytimes.com/2010/02/28/t-magazine/28talkzhukova.

html?scp=1&sq=dasha%20zhukova&st=Search

Zalopany, Chelsea, ‘Chloe Grace Moretz,’ T Magazine online, New York Times, Holiday December 4, 2010

http://tmagazine.blogs.nytimes.com/2010/12/04/styled-to-a-t-chloe-gracemoretz/?

scp=2&sq=chloe%20moretz&st=Search

Burton, Jeff (photographer), ‘Heidi Mount’ Numéro, Issue no. 114, October 2010

Burton, Jeff (photographer), ‘Tilda Swinton’, Numéro, Issue no. 117, October 2010

‘Jeff Burton’s Fantasy Life Beyond Porn’, T Magazine online, New York Times Style Magazine, April 19, 2010

http://tmagazine.blogs.nytimes.com/2010/04/19/artifacts-jeff-burtons-fantasy-life-beyondporn/?

Wender, Jessie, ‘Frames from Fiction: Sets, Dolls, and Nudes’, The New Yorker online, April 13, 2010

http://www.newyorker.com/online/blogs/photobooth/2010/04/frames-from-fiction-sets-dolls-andnudes.html

2009

Burton, Jeff (photographer), ‘Guinevere Van Seenus 1.’ Numéro, Issue no. 106 October 2009

http://www.ohfashionmodel.com/2009/09/guinevere-van-seenus-numero-frence.html

Burton, Jeff (photographer), ‘Guinevere Van Seenus 2’, Numéro, Issue no. 114, June-July 2010

http://fashiongonerogue.com/guinevere-van-seenus-jeff-burton-numero-114/

Burton, Jeff (photographer), ‘Who’s Afraid of the F Word’, by Katerina Gregos, Brussels, April 14, 2009, bc, Summer 2009.

Burton, Jeff (photographer), ‘Grey’s Anatomy.’ Love: Fashion and Fame. Autumn/Winter 2009, pp. 248 – 253.

Burton, Jeff (photographer), ‘Mr. Ellis’, Fantastic Man, Issue no. 9, Spring and Summer 2009, pp. 63 – 75.

Burton, Jeff (photographer), ‘Basic Instinct’, Vogue Homme International, Hors Serie, Spring-Summer 2009, pp. 204 – 211.

PERMANENT COLLECTIONS

Museum of Contemporary Art, N. Miami, FL
Solomon R. Guggenheim Museum, New York
Dallas Museum of Art, Dallas, TX
Fondation Musée d”Art Modern Grand-Duc Jean, Luxemburg
Museum of Contemporary Art, Los Angeles, CA
Museum of Photograohic Arts, San Diego, CA

Download cv

Jeff Burton

Polaroids

20 Apr – 14 May 2011

Jeff Burton

Solo Show

3 Apr - 5 May 2007

Jeff Burton

Solo Show

26 Feb - 27 Mar 2004

Jeff Burton

Solo Show

10 Jan - 10 Feb 2002

JIM LAMBIE
Born in Glasgow, in 1964.
Lives and works in Glasgow.
 
EDUCATION
2004 BA (Hons) Fine Art Glasgow School of Art
 
RESIDENCIES
1998
Triangle, Marseille, France
2000
Triangle, New York, NY
 
COMMISSIONS and AWARDS
2003
BBC Underground 2003 Award
2000
Paul Hamlyn Foundation Award for Artists London, UK
1998
British Council award toward residency at Triangle, Marseille, France
The Modern Institute ‘Ultralow’ commission
 
SOLO EXHIBITIONS
2018
‘Both Ends Burning’, Konrad Fischer Galerie, Dusseldorf
‘Spiral Scratch’, Pacific Place, Admiralty, Hong Kong
‘Five plus Five: Sculptures of China and Great Britain’, Haikou Hainan Airlines Sun & Moon Plaza, Hainan, China
2017
‘Zobop (Viridescent)’ Anton Kern Gallery, New York
2016
‘Electrolux’, The Modern Institute, Glasgow, Scotland
‘I am A Laser’, VoidoidARCHIVE, Glasgow, Scotland
‘La Scala’, Gerhardsen Gerner, Berlin
‘Derrick Alexis Coard, Glasgow International’, Project Ability gallery, Trongate 103, Glasgow (Installed in collaboration with Jim Lambie)
2015
‘Train in Vein’, Anton Kern Gallery, New York
‘Sun Rise Sun Ra Sun Set’, Rat Hole Gallery, Tokyo, Japan
‘Zero Concerto’, Roslyn Oxley9 Gallery, Sydney
2014
‘Answer Machine’, Sadie Coles HQ, London, UK
The Fruitmarket gallery, Edimburgh, Scotland
2013
‘The Flowers of Romance’, Pearl Lam Galleries, Hong Kong
2012
‘Shaved Ice’, The Modern Institute, Aird’s Lane, Glasgow
‘Gerhardsen Gerner’, Berlin (Gallery Weekend Berlin)
‘You drunken me’ – Jim Lambie in collaboration with Richard Hell, Arch Six, Glasgow
‘Everything Louder Than Everything Else’, Franco Noero, Turin
2011
‘Spiritualized’, Anton Kern Gallery, New York
‘Beach Boy’, Pier Art Centre, Orkney
Goss-Michael Foundation, Dallas
2010
Metal Urbain – The Modern Institute, Glasgow
‘Boyzilian’, Galerie Patrick Seguin, Paris
‘Jubiter Artland, Edinburgh
2009
Atelier Hermes, Seoul
‘Television’, Sadie Coles HQ, London
‘Jim Lambie: Selected Works 1999-2006, Charles Riva Collection, Brussels
2008
‘Rowche Rumble’, Atle Gerhardsen, Berlin
‘Unknow Pleasures’, Hara Museum of Contemporary Art, Tokyo
‘Forever Changes’ (Glasgow International 2008), Museum of Modern Art, Glasgow
RSVP: Jim Lambie, Museum of Fine Arts, Boston
‘Eight Miles High’, ACCA Melbourne, Melbourne
Secret Affair, Inverleith House, Edinburgh
2007
The Prismatics, Anton Kern Gallery, New York
2006
Directions, Hirschhorn Museum, Smithsonian Museum, Washington DC
Jim Lambie, Anton Kern Gallery, New York
P.I.L, Mizuma Gallery, Tokyo
2005
The Kinks, Turner Prize 2005, Tate Britain, London
The Byrds, The Modern Institute, Glasgow, Scotland
Thirteenth Floor Elevator, Dallas Museum of Art, Dallas (TX)
Shoulder Pad, Sadie Coles HQ, London
2004
My Boyfriend’s Back, Konrad Fischer Galerie, Dusseldorf
Mars Hotel, Galleria Franco Noero / Galleria Sonia Rosso, Torino
Mental Oyster, Anton Kern, New York
Grand Funk, OPA, Mexico
2003
Jim Lambie: Male Stripper, Museum of Modern Art, Oxford, England (cat.)
 Kebabylon, Inverleith House, Edinburgh
2002
Hot Butter, Anton Kern, New York
Acid Trails??Statements, Miami Basel, Miami
Salon Unisex, Sadie Coles HQ, London
The Breeder Projects, Athens
2001
Jim Lambie, Modern Institute, Glasgow, Scotland
Boy Hairdresser, Anton Kern Gallery, New York
Blank Generation, Jack Hanley, San Francisco
2000
Konrad Fischer Galerie, Dusseldorf
Galleria Sonia Rosso, Pordenone
Triangle, Paris
Black Gloss, Anton Kern, New York
1999
Weird Glow, Sadie Coles HQ, London
Voidoid, Transmission Gallery, Glasgow
ZOBOP, The Showroom Gallery, London
1998
Ultralow, The Modern Institute Video Screening Carnival, London
 
SELECTED GROUP EXHIBITIONS
2018
‘Spiral Scratch’, Pacific Palace, Hong Kong
‘Open House’, Jessica Silverman Gallery, San Francisco
2017
‘ISelf Collection’, Whitechapel, London
‘An Eyeful of Wry’, Brynmor Jones Library gallery, University of Hull (Government Art Collection)
‘EUROVISIONS: Contemporary art from the Goldberg Collection’, National Art School, Sydney, Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018
‘L’emozione dei COLORI nell’arte’, GAM – Galleria Civica d’arte Moderna e Contemporanea, Torino; Castello di Rivoli Museo d’Arte Contemporanea, Rivoli
2016
‘The Revolutionary Suicide Mechanised Regiment Band’, Rob Tufnell, Cologne
‘I still believe in miracles’, Inverleith House, Edinburgh
‘Jennifer Herrema & Jim Lambie’, VoidoidARCHIVE, Glasgow
‘Generosity. The Art of Giving’, National Gallery of Prague, Prague
‘Artificial Realities’, East Wing Biennial, The Courtauld Gallery
2015
‘Devils in the Making’, GOMA, Glasgow
‘Art Unlimited’, Solo presentation of ‘Shaved Ice’, Art|Basel
‘Love Story – Works from Erling Kagge’s Collection’, Astrup Fearnley Museet, Oslo, Norway
‘Platform’, Holden Gallery, Manchester
‘Summer Exhibition 2015’, Royal Academy of Arts, London
‘Zabludowicz Collection: 20 Years’, Zabludowicz Collection, London, UK
‘Andy Warhol in the closet’, Museo d’Arte Contemporanea Villa Croce, Genova
‘Misappropriations: New Acquisitions’, Orange County Museum of Art, Newport
‘The Triumph of Love: Beth Rudin DeWoody Collects’, Norton Museum of Art, West Palm Beach, Florida
‘Below Another Sky’, Glasgow Print Studio, Glasgow, Scotland
‘The Curves of the Needle’, Baltic39, Newcastle, UK
‘Sleepless: The Bed in Contemporary Art’, Belvedere, Vienna, Austria
2014
‘Private Utopia: Contemporary Works from the British Council Collection’, Itami City Museum of Art, Itami
‘Project Ability Christmas Auction’, Project Ability gallery, Trongate 103, Glasgow
‘On the Devolution of Culture’, 83 Page Street, London
‘Archive Fever!’, The Clay and Glass Gallery, Ontario
‘Spaced Out: Migration to the Interior’, 220 West 18th Street, New York (curated by Phong Bui)
‘What is contemporary in contemporay art?’, Mário Sequeira Gallery, Braga
‘You Imagine What You Desire’ Sidney Biennale, Sidney
‘That Petrol Emotiom’, Metropolitan Art Society, Beirut
‘Discordia’, Patricia Fleming Projects, Glasgow (Part of GENERATION 2014)
‘Private Utopia: Contemporary Works from the British Council Collection’, Tokyo Station Gallery, Tokyo
2013
‘You Are Here’, Worcester Art Museum, Worcester
‘Fading Nights’, Gerhardsen Gerner, Berlin
‘My Crippled Friend’, Canzani Center Gallery, Columbus
‘40/40, Glasgow Print Studio’, Glasgow
‘A Conspiracy of Detail’, Mackintosh Museum, Glasgow School of Art
‘The Humors’, Perry Rubenstein Gallery, Los Angeles
‘Something Abaout a Tree’, cur. by Linda Yablonsky, FLAG Art Foundation, New York
‘Something About a Tree’, FLAG Art Foundation, New York (Curated by Linda Yablonsky)
‘Pull Down The Future’, SWG3,Glasgow
‘Out of the House: Cranford Collection’, Sala de Arte, Fundación Banco Santander, Madrid
2012
‘Lost Line: Contemporary Art from the Collection’, LACMA, Los Amgeles
‘Reliefs, Objects and Sculptures from the Marli Hoppe-Ritter Colletion’, Museum Ritter, Waldenbuch
‘Look Now: Modern and Contemporary Art from Private Collections’, Montclair Art Museum, Montclair
‘AKA Peace’, ICA, London
‘Take Off Your Silver Spurs and Help Me pass The Time’, Galerie Nikolaus Ruzicska, Salzburg
2011
‘Home Alone’, The Sender Collection, Miami
ArtGig Tokyo, Tokyo
‘Industrial Aesthetics: Environmental Influences on Recent Art from Scotland’, Times Square Gallery, Hunter College, New York
‘Made in the UK: Contemporary Art from the Richard Brown Baker Collection’, Museum of Art, Rhode Island School of Design, Providence
‘Dublin Contemporary 2011′, St Stephen’s Green House, Dublin
‘vanishing points: paint and paintings from the debra and dennis scholl collection’, Bass Museum of Art, Miami Beach, Miami
‘Space oddity’ cur. by Friederike Nymphius, CCA Andratx, Mallorca
2010
Mixtapes : Popular Music in Contemporary Art, Lewis Glucksman Gallery
Undone Henry Moore Institute
The New Décor – Hayward Gallery, London
What Matters – Worcester Art Museum, Worcester
Bilder über Bilder, Museum Moderner Kunst Stiftung Ludwig, MUMOK, Vienna
The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London
Peeping Tom, VEGAS Gallery, London
Altogether Elsewhere, Rodeo, Istanbul, Turkey
Permanent Trouble, Kunstforum, Ostedeutsche Galerie Regensburg, Germany
2009
Saints and Sinners, Rose Art Museum, Waltham
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary
Drawings Collection, MoMA, New York
White Noise, James Cohan Gallery, New York
Saint-Nazaire Biennale 2009: Le Sang d’un poète, Frac Pays de la Loire, Carquefou
Colour Chart: Reinventing Colour, 1950 to Today, Tate Liverpool, England
The Kaleidoscopic Eye: Thyssen-Bornemizsa Art Contemporary Collection, Mori Art
Museum, Tokyo
2008
Family and Friends, Anton Kern Gallery, New York
Towada Art Project, Towada Art Centre, Towada, Japan
Thyssen-Bornemisza Art Contemporary Collection, Kunsthaus Graz, Austria
FILMS, (screening of Ultralow), Sadie Coles HQ, London
Color Chart, MoMA, New York
Malcolm McLaren Musical Paintings, Aurel Scheibler, Berlin
Sympathy for the Devil: Art and Rock & Roll Since 1967, Musee D’Art Contemporarian de Montreal, Montreal
Glasgow International, Glasgow, Scotland
Martian Museum of Terrestrial Art, Barbican Centre, London
2007
‘Unmonumental’, New Museum, New York
‘Wild West’, Galerie Gebr. Lehmann, Berlin
‘Fit to Print’, Gagosian Gallery, New York
‘Melting Point’, Tokyo Opera City Art Gallery, Tokyo
‘When We Build, Let Us Think We Build Forever’, Baltic Gateshead, UK
‘Substance and Surface’, Bortolami Gallery, New York
‘Domestic Irony. A curious glance at private Italyn collections’, Museion, Bolzano
‘Off the Wall’, Scottish National Gallery of Modern Art, Edinburgh
‘Half Square, Half Crazy’, Villa Arson, Nice
‘Breaking Step’, Museum of Contemporary Art, Belgrade
‘Reconstruction 2’, Sudeley Castle, Winchcombe, Gloucestershire
‘Sympathy for the Devil: Art and Rock & Roll Since 1967’, Museum of Contemporary Art, Chicago
‘Passion Complex: Selected Works from the Albright-Knox Art Gallery’, 21st Century Museum of Contemporary Art, Kanazawa, Japan
‘Gallery Artists Summer Show’, Sadie Coles HQ, London
‘Ironie der Objekte’, Museion, Bozen, Italy
Collezione La Gaia, CeSAC Caraglio, Italy
‘Breaking Step’, Museum of Contemporary Art, Belgrad
2006
‘Off the Wall: Floor and Ceiling-based works from the Collection of the Scottish National Gallery of Modern Art’, Edinburgh
‘al cubo’, Galleria Franco Noero, Torino
‘This is Not For You: Sculptural Discourses’, Thyssen-Bornemisza Art Contemporary, Vienna
‘Frontiers – Collecting the Art of Our Time’, Worcester Art Museum, Worcester (MA)
‘Among the Ash Heaps and Millionaires’, Ancient and Modern, London
‘Strange Powers’, Creative Time, New York
‘Gregor Schneider: Totalschaden/Total Damage’, Bonner Kunstverein, Bonn, Germany
‘If it didn’t exist you’d have to invent it: a partial Showroom History’, The Showroom, London
‘Abstract art now – strictly geometrical?’, Wilhelm-Hack Museum, Ludwigshafen am Rhein, Germany
‘Collectors 1: Collezione la Gaia’, Il Filatoio, Caraglio
‘JaGGy-edge’, The Travelling Gallery, touring Scotland
‘How to Improve the World, British Art 1946-2006′, Hayward Gallery, London
‘All Hawaii Entrées/Lunar Reggae’, Irish Museum of Modern Art, Dublin
‘Implosion’, Anton Kern Gallery, New York
‘Life is a beach’, Sommer Contemporary Art, Tel-Aviv
‘Good Vibrations’, Palazzo delle Papesse, Siena
‘Having New Eyes’, Aspen Art Museum, Aspen, USA
2005
‘Frontiers–Collecting the Art Our Time’, Worcester Art Museum, Worcester, USA
‘Omaggio al Quadrato’, Galleria Franco Noero, Torino
‘Minimalism and After IV’, Daimler Chrysler Contemporary, Berlin
‘Extreme Abstraction’, Albright Knox Gallery, Buffalo, New York
‘Expérience de la Durée’, Biennale d’Art Contemporain, Lyon, France
The Turner Prize (nominee), Tate Britain, London, UK
‘Post Notes’, ICA (Institute of Contemporary Arts), London, UK
‘Post Notes’, Midway Contemporary Art, Minneapolis
2004
‘Works from the Boros Collection’, Museum für Neue Kunst, Karlsruhe (cat.)
54th Carnegie International, Carnegie Museum of Art, Pittsburg (PA)
 ‘From Aural Sculpture to Sound by Ink’, Galerie Art: Concept, Paris
 ‘Brand New and Retro’, Up Empire, London
Collage, Bloomberg, London
‘Synth’, Kunstraum B/2, Leipzig, Germany
‘Into My World, Recent British Sculpture’, The Aldrich Contemporary Art Museum, Connecticut
‘Stalemate’, MCA, Chicago
‘Sodium & Asphalt’, Museo Tamayo Arte Contemporaneo, Mexico City and Museo de Arte Contemporaro de Monterrey
‘Ouroboros’, CCA, Glasgow
‘last winter spring never came’, Platform Garanti Contemporary Art Center, Istanbul
‘Genesis Sculpture – Experience Pommery #1’, Domaine Pommery, France
2003
‘ZENOMAP’, Venice Biennale, Venice
‘Objects in mirror are closer than they appear’, Badischer Kunstverein, Karlsruhe, Germany
‘Love Over Gold’, Gallery of Modern Art, Glasgow
‘Il Racconto del Filo’, MART, Trento
‘The Moderns’, Castello di Rivoli, Torino
‘I Got Ants in My Pants’, Gallery Side 2, Tokyo
‘Cut Out’, Barbara Gross Galerie, Munich
‘Architecture Scmarchitecture’, Kerlin Gallery, Dublin
Tate Trienniale Tate Britain, London’
Painting Not Painting’ Tate St.Ives*
‘The Fourth Sex’, Fondazione Pitti Immagine, Florence
‘OUTLOOK’, Athens Greece
‘Plunder’, Culture as Material, Dundee Contemporary Arts
‘Silver Convention’, Galerie Giti Nourbakhsch
‘The Unhomely’, Kettle’s Yard, Cambrige
‘Grayscale/CMYK’, Royal Hibernian Academy, Dublin
2002
‘Vip’, Kunsthalle Palazzo, Liestal, Switzerland
‘EU2′, Stephen Friedman Gallery, London
‘New’, Scottish National Gallery of Modern Art, Edinburgh
‘Early One Morning’, Whitechapel Gallery, London
‘Jim Jonathon Kenny Frances and Sol’, Stedlijk Bureau, Amsterdam
‘Electric Dreams’, Barbican Gallery, London
‘Hello My Name Is…’ Carnegie Museum of Art, Pittsburgh
‘Roma Roma Roma’, Rome, Italy
‘There is A Light that Never Goes Out’, Galleria Sonia Rosso, Pordenone, Italy
‘My Head is on Fire But My Heart Is Full Of Love’, Charlottenbourg Museum, Copenhagen
‘Painted, Printed & Produced in Great Britain’, Grant Selwyn Fine Art, New York
‘Gale Gates et al’, Brooklyn, New York
‘Life Is Beautiful’, Laing Art Gallery, Newcastle, UK
2001
‘Here and Now’, Dundee Contemporary Arts, Dundee
‘Between Object and Arabesque’, Kunsthallen Brandts, Klaedefabrik
‘Funktional Fictional’, Kunsthalle zu Kiel
‘Tailsliding’, British Council touring show
‘Painting at the Edge of the world’, Walker Art Center, Minneapolis
‘Silhouettes’, Lenbachhaus, München
2000
‘Electric city’, The Lighthouse, Glasgow
‘Off the record’, Bucknell Art Gallery, Pennsylvania
‘Raumkörper, Basel Kunsthalle, Basel
Sadie Coles, Hoxton HQ, London
Parking Meters, Cologne
Heart and soul, Los Angeles
What if, Moderna Museet, Stockholm
The British Art Show 5, Edinburgh, Cardiff, Birmingham, Southampton
Galleria Sonia Rosso, Pordenone
Mark Selwyn, Los Angeles, (Clarissa Dalrymple)
Black Gloss, Anton Kern, New York
Dream Machines, Dundee Contemporary Arts, Mapin Gallery, Camden Arts
1999
Matthews Higgs @ Galerie Krinzinger, Wien
Papermake, Modern Art Inc., London
Creeping Revolution, Foksal Gallery, Warsaw
‘To be continued…’, Walsall Public Projects
Dots and Loops, MK Expositeruimte, Rotterdam
Heart and soul, 60 Long Lane, London
The Qeen is Dead, Stills Gallery, Edinburgh
Silk purse, Waygood, Newcastle
1998
Lovecraft, Spacex Gallery, Exeter
All or nothing, La Friche Gallery (Triangle), Marseille
Slant 6, Jacob Javit’s Center, New York
The Modern Institute @ Sadie Coles HQ, London
Host, Tramway, Glasgow
Two Up, Property Gallery, Glasgow
1997
‘This is… These are’, Kirsty Ogg, Norwich
European Couples and Others, Transmission Gallery, Glasgow
1996
The world of Ponce, Southpark, Glasgow
Brain Mail, Broad Studio 17, Cal Art’s, Los Angeles
Girls High, Fruitmarket, Edinburgh
Insanestupidhatfuctpervert, Cubitt St., London
Sick Building, Globe Gallery, Glasgow
Insanestupidhatfuctpervert,Concrete Skates, Glasgow
Art for People, Transmission Gallery, Glasgow
Kilt ou Double, La Vigie Galerie, Nîmes
1995
In Stereo, Transmission Gallery, Glasgow
Mary Redmond & Jim Lambie, Assembly Gallery, Glasgow
Jonnie Wilkes & Jim Lambie, 115 Dalriada, Glasgow
 
SELECTED BIBLIOGRAPHY
2014
Sinclair, Mark: ‘The making of the Barrowland Park album pathway’, Creative Review Blog, 30/07/2014
Album Pathway intended as a homage to city‘s Barrowland, The Herald, 23/06/2014
2013
Fox, Dan: ‘Then & Now’, Frieze, No. 159 11/2013
Russeth, Andrew: ‘Jim Lambie Talks Music, DJing and His Glasgow Club’, Gallerist, 08/05/2013
2011 Kyung-yun, Ho: ‘Visual DJ: Jim Lambie’, Asiana, 06/2011
Lowndes, Sarah: ‘Slow Dazzle’, Spike Art Quarterly, 02/2011
2010
‘Interview’, frieze, 10/2010
Lauren Dyer Amazeen: ‘Jim Lambie’, Artforum, 01/09/2010
Coles Alex: ‘The New Décor’, Art Monthly Issue 339, 09/2010
Kotzé, Talitha: ‘Jim Lambie: Metal Urbain’, The List Issue 657, 18/05/2010
‘Glasgow International Festival of Visual Art: various venus Glasgow’, Art Review Issue 42, 05/2010
Bain, Alice, Cooper, Neil, Leaver-Yap, Isla, Quinn, John: ‘Review: Glasgow International Festival’, Map Issue 22, 05/2010
2009
‘Here Comes the Sun’, Art of England, 07/2009
Philippa Lewis: ‘Colour Chart: Reinventing Colour, 1950 to Today’, Studio-International.co.uk, 23/06/2009
Laura Cumming: ‘Custard yellow, sky blue, pea green…,’, The Observer, 14/06/2009
Tom Lubbock: ‘Powerful Pigments’, The Independent, 08/06/2009
Laura McLean-Ferris: ‘Exhibitionist: The best art shows to see this week’, Guardian.co.uk, 05/06/2009
Park, Min-young: ‘Optical Illusions at Atelier Hermes’, Korea Herald, 05/06/2009
Catherine Jones: ‘Colour Chart (Review)’, Liverpool Echo, 01/06/2009
Musgrove, Jennie: ‘A Splash of Colour’, Concept for Living Issue 127, 06/2009
‘Colour Chart’, New Statesman, 06/2009
Phillips, Sam: ‘Colour Chart: Reinventing Colour,1950 to Today’, World of Interiors, 06/2009
Coomer, Martin: ‘Jim Lambie’, Art World, 06/2009
Barachon, Charles: ‘Jim Lambie Passe En 33 Tours’, Technikart, 06/2009
Maerkle, Andrew: ‘Jim Lambie: Unknown Pleasures’, Art World Issue 11, 06/2009
‘Talking Points’, Harper’s Bazaar, 06/2009
Charles Darwent: ‘Slap on the Dulux and let there be light’, The Independent, 31/05/2009
Jackie Wullschlager: ‘Colour Chart: Reinventing Colour, 1950 to Today’, Financial Times, 30/05/2009
Searle, Adrian: ‘Pump up the Volume’, The Guardian, 28/05/2009
Davis, Laura: ‘Tate is awash with colour’, The Daily Post, 28/05/2009
Jones, Catherine: ‘Tate of the Art’, Liverpool Echo, 28/05/2009
Brown, Christopher: ‘Art Colour Chart: Reinventing Colour, 1950 to Today’, Metro, 26/05/2009
‘Going out: Colour Chart: Reinventing Colour, 1950 to Today’, The Independent, 23/05/2009
Davis, Laura: ‘We Won’t Colour Your Response’, Daily Post, 22/05/2009
Anna Richardson: ‘Wild hues’, Design Week, 21/05/2009
Campbell-Johnston, Rachel: ‘Breaking the Colour Code’, Times, 19/05/2009
Campbell-Johnston, Rachel: ‘Does Colour have and meaning in art?’, Times, 19/05/2009
Miller, Phil: ‘Artist’s pile of second-hand seats bought for £117,000′, The Herald, 14/05/2009
Kremier, Julian: ‘Learning Through Colour’, Art in America, 05/2009
‘What to See this Spring’, The Guardian, 23/03/2009
Schafer, Owen: ‘Jim Lambie Makes Himself at Home’, Weekender Vol. 40, No. 2, 23/01/2009
Ukawa, Naohiro: ‘Jim Lambie: Unknown Pleasures’, ART iT No.22, 17/01/2009
Gombrich, Marius: ‘In the space’, The Japan Times, 09/01/2009
Falconer, Morgan: ‘Ellswoth kelly Feature’, Art World
Francis, Peter: ‘Seeing in Colour’, RA
Christoph Grunenberg & Ellsworth Kelly: ‘Sixty Years at Full Intensity’, Tate etc. Issue 16
Madeleine Wilson: ‘Top of the Colour Charts’, V&A Magazine
2008
Searle, Adrian: ‘What not to miss in 2009′, The Guardian, 30/12/2008
Higgs, Matthew: ‘Jim Lambie, ‘Forever Changes’’, Artforum Issue XLVII, 12/2008
Völzke, Daniel: ‘Der Scotte Jim Lambie setzt sich in Glasgow gegen die Konsumwelt durch’, Monopol, 06/2008
McLean-Ferris, Laura: ‘Glasgow International Festival’, Art Review Issue 23, 06/2008
Lesso, Rose: ‘Jim Lambie: Forever Changes’, The List Issue 601, 24/04/2008
Burton, Johanna: ‘Primary Sources’, Artforum, 04/2008
Chie, Sumiyoshi: ‘Jim Lambie The homemade magician’, ART iT Issue 20
2007
Armetta, Amoreen: ‘Jim Lambie’, Time Out NY, 17/05/2007
‘RSVP: Jim Lambie’, Map Issue 12
2006
Velasco, David: ‘Critics’ Picks’, Artforum, 09/2006
Gayer, John: ‘Jim Lambie’, Art Papers, 09/2006
Pham Do, Katherine: ‘Jim Lambie – P.I.L.’, The Japan Times, 04/05/2006
Calcutt, John: ‘Jim Lambie’, The Guardian, 05/02/2006
2005 Williams, Eliza: ‘Headline Headline Healine…,’, Creative Review, 12/2005
Macmillan, Duncan: ‘Confronting an art scene…’, The Scotsman, 25/10/2005
Kennedy, Alexander: ‘Caught on Tape’, The List, 06/10/2005
MacMillan, Ian: ‘Awop Bopa Loobop Zobop Bam Boom’, Modern Painters, 05/2005
Sholis, Brian: ‘Jim Lambie’, Artforum, 05/2005
Grosenick, Uta: ‘Art Now 2′, Taschen
Bracewell, Michael, Luisa Buck: ‘Turner Prize 2005: Jim Lambie, audio transcripts’,
Mulholland, Neil: ‘Use Your Illusions’, Tate etc. Issue 4
2004
Smith, Roberta: ‘Jim Lambie’, The New York Times, 30/04/2004
Schambelan, Elizabeth: ‘Jim Lambie’, Artforum
Smith, Sarah: ‘Jim Lambie: L’art de l’objet déplacé’, O2 Number 31
2003
Mottram, Jack: ‘The Hot 100: 97 Jim Lambie’, The List Issue 484, 11/12/2003
Wilsher, Mark: ‘Wittgenstein: Family Likenesses/ The Unhomely’, Art Monthly Number 272, 12/2003
Ratnam, Niru: ‘Jim Lambie: the art world’s very own psychedelic DJ’, i-D, 10/2003
Tufnell, Rob: ‘Jim Lambie. Unplugged’, Art in Progress Number 7, 10/2003
Fenner, Felicity: ‘Young at heart’, Mouvement Number 57, 10/2003
Searle, Adrian: ‘Stripe tease’, The Guardian, 23/09/2003
Fox, Dan: ’50th Venice Bienniale’, frieze Issue 57, 09/2003
Haines, Bruce: ‘Jim Lambie: Male Stripper’, Contemporary Issue 55, 09/2003
Monaghan, Helen: ‘Zenomap’, The List, 03/07/2003
Richardson, Craig: ‘Zenomap’, Contemporary Issue 51, 06/2003
Gleeson, David: ‘Days like these, Tate Triennial’, Flash Art, 05/2003
Triming, Lee: ‘Jim Lambie: Low Kick and Hard Bop, (interview)’, Flash Art, 05/2003
Falconer, Morgan: ‘Days like these’, Art Review, 04/2003
Thatcher, Jennifer: ‘Jim Lambie: Kebabylon’, Contemporary Issue 50, 04/2003
Troncy, Eric: ‘Décryptage’, Numero Number 41, 03/2003
Gale, Iain: ‘Taking space to a new dimension’, Scotland on Sunday, 19/01/2003
Eaton, Andrew: ‘Alien Concept’, The Scotsman, 14/01/2003
Nesbitt, Rebecca Gordon: ‘Jim Lambie, (interview)’, Matters magazine Number 17
Bracewell, Michael: ‘Scotland Rocks’, Tate Magazine
2002 Grant, Catherine: ‘Early One Morningflash’, Flash Art Number 226, 10/2002
Charlesworth, JJ: ‘Not neo but new’, Art Monthly Number 259, 10/2002
Searle, Adrian: ‘Early One Morning’, The Guardian, 24/07/2002
Hackworth, Nick: ‘Future Forms’, Evening Standard, 09/07/2002
Farquharson, Alex: ‘Drastic plastic’, frieze Issue 68, 06/2002
Tarsia, Andrea: ‘This is now…’, Art Review, 06/2002
Coomer, Martin: ‘Jim Lambie’, Time Out London, 15/05/2002
Morton, Tom: ‘Early One Morning’, frieze Issue 71, 02/2002
Mulholland, Neil: ‘Here + Now: Scottish Art 1990 – 2001′, frieze Issue 64, 02/2002
Glossop, Claire: ‘Reconsidering New Generation’, Sculpture Journal Volume VII
Hunt, David: ‘Unlofty Means’, artext
2001
Roberta Smith, New York Times, 14 September
Sylvia Chivaratanoud, Flash Art, May-June
Magdelena Kroner, Flash Art, March-April
2000
Christian Viveros- Faune, New York Press, feb 15th
Holland Cotter, The New York Times, feb 18th
Levin, Village Voice, Feb 20
Neal Brown, ‘Papermake’, Frieze, Feb
1999
Weird Glow, Time Out, December (review)
Self service, Issue No 10, (double page spread)
Stuart Shave, I.D., Issue no 187
Mark Dawes, Circa, Issue No 87
Seven wonders of the World published by Bookworks
Elisabeth Mahoney, Art and Text Issue 65, Transmission Gallery
Ross Sinclair, Frieze Issue 46 April
Nicky Bird, Art Monthly, April/May
Rob Tufnell, ZOBOP Catalogue Transmission/ Showroom Gallery
1998
Rebecca Gordon Nesbitt, ‘Urban Myths’, Contemporary Visual Arts
Lovecraft Catalogue, Spacex Gallery
1997
Toby Webster, Zing Magazine, Insanestupidphatfuctpervert
Peter Plagens, Newsweek,Glasgow Gets Conceptual
1995
Richard Wright, Circa Issue 75, Jonnie Wilkes Jim Lambie
 

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Jim Lambie

Totally Wired

5 Jun - Sept 2018 | Piazza Carignano 2

Jim Lambie

Everything Louder Than Everything Else

9 Feb - 15 Mar 2012

Jim Lambie

Mars Hotel

22 Sep - 31 Oct 2004

Jim Lambie

Solo Show

3 May - 16 Jun 2001

KIRSTEN PIEROTH
Born 1970 (Offenbach a.M., Germany) Lives and works in Berlin, Germany

SELECTED SOLO EXHIBITIONS
2013
Menu, Kunstverein Nürnberg, Nuremberg
2012
Taste of Great, Galleria Franco Noero, Turin
Office Baroque, Antwerp
2011
Supportico Lopez, Berlin
2010
Perspectives 172, Contemporary Arts Museum, Houston Dépendance, Brussels (with Henrik Olesen)
2009
silberkuppe, Berlin
…, Objectif Exhibitions, Antwerp
LWL-Landesmuseum für Kunst- und Kulturgeschichte, Münster
2008
Passengers, CCA Wattis Institute, San Francisco
2007
Klosterfelde, Berlin
2006
Display, Prague
2005
Secession, Vienna
Cubitt, London (with Henrik Olesen)
2004
Contemporary Art Gallery, Vancouver
2003
From the Laboratory of Thomas A. Edison, Portikus, Frankfurt a.M.
I regret that a previous engagement prevents me from accepting your kind invitation to dinner at your home, on Thursday evening, September seventeenth, Klosterfelde, Berlin
2002
Mellemdækket Projektrum, Charlottenborg, Copenhagen
Galleria Franco Noero, Turin (with Henrik Olesen)
 
SELECTED GROUP EXHIBITIONS
2015
The Lulennial: A Slight Gestuary, Lulu, Mexico City
2014
A Poem A Day, Mu.ZEE, Ostend
The Century of the Bed, curated by_vienna, Galerie Krobath, Vienna
Offen!, LWL-Landesmuseum für Kunst- und Kulturgeschichte, Münster
Nuit Américaine, Office Baroque Gallery at former Entrepôts Gérard Koninckx Frères, Brussels
Clear, Gagosian Gallery, Beverly Hills
ACTS, Museum of Contemporary Art, Roskilde
Before Normal: Concept after Concept, Museum of Contemporary Art, Roskilde
We’ve Got Mail, Oriel Mostyn Gallery, Llandudno
2013
ausstellen, Museum Folkwang, Essen A Space called Public, Munich
For No Apparent Reason, CA2M Centro de Arte Dos de Mayo, Madrid
Better Homes, Sculpture Center, New York
I knOw yoU, IMMA Irish Museum of Modern Art, Dublin
When Attitudes Became Form Become Attitudes, Museum of Contemporary Art, Detroit
Prisma Pavillion, Künstlerhaus Bethanien, Berlin 2012 Chains, Horse, Berlin
curated by, Galerie Andreas Huber, Vienna
When Attitudes Became Form Become Attitudes, CCA Wattis Institute, San Francisco
The Imminence of Poetics, 30th São Paulo Biennial, São Paulo
You Know?, Altman Siegel Gallery, San Francisco
Variationen über ein Thema, Studio International, Leipzig
Magic Love Trade Objects, Salon international d’art, art genève, Geneva
Who Am I? What Am I Doing Here?, Shanaynay, Paris
2011
Under Construction, Coleção Teixeira de Freitas, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Canary Islands
Power to the People, ACCA Australian Centre for Contemporary Art, Melbourne
Untitled, 12th Istanbul Biennial, Istanbul
Life A User’s Manual, Galerie Meessen De Clercq, Brussels
Ha Ha Road, Quad Gallery, Derby / Oriel Mostyn Gallery, Llandudno
Seeing Things, Kleine Humboldt Galerie, Humboldt Universität, Berlin
Play Time. Œuvres de la collection Klosterfelde, L.A.C. Lieu d’Art Contemporaine, Sigean
segalega, Galleria Gio Marconi / Galleria Zero, Milan
Please go around the construction area by the lights and over the traffic island (and other stories), Kunstverein Schattendorf
2010
Trailer Park. Works fom the Fondazione Morra Greco, Teatro Margherita, Bari
Five Easy Pieces, Galleria Franco Noero, Turin
Untitled, NGBK, Neue Gesellschaft für Bildende Kunst, Berlin
Huckleberry Finn, CCA Wattis Institute, San Francisco
Novel, Dépendance, Brussels
Von realer Gegenwart: Marcel Broodthaers heute, Kunsthalle Düsseldorf
Le Dernier Roman Du Monde, Supporticolopez, Berlin
In Which the Wind is also a Protagonist, La Générale, Sèvres
Under One Umbrella, Kunsthalle Bergen
Gallery, Galerie, Galleria, Norma Mangione Gallery, Turin
2009
Gargarin: The Artists in their Own Words, S.M.A.K Stedelijk Museum voor Actuele Kunst, Gent
Klosterfelde, Berlin
Scorpio’s Garden, Temporäre Kunsthalle, Berlin
Moby Dick, CCA Wattis Institute, San Francisco
Fri Porto, Den Frie Centre of Contemporary Art, Copenhagen
Little Theatre of Gestures, Museum für Gegenwartskunst Basel / Malmö Konsthall 7 x 14, Staatliche Kunsthalle Baden-Baden
Friends Of The Divided Mind, Royal College of Art, London
2008
This Is Not A Void, Galeria Luisa Strina, São Paulo
Art Focus 5, Congress Center, Jerusalem
abc, Ehemaliger Postbahnhof am Gleisdreieck, Berlin
Jahrgang Rausch, Atelierfrankfurt, Frankfurt a.M.
When a clock is seen from the side it no longer shows the time, Galerie Johann König, Berlin
Home is the Place you Left, Trondheim Kunstmuseum, Trondheim
Uovo Open Office, Uovo Magazine, Basel
X Wohnungen, Neukölln, Theater Hebbel am Ufer / Hau, Berlin
Participation, Galerie Martin Janda, Vienna
Passengers, CCA Wattis Institute, San Francisco 2007 In Attesa Di Risposta, Supportico Lopez 32, Naples
Curiosities Encountered, Grieder Contemporary, Sils-Maria
Die Sammlung Rausch, Portikus, Frankfurt a.M
Learn To Read, Tate Modern, London
Made in Germany, Sprengel Museum Hannover
Romantischer Konzeptualismus, Kunsthalle Nürnberg / Bawag Foundation, Vienna Conditions of Display, The Moore Space, Miami
Door slamming festival, Mehringdamm 72, Berlin Société secret, Le Plateau, Frac Ile-de-France, Paris
Absent without leave, Victoria Miro Gallery, London Tricky, Galeria Estrany-De La Mota, Barcelona Elephant cemetery, Artists space, New York
2006
Subito Sera, Galleria Zero, Milan
The Clinic. A Pathology of Gestures, Theater Hebbel am Ufer, Berlin
pigment piano marble, Buenos Aires
When the moon shines on the moonshine, The Breeder, Athens
Auflösung III – Entgrenzung, NGBK, Neue Gesellschaft für Bildende Kunst, Berlin 1/60 Insurgent space, Tirana
The Show will be Open when the Show will be Closed, Store, London
On the move, Westfälischer Kunstverein Münster
Objet à part, La Galerie de Ville de Noisy-le-Sec
Poor man’s expression, Cinema Arsenal, Atrium, Berlin
Wrong, Klosterfelde, Berlin
2005
En Route: Via Another Route, Trans-Siberian Railway, Moscow – Beijing
Information / Transformation, Extra City, Centrum voor Hedendaagse Kunst, Antwerp Not a Drop but the Fall, Künstlerhaus Bremen
No competitive offers, Artis, Hertogenbosch
The Need to Document, Kunsthaus Baselland, Muttenz/Basel
Monuments for the USA, CCA Wattis Institute, San Francisco
2004
Drafting Deceit, apexart, New York Gelegenheit und Reue, Grazer Kunstverein
Never Never Landscape, c/o Atle Gerhardsen, Berlin
Beuys don’t cry, Galleria Zero, Milan
Manifesta 5, Donostia – San Sebastian
Socle du Monde, Herning Kunstmuseum, Herning
Tätig Sein, Neue Gesellschaft für Bildende Kunst, Berlin
This much is certain, Royal College of Art, London
Cremers Haufen, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster
Mix Max, Art Sonje Center, Seoul
Side Effects, Museum of Contemporary Art, Belgrade Prisma, Raum aktueller Kunst Martin Janda, Vienna

Kirsten Pieroth

Taste of Great

28 Jun - 20 Oct 2012

Group Show

Five Easy Pieces

24 Feb - 2 Apr 2011

Pieroth / Olesen

2002 Show

21 Feb - 16 Mar 2002

LARA FAVARETTO
Born 1973 (Treviso, Italy)
Lives and works in Torino, Italy
 
EDUCATION
1994-1999 Accademia di Belle Arti di Brera, Milano, Italy
1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio
Ratti, Como, Italy
Scholarship at Kingston University, London, UK
 
SOLO EXHIBITIONS
2019
Castello di Rivoli Museo d’Arte Contemporanea (forthcoming)
Aspen Art Museum (forthcoming)
2018
‘SUCKING MUD’ Galleria Franco Noero, Piazza Carignano, Turin, Italy
2017
‘Absolutely Nothing’, Nottingham Contemporary, Nottingham, UK
2015
‘Good Luck’, MAXXI, Rome, Italy
‘Lara Favaretto: Collected Works’, Rennie Collection, Vancouver, Canada
‘REDEFINE’, Galleria Franco Noero, Turin, Italy
2013
‘The 2013 Carnegie International’, Carnegie Museum of Art, Pittsburgh, USA
2012
‘Just Knocked Out’, Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA
2009
‘Absolutely no Donations’ Tramway, Glasgow, UK
 
SELECTED GROUP EXHIBITIONS
2018
‘Reichtum: Schwarz ist Gold / Black is Gold’, Lehmbruck Museum, Duisburg, Germany
‘Sexy and Cool’, Kunsthalle Tübingen, Tübingen, Germany
‘Playtime’, Peabody Essex Museum, Salem, USA
‘Stories of Almost Everyone’, Hammer Museum, Los Angeles, USA
2017
‘I am you, you are too’, Walker Art Center, Minneapolis, USA
‘A Poet*hical Wager’, MOCA Cleveland, USA
Skulptur Projekte Münster, Münster and Marl, Germany
2016
Liverpool Biennial 2016, Liverpool, UK
2015
‘The Event Sculpture’, The Henry Moore Foundation, Leeds, UK
2014
‘Manifesta 10’, The State Hermitage Museum, Saint Petersburg, Russia
‘Infinte Jest’, Schrin Kunsthalle, Frankfurt, Germany
2013
‘The 2013 Carnegie International’, Carnegie Museum of Art, Pittsburgh, USA
2012
‘When Attitudes Became Form Become Attitudes’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
‘dOCUMENTA (13)’, Kassel, Germany and Kabul, Afghanistan
2011
12th International Istanbul Biennial, cur. by Jens Hoffmann and Adriano Pedrosa, Istanbul, Turkey
2010
‘Restless empathy’, Aspen Art Museum, Aspen, USA
‘The traveling show’, Fundación/Colección Jumex, México D.F.
2009
‘Making Worlds / Fare Mondi’, 53rd Venice Biennial, Venezia, Italy
‘Provisions for the future’, 9th Sharjah Biennial, Sharjah, UAE
 
SELECTED PUBLIC COLLECTIONS
Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli (Torino), Italy
MAXXI, Museo Nazionale Della Arti del XXI Secolo, Roma, Italy
FRAC Languedoc-Roussillon, Montpellier, France
MUSAC, Museo De Arte Contemporaneo De Castilla Y León, Spain
Deutsche Bank Collection, Milan, Italy
MAMbo, Museo d’Arte Moderna di Bologna, Italy
Collezione Maramotti, Reggio Emilia, Italy
Rennie Collection, Vancouver, Canada
Queensland Art Gallery & Gallery of Modern Art, South Brisbane, Australia
Walker Art Center, Minneapolis, USA
 
SELECTED BIBLIOGRAPHY
2018 ‘Lara Favaretto’ by Adam Carr, ‘Lara Favaretto: Post-Arte Povera’ by Courtney J. Martin Published by Rennie Collection
2016 ‘Lara Favaretto: Ageing Process’, Edited by Lara Favaretto. Texts by Anthony Huberman, Brian Kuan Wood, Dieter Roelstraete, Jörg Heiser, Joshua Simon, Jalal Toufic, Lisa Le Feuvre, Martin Herbert, Markus Miessen, Daniel McClean, Peter Eleey, Francesco Manacorda. Co-published by Sternberg Press and Mousse Publishing
2010 ‘Momentary Monument I – The Swamp’, Ed. by Paolo Caffoni, Archive Books, Berlin, Germany
 

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Group Show

Can I Step On It?

30 March - 14 May 2016

Lara Favaretto

REDEFINE

17 April - 30 May 2015

Lara Favaretto

REDEFINE

17 April - 30 May 2015

Lara Favaretto

Painlessly Consumed

23 Sep– 30 Oct 2010

Group Show

De Pictura

16 Apr – 24 Mag 2014

Lara Favaretto

Non ho creduto in niente

19 Sep - 28 Oct 2006

Lara Favaretto

Solo Show

27 May - 23 Jul 2004

LOTHAR BAUMGARTEN
Born in 1944 in Rheinsberg, Germany.
Lives and works in Berlin and New York.
 
EDUCATION
1969-1971
Staatliche Kunstakademie, Düsseldorf, Germany
1968
Staatliche Akademie für bildende Künste, Karlsruhe, Germany
 
GRANTS AND AWARDS
2003
mfi Award, Kunst und Bau, Essen, Germany
1996
Lichtwark Prize, City of Hamburg, Germany
1984
The Golden Lion, First Prize of 41st Venice Biennial, Italy
1976
Prize of the State of Nordrhein-Westfalen, Germany 1974 Prize of the City of Dusseldorf, Germany
1974
Prize of the City of Düsseldorf, Germany
 
SELECTED SOLO EXHIBITIONS
2016
‘Lothar Baumgarten: Sidetracks’, Galerie Thomas Zander, Cologne, Germany
‘Specchio del mare’, Galleria Franco Noero, Turin, Italy
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain;
‘The ship is going under, the ice is breaking through, 2001’ Palacio de Cristal, Madrid, Spain
2014
‘Lothar Baumgarten. Los Aristócratas de la Selva y la Reina de Castilla’, Marian Goodman Gallery, New York, USA
2012 – 2013
‘Lothar Baumgarten. Los Aristócratas de la Selva y la Reina de Castilla’, Fundación Botín, Cantabria, Spain
2011 – 2012
‘Abend der Zeit – Señores Naturales Yanomami’, Museum Folkwang, Essen, Germany
2011
‘Fragmento Brasil’, Galerie Marian Goodman, Paris, France
2010
‘River Crossing’, Galerie Thomas Zander, Köln, Germany
Galería Elba Benítz, Madrid, Spain
2009
‘Fragmento Brasil’, Marian Goodman Gallery, New York, USA
‘Seven Sounds/Seven Circles’, Kunsthaus Bregenz, Bregenz, Austria
2008
‘Autofocus retina’, Museu d’Art Contemporani de Barcelona, Spain
2006
Museum Kurhaus, Kleve
2004
‘Carbon’ (1987-90), Dallas Museum of Art, Dallas, Texas, USA
‘Imago Mundi’ (1988), Marian Goodman Gallery, New York, USA
2003
‘The Origine of the Night’ 1978, (1973-77), Whitney Museum of American Art, New York, USA
Skaftfell Cultural Center, Seydisfjördur, Iceland
De Verbeelding Art Landscape Nature, Zeewolde, The Netherlands
2002
‘Carbon’ (1987-90), Freedman Gallery, Albright College Center for the Art. Reading, USA
‘Carbon’ (1987-90), De Pont, Tilburg, The Netherlands
2002 – 2001
‘Terra Firma’ (1977-1985), Schirmer/Mosel Showroom, Munich, Germany
2001
‘Beruhren zwei Kreise einander, so kann ihr Mittelpunkt nicht der selbe sein’ Hamburger Kunsthalle, Hamburg, Germany
‘alora, dunque’ (1983-84), Palazzo Querini Stampalia, Venice, Italy
‘How to see Venice’ (1983-84), Marian Goodman Gallery, New York, USA
Museu Serralves, Museum of Contemporary Art, Porto, Portugal
2000
‘Réalite Silhouette Paradoxe’, Marian Goodman Gallery, Paris, France
1998
‘Voilà pourtant, dit Candide, un Pays qui vaut mieux que la Westphalie’ El Dorado (1968-76), Marian Goodman Gallery, Paris, France
‘Terra Incognita’ (1969, 1974, 1985, 1987, 1988, 1990, 1991), Kunsthaus Zurich, Switzerland
1997
‘Fiederzwenke’, Kurhausmuseum, Kleve, Germany
1996
‘A Mi-Chemin’, Marian Goodman Gallery, Paris, France
1995
‘Theatrum Botanicum’ (1993-94), Fondation Cartier, Paris, France
1994
‘Silencium’, Transmission Gallery, Glasgow, UK
‘Conservatory’ (1973-74), Royal Botanic Garden Edinburgh, UK
1993
‘Carbon’ (1987-90), The Renaissance Society, University of Chicago, USA
‘Eklipse’ (1992-93), Portikus, Frankfurt M, Germany
‘AMERICA Invention’ (1985-88), The Solomon R. Guggenheim Museum, F.L. Wright’s Rotunda, New York, USA
1992
‘Tierra Firme’ (1977-1985), Instituto Valenciano de Arte Moderno, Valencia
‘Wie Venedig sehen’ (1983-84), Museum Haus Esters, Krefeld, Germany
1991
‘Carbon’ (1987-90), Marian Goodman Gallery, New York, USA
‘Baltic Window’ (1990-91), Museum of Contemporary Art, Helsinki, Finland
1990
‘Side Tracks, Carbon’ (1987-90), Museum of Contemporary Art, Los Angeles, USA
‘Endlager/Milkyway’ (1985), Konrad Fischer Gallery, Dusseldorf, Germany
1988
‘Terra Incognita’ (1969, 1974, 1985, 1987, 1988,1990, 1991), Marian Goodman Gallery, New York, USA
1987
‘El Dorado’ (1977), 1985, Kunsthalle Bern, Switzerland
‘Métro Nome’ (1985-87), Musée des Arts Africains et Océaniens, Paris, France (in conjunction with ‘L’époque, la mode, la morale, la pasion,’ Musée National d’Art Moderne-Centre Georges Pompidou, Paris)
‘Makunaíma’, Marian Goodman Gallery, New York, USA
‘Vacuum’ (1986-87), The Carnegie Museum of Art, Pittsburgh, USA
1986
‘Accès aux Quais’ TableauxParisiens (1985-86), ARC/Musée d’Art Moderne de la Ville de Paris, Paris, France
‘Wegwurf’ (1977-86), Museo de Bellas Artes, Jardín Botanico de Caracas y Parque de Los Caobos, Caracas, Venezuela
‘Der Ursprung der Nacht’ (Amazonas-Kosmos) 1978, (1973-77) (The Origin of the Night), Pacific Film Archives, University Art Museum, Berkeley, USA
The Museum of Modern Art, New York, USA
Konrad Fischer Gallery, Dusseldorf, Germany
1985
‘Tierra de los Perros Mudos’ (1969-85), Stedelijk Museum, Amsterdam, The Netherlands
‘El Dorado’ (1977), Marian Goodman Gallery, New York, USA
‘Termite Savannah’ (1969), Konrad Fischer Gallery, Dusseldorf, Germany
Institute of Contemporary Art, Boston, USA
1983
‘Land of the Spotted Eagle’ (1974-83), Museum Abteiberg, Mönchengladbach, Germany
1982
‘Die Namen der Bäume’ (1977-82), Van Abbemuseum, Eindhoven, The Netherlands
Konrad Fischer Gallery, Dusseldorf, Germany
1979
Hallen fur internationale neue Kunst, Zurich, Switzerland
1978
Kunstraum, Munich, Germany
1976
Kabinett fur aktuelle Kunst, Bremerhaven, Germany
Konrad Fischer Gallery, Düsseldorf, Germany
1975
Konrad Fischer Gallery, Dusseldorf, Germany
Rolf Preisig Gallery, Basel, Switzerland
1974
Wide White Space, Brussels and Antwerp, Belgium
‘Section 125-25 64-58, Hommage à M.B.’ ‘T’E-NE-T’E’ (1972-74) (with Michael Oppitz), Konrad
Fischer Gallery, Dusseldorf, Germany
‘Hans Staden’ Tropenhaus (1972-74), Botanical Garden, Cologne, Germany (in conjunction with
‘Kunst bleibt Kunst,’ Kunsthalle Köln, Cologne)
1973
‘Vom Ursprung der Tischsitten’, Gian Enzo Sperone/Konrad Fischer Gallery, Rome, Italy
Konrad Fischer Gallery, Dusseldorf, Germany
1972
‘Guayana’, Konrad Fischer Gallery, Dusseldorf, Germany
 
SELECTED GROUP EXHIBITIONS
2017
‘A Tale of Two Worlds. Experimental Latin American Art in Dialogue with the MMK
Collection 1940s-1980s’, MMK 1, Museum fur Moderne Kunst Frankfurt am Main, Germany
‘Mil bestias que rugen. Dispositivos de exposición para una modernidad crítica’, Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla, Spain
‘Folklore A Controversy with Works from the Collections’, Museum der Moderne, Salzburg, Austria
‘Prometheus Unbound’, steirischer herbst – Festival of new art, Neu Galerie Graz, Germany
‘Sites of Assembly’, Belkin Art Gallery, University of British Columbia, Vancouver, Canada
‘L’emozione dei COLORI nell’Arte’, Castello di Rivoli Museo d’Arte Contemporanea and GAM – Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy
‘Collection display: Communities’, Migros Museum of Contemporary Art, Zurich, Switzerland
2016
‘Capital. Debt-Territory-Utopia’, Hamburger Bahnhof, Berlin, Germany
‘Honey: Rearranged The Collection. #1 The Magic of Things. Perfidious Objects’, Hamburger Kunsthalle, Hamburg, Germany
‘Art from Elsewhere: International Contemporary Art from UK Galleries’, Towner, Eastbourne, UK
‘Order & Reorder: Curate Your Own Exhibition’, National Museum of Modern Art Kyoto (MOMAK), Kyoto, Japan
‘25 Years MMK Museum für Moderne Kunst – New Collection Presentation’, MMK1 Museum fur Moderne Kunst, Frankfurt am Main, Germany
Kramlich Collection of Media Art, Los Angeles, USA
2015
‘Foster 1954-2015, Lothar Baumgarten / Camille Henrot / Friedemann von Stockhausen’, Kunsthalle Mainz, Mainz, Germany
‘DUMP! Mulitispecies Making and Unmaking, Aarhus Kunsthal’, Denmark
‘Art & Language, Lothar Baumgarten, Robert Bary, Sigmar Pole’, Hirose Collection, Hiroshima, Japan
2014
’Lens-based sculpture. Die Veränderung der Skulptur durch die Fotografie’, Akademie der Kunste, Berlin, Germany
‘Kunst/Geschichten’, Museum der Moderne, Salzburg, Austria
‘Booster – Kunst Sound Maschine’, Marta Herford, Herford, Germany
2013 – 2014
Minimal Resistance, Museo Reina Sofía, Madrid, Spain
2013
Ends of the Earth, Land Art to 1974, Haus der Kunst, Munich, Germany
Poesie der Reduktion – Minimal, Concept, Land Art, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Neunzehnhundertsiebzig. Material, Orte, Denkprozesse,Kunstmuseum Luzern, Luzern, Switzerland
25 Jahre Generali Foundation, The Content of Form Generali Foundation, Vienna, Austria
2012 – 2013
‘Ends oft he Earth. Land Art bis 1974′, Haus der Kunst, Munich, Germany
‘Poesie der Reduktion’, mumok, Vienna, Austria
2012
‘Spies in the House of Art’, The Metropolitan Museum, New York, USA
‘La Triennale’, Palais de Tokyo, Paris, France
‘Tour d’Horizon – Werke aus der Sammlung migros museum fur gegenwartskunst’, migros museum, Zurich, Switzerland
2011
‘Die Erfindung der Wirklichkeit. Photographie an der Kunstakademie Dusseldorf von 1970 bisheute’, Akademie-Galerie. Die Neue Sammlung, Dusseldorf, Germany
2010
‘Projecto Tierra’ Alhóndiga Bilbao, Spain
‘Eröffnung Neubau’, Museum Folkwang, Essen, Germany
‘Leopards in the Temple’ SkulptureCenter, Long Island, USA
‘Lost and Found’ Galerie Neugerriemschneider, Berlin, Germany
2009 -2010
‘Radical Nature – Art and Architecture for a changing Planet 1969-2009′ Barbican Centre, London, Dick Institut, Klamarnock, UK
2009
‘Universal Archive: The Condition of the Document and the Modern Photographic Utopia’ Museu Colecçao Berardo, Lisbon, Portugal
‘Joseph Beuys und seine Schuler – Werke aus der Sammlung Deutsche Bank’ Sakip Sabanci Museum, Istanbul, Turkey
2008 – 2009
‘Seeing Double’ Galerie Zander, Cologne, Germany
2008
‘Un Coup des Dés’ Generali Foundation, Vienna, Austria
‘Objectivités: La Photographie à Dusseldorf’ Musée d’Art moderne de la Ville de Paris/ARC, Paris, France
‘Sammlung 1978-2008′ Migros Museum, Zurich, Switzerland
‘Universal Archive: The Condition of the Document and the Modern Photographic Utopia’ Museu d’Art Contemporani de Barcelona, Spain
2007
‘30/40’ Marian Goodman Gallery, New York, USA
‘From the Earth to the Moon’ Castello Rivoli, Torino, Italy
‘Revue’ Museum Kurhaus Kleve, Germany
‘Hidden in Plain Sight: Contemporary Photographs from the Collection, Metropolitan Museum of Art, New York, USA
‘Edit! Photography and Film in the Ellipse Collection’ Ellipse Foundation, Cascais, Portugal
2006 – 08
‘Más de lo que los ojos pueden ver – Arte Fotografico de la Coléccion Deutsche Bank’ Marco
Museum, Monterrey, Museo de Artes Modernas, Lima, Museo de Arte Moderno, Sao Paulo, Brazil
2006
‘Why Pictures Now’ MUMOK Stiftung Ludwig, Vienna, Austria
2005 – 2006
‘Slide Show’ Baltimore Museum, Baltimore, Maryland, Contemporary Arts Center, Cincinnati, Brooklyn Museum of Modern Art, New York, USA
‘UdK’ Berlinische Galerie, Berlin, Germany
2005
‘In Progress IV für Harald Szeemann’ with James Lee Byars, Kewenig Galerie, Cologne, Germany
‘Down the Garden Path: The Artist’s Garden after Modernism’, Queens Museum of Art, New York, USA
‘Contradicting Architecture’ Marian Goodman Gallery, Paris, France
‘Evergreen’ Royal Botanic Garden Edinburgh, UK
‘An Aside’ Camden Arts Centre, London, The Fruitmarket Gallery, Edinburgh, The Glynn Vivian Art Gallery, Swansee, UK
2004 – 2005
‘Behind the Facts, Interfunktionen 1968-1975’ Joan Miró Foundation, Barcelona, Spain; Museu Serralves, Porto, Portugal; Kunsthalle Fridericianum, Kassel, Germany
2004
‘Somewhere, Everywhere, Nowhere’ The Fruitmarket Gallery, Edinburgh, UK
‘Animaux. Von Tieren und Menschen’ Seedamm-Kulturzentrum, Pfäffikon, Switzerland
‘Animals’ Haunch of Venison, London, UK
‘Yanomami, o espírito da floresta’ Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
‘Reflecting the Mirror’ Marian Goodman Gallery, New York, USA
2003 – 2004
‘LOOK and FEEL’ De Verbeelding Art Landscape Nature, Zeewolde, Holland
‘Gegenwärtig: Field Research’ Hamburger Kunsthalle, Hamburg, Germany
2003
‘Watershed – The Hudson Valley Art Project’ Minetta Brook, Beacon, New York, USA
‘Recaptured Nature’ Marian Goodman Gallery, New York, USA
‘Yanomami Sprit of the Forest’ Fondation Cartier, Paris, France
‘Photography : Fact to Fiction’ Marian Goodman Gallery, Paris, France
‘Projection’ Konrad Fischer Galerie, Dusseldorf, Germany
2002
‘Arte all’ Arte, Arte Architettura Paesaggio 7’ (“Ecce Homo” (2002)) San Francesco, Montalcino, Italy
‘Summer Show’ Marian Goodman Gallery, New York, USA
‘COPY’ Roth+Horowitz,LLC, New York, USA
2001
‘Szenenwechsel XIX’ (‘Carbon’ (1987-90)), Museum fur Moderne Kunst, Frankfurt a.M., Germany
‘Parallels’ Atlanta college of Art Gallery, Atlanta, USA
‘This side of paradise’ Marian Goodman Gallery, New York, USA
‘Seeing Time: Selections from the Kramlich Collection of Media Art,’ Museum fur neue Kunst ZKM, Karlsruhe, Germany
2000
‘voici: 100 Years of Contemporary Art’ Palais des Beaux-Arts, Brussels, Belgium
‘Kabinett der Zeichnung’ (organized by Kunstfonds Bonn), Kunstakademie Dresden, Kunstverein Dusseldorf, Kunstverein Lingen, Kunstverein Chemnitz, Kunstverein Stuttgart,Germany
‘Wall’ Konrad Fischer, Dusseldorf, Germany
1999 – 2000
‘Kunstwelten im Dialog,’ Museum Ludwig, Cologne, Germany
‘Ein Jahrhundert Kunst in Deutschland’ (‘Feuilleton Klimax’ (1998-99)) National Galerie Hamburger Bahnhof, Berlin, Germany
1999
‘Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art’ San Francisco Museum of Modern Art, USA
‘Circa 1968’ Museu Serralves, Museum of Contemporary Art, Porto, Portugal
‘The Museum as Muse: Artists Reflect,’ The Museum of Modern Art, New York, USA
1998
‘Breaking Ground’ Marian Goodman Gallery, New York, USA
‘Jardin d’artiste: de mémoire d’arbre,’ Musée Zadkine, Paris, France
1997
‘documenta X’ Kassel, Germany
1996
‘Project for Survival’ The National Museum of Modern Art Kyoto, The National Museum of Modern Art Tokyo, Japan
‘Thinking Print: Books to Billboards, 1980-1995’ The Museum of Modern Art, New York
‘Elsewhere’ Galerie Froment & Putman, Paris, France
‘Multiple,’ Pierogi 2000, Brooklyn, New York, USA
‘Under Capricorn The World Over’ Stedelijk Museum, Amsterdam, City Gallery, Wellington, New Zealand
‘Comme un Oiseau’ Fondation Cartier pour l’Art Contemporain, Paris, France
1996 – 1995
‘1965-1975: Reconsidering the Object of Art’ Museum of Contemporary Art, Los Angeles, USA
1995
‘Call it Sleep’ Witte de With, Rotterdam, Holland
‘Wide White Space’ Palais des Beaux-Arts de Bruxelles, Brussels, Belgium
1994
‘In the Field: Landscape in Recent Photography’ Margo Leavin Gallery, Los Angeles
‘Wall to Wall’ Serpentine Gallery, London
Louisiana Museum, Humlebaek, Denmark
1994 – 1993
‘Photographie in der deutschen Gegenwartskunst’ Museum fur Gegenwartskunst, Basel, Switzerland; Museum Ludwig, Cologne, Germany
1993
‘Die Sprache der Kunst’ Kunsthalle Wien, Vienna
‘De la main à la tête, l’objet théorique’ Le Domaine de Kerguehennec Centre d’Art Contemporain, Bignan, France
 
FILM AND PROJECTIONS
‘Unsettled Objects’, Pitt Rivers Museum, Oxford 1968 (1969). A projection of 81 slides in a 13 minute
sequence. Edition of 5 + 2 AP
‘Eine Reise oder Mit der MS Remscheid auf dem Amazonas’, (A Journey or ‘With the MS Remscheid on
the Amazon’), 1968-1971 projection of 81 slides in a 12.5 minute sequence. Edition of 10 + 2 AP
‘Imago Mundi’ Düsseldorf, 1968-1972. projection of 81 slides in a 13 minute sequence. Edition of
10 + 2 AP
‘Da gefällt’s mir besser als in Westfalen’ Eldorado 1968-76. A 35.7 minute long projection of 187 slides
with sound track. Edition of 5 + 2 AP
‘Der Ursprung der Nacht’ (Amazonas-Kosmos) (The Origin of Night), 1978.
A 16mm film, color, sound of 102 minutes lenght. produced between 1973 and 1977.
‘Aristokraten des Urwalds’, 16mm film, in progress; filmed in colaboration with the Yanomami people of the
Upper Orinoco region, Venezuela 1978-79.
‘Fragmento Brasil/Vom Ursprung der Tischsitten’ 1971-2005, Synchronprojection of 648 slides in a 45
minuites sequence. Edition of 5 + 2 AP
‘Caribana/Canibali (Pass del Cacao)’, 1978-2009, Synchronprojection of 162 slides in a 15 minuites
sequence. Edition of 5 + 2 AP
‘Piedras de Aliento (Tierra de Nadie)’, 1977-2009, Projection of 81 slides in a 13 minuites sequence.
Edition of 5 + 2 AP
 
SELECTED COMMISSIONS / PUBLIC PROJECTS
2003 – 2007
‘Seven Sounds Seven Circles’ Beacon, NY, Minetta Brook, New York
2003
‘Plant Life Architecture’ De Verbeelding Art Landscape Nature, Zeewolde, NL
2002 – 1999
Permanent Commission for the City of Frankfurt M, Germany
1998 – 1996
New Presidential Headquarters, Federal Republic of Germany, Berlin
1997
‘Hufschlag,’ RWE Essen, Germany
1996
‘Steinschlag’ (1991-1996), University St. Gallen, Switzerland
‘Das Große Rasenstück’ (1995-1996), Überlingen, Germany
1996 – 1994
‘Theatrum Botanicum’ (1993-94), Fondation Cartier, Paris
1992
‘Configuracións urbanes’ Olympiade Cultural, Barcelona (‘Rosa de los Vientos’ (1991-92))
 
SELECTED BOOKS AND PUBLICATIONS
2012
‘Object atlas’, Bielefeld: Kerber
‘Lothar Baumgarten: Los Aristócratas de la Selva y la Reina de Castilla’ ; Fundación Botín, Santander
2009
‘Seven Sounds Seven Circles’ Kunsthaus, Bregenz*
‘Seven Sounds Seven Circles’ CD Album, Kunsthaus, Bregenz*
2008
‘Auto Focus retina’ MACBA, Barcelona*, Spain
2006
‘AIR’ Richter Verlag, Düsseldorf*, Germany
‘See other Side’ Museum Kurhaus Kleve*
1997
‘EKLIPSE’ Richter Verlag, Düsseldorf*, Germany
1993
‘AMERICA Invention’ Solomon R. Guggenheim Museum, New York*, USA
‘LITTERIS-RECVPERATA-LIBERTATE-CIVITAS’ Portikus, Frankfurt M 1993 in: Frankfurter Rundschau, Literaturbeilage, S.13,14,15,16, Frankfurt a.M., 6 October
1992
‘Wie Venedig sehen’ Museum Haus Esters, Krefeld*
1991
‘Carbon’ mit Insert, 10 Kurzgeschichten von LB, Musuem of Contemporary Art, Los Angeles / Pentti Kouri*
1987
‘Makunaíma’ mit Text ‘Los Advertidos’ von Alejo Carpentier, Marian Goodman Gallery,New York*, USA
1985 – 1986
‘Accès aux Quais, Tableaux Parisiens’ ARC Musée d’Art, Moderne de la Ville de Paris
1985
‘Tierra de los Perros Mudos’ Stedelijk Museum, Amsterdam*, Netherland
1984
‘Señores Naturales’ AMERICA, Venice Biennale, Venedig*
1983
‘Land of the Spotted Eagle’ Museum Abteiberg, Mönchengladbach*
1982
‘Die Namen der Bäume’ Van Abbemuseum, Eindhoven*
1974
‘T’E-NE-T’E’ L.Baumgarten mit Michael Oppitz., Konrad Fischer, Düsseldorf, Germany

*Typography and form in collaboration with Walter Nikkels.
 
COLLECTIONS
Art Gallery of Ontario, Toronto, Canada
Bundespräsidialamt, Berlin, Germany
Carnegie Museum of Art, Pittsburgh
Castello di Rivoli, Torino, Italy
City of Barcelona, Spain
City of Münster, Germany
Château d’Oiron, Oiron, France
Dallas Museum of Art, Dallas, Texas
De Pont, Tilburg, The Netherlands
Deutsche Bank Art Collection, Frankfurt M, Germany
Ellipse Foundation Art Centre, Alcoitao, Portugal
Fondation Cartier, Paris
FRAC- Champagne-ARD, Reims, France
FRAC- Nord Pas de Calais, Dunkerque,France
Fundaçao Serralves, Porto, Portugal
The Solomon R. Guggenheim Museum, New York
Haags Gemeentemuseum, the Hague, The Netherlands
Hamburger Kunsthalle, Hamburg, Germany
Instituto Valenciano de Arte Moderno, Valencia, Spain
Klinik Buchinger, Überlingen, Germany
The Metropolitan Museum, New York
Migros Museum, Zurich, Switzerland
MIT List Visual Arts Center, Cambridge/MA, USA
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Museu d’Art Contemporani de Barcelona, Spain
Museum Abteiberg, Mönchengladbach, Germany
Museum Folkwang, Essen, Germany
Museum für Moderne Kunst, Frankfurt M, Germany
Museum Glasgow
Museum Kleve, Kleve, Germany
Museum of Modern Art, New York
National Galerie Hamburger Bahnhof, Berlin
National Gallery of Art, Washington, D.C.
National Museum of Modern Art, Kyoto, Japan
Staatliche Museen zu Berlin, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Stedelijk Van Abbemuseum, Eindhoven, The Netherlands
Tate Gallery, London, England
Tate Gallery, Liverpool, England
Universität St. Gallen, Switzerland
Vancouver Art Gallery, Canada
 

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Lothar Baumgarten

Specchio del mare

8 June - 15 October 2016 | Piazza Carignano 2

MARIO GARCÍA TORRES

 

Born in 1975, Monclova, Mexico
Lives and works in Mexico City

 

EDUCATION

2005

Master of Fine Arts, California Institute of the Arts, Valencia, USA
1998

Bachelor in Fine Arts, Universidad de Monterrey, Monterrey, Mexico, 1998

 

SOLO EXHIBITIONS

2017

‘When Time Lost Its Patience’, Galleria Franco Noero, Torino, Italy (forthcoming)

2016
‘No doubt, naturally drawn, non-determined nodes, normally detected neutral density. Neal Diamond nose downed near dark. Normal delivery notably drove non-directional navigational displays into North Dakota. And not documented nominal diameter neatly diagrammed non-dated next degree new directions’, Jan Mot Gallery, Brussles, Belgium.
‘Caminar Juntos’, Museo Tamayo, Mexico City, Mexico

2015

‘The Space We’ve Got (A Proposal for the 10th Tokyo Biennale’s Between Man and Matter)’, Taka Ishi Gallery, Tokyo, Japan
‘The Strange Things my Eyes See’, Neugerriemschneider, Berlin, Germany
‘Me suena a aislamiento’, La Tallera, Sala de Arte Público Siqueiros, Cuernavaca, Mexico
‘FOCUS: Mario García Torres’, Modern Art Museum of Fort Worth, Fort Worth, USA

2014

‘Mario García Torres presents Allen Smithee’, The Hammer Museum at UCLA, Los Angeles, USA
‘Florida Withdrawal’, Perez Art Museum, Miami, USA
‘Xoco (Cont.)’, Elba Benitez, Madrid, Spain

2013

‘The Boetti Lesson’, MADRE, Naples, Italy
‘Other Days’, Proyectos Monclova, Mexico City, Mexico
‘Until it Makes Sense’, Project Arts Centre, Dublín, Irlanda
‘A Telltale of a Sunday Practice’, Taka Ishii, Tokyo, Japan

2012

‘September Piece’, Jan Mot, Brussels, Belgium

2011

‘Material Witness’, The Morris and Helen Belkin Art Gallery, Vancouver, Canada

2010

‘¿Alguna vez has visto la nieve caer?’, Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid, Spain
‘I Will Be With You Shortly’, Peep-Hole, Milan, Italy.
‘What Doesn’t Kill You Makes You Stronger’, FRAC – Franche-Comté, Besançon, France
‘Directions: Mario Garcia Torres’, Hirshhorn Museum and Sculpture Garden, Washington, USA

2009

‘What Doesn’t Kill You Makes You Stronger, and Some Reference Materials’, Berkeley Art Museum, USA
‘It’s embarrassing, but for some time now I’ve only had title ideas in English’, Fundación Joan Miró, Barcelona, Spain
‘Unspoken Dailies’, Taka Ishii Gallery – Tokyo, Tokyo, Japan
‘All That Color is Making Me Blind’, Jan Mot, Brussels, Belgium
‘Il aurait bien pu le promettre aussi’, Jeu de Paume, Paris, France
‘Je ne sais si c’en est la cause: What Doesn’t Kill You Makes You Stronger, and Some Reference Materials’, Berkeley Art Museum, USA

2008

‘Mario García Torres’, Kunsthalle Zurich, Switzerland
‘Early Color Video Tapes’, Proyectos Monclova, Mexico City, Mexico
‘Mario Garcia Torres’, White Cube Hoxton Square, London, UK
‘Pocket Scratching’, Sora Galery, Tokyo, Japan

 

BIENNIALS

2017

‘Sharjah Biennial, Tamawuj’, Sharjah, United Arab Emirates

2014

’8th Berlin Biennale’, KW Institute for Contemporary Art, Berlin, Germany

‘Ir para volver’, 12a Bienal Internacional de Cuenca, Ecuador
‘The Invisible Hand. Curating as Gesture, 2nd CAFAM Biennale, Beijing

2013

‘Weather Permitting’, 9a Bienal do Mercosul, Porto Alegre, Brazil

2012

Documenta (13), Documenta, Kassel, Germany

2010

Dallas Biennale, Dallas, USA

Taipei Biennial, Taipei, Taiwan
‘There is Always a Cup of Sea to Sail In’, 29° Bienal de São Paulo, Brazil

2009

‘Time Crevasse’, the 3rd Yokohama Triennale, Yokohama, Japan

2008

‘History`s Faint Smell Of Burning, The 8th Panama Biennial, Panama

‘Urgent’, 41 Salon Nacional de Arte, Cali Colombia

2007

The Second Moscow Biennial of Contemporary Art, Moscow, Russia

‘Think with the Senses – Feel with the Mind’, 52nd Bienal de Venezia, Italy

2005

‘Black Market Worlds’, 9th Baltic Triennale, CAC, Vilnius

 

GROUP EXHIBITIONS

2018

Hammer Museum, Los Angeles, USA (forthcoming)

2017
‘La fiesta fue ayer (y nadie recuerda nada)’, ARCHIVO Diseño y Arquitectura, Mexico City, Mexico

2014

‘Under The Same Sun. Art From Latin America Today’, Solomon R. Guggenheim Museum, New York, USA
‘New Ways of doing Nothing’, Kunsthalle Wien, Wien
‘Words As Doors’, Künstlerhaus, Halle für
‘Kunst & Medien’, KM-, Graz, Austria
‘The State of Parenthesis’, Fifi Projects, Monterrey, Mexico
‘Le Nouveau festival du Centre Pompidou’, Centre Pompidou, Paris, France
‘Three Collectors’, été 78, Brussels, Belgium

2013

‘Des Mondes Possibles’ – FRAC – Franche-Comté, Besançon, France
‘Un escalier d’eau’, Palais de Tokyo, Paris, France
‘The Floating Admiral’, Palais de Tokyo, Paris, France
‘Paint it black’, FRAC Ile-de-France Le Plateau, Paris, France
‘With a Name Like Yours, You Might Be Any Shap’, Tiroler Künstlerschaft – Kunstpavillion, Innsbruck, Austria

2012

‘Invisible: Art about the Unseen 1957 – 2012′, Hayward Gallery, London, UK
‘An Incomplete History of Incomplete Works of Art’, Francesca Minini, Milan, Italy
‘Reflecting on Reflection’, Galeri Mana, Istanbul, Turkey
‘When Attitudes Became Form Become Attitudes’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
‘The Edge In Landscape’, The Towner Art Gallery, Eastbourne, UK
‘Où donc, et quand?’, Château de Tanlay, Tanlay, France
‘Performing Abstraction’, Luciana Brito Galeria, São Paulo, Brazil
‘A Corral around Your Idea’, Galerie Jan Mot, Brussels, Belgium
‘Pathways Into A Collection’, Minsheng Art Museum, Shanghai, China

2011

‘The Exhibition Formerly Known as Passengers’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
‘Windflower, Perceptions of Nature’, Kröller-Müller Museum, Otterlo, Belgium
‘Incongru. Quand l’art fait rire’, Musée cantonal des Beaux-Arts, Lausanne, France
‘Power to the People’, ACCA, Australian Centre for Contemporary Art, Melbourne, Australia
‘The Anxiety of Photography’, Arthouse at the Jones Center, Contemporary Art for Texas, Austin, USA
‘The Anxiety of Photography’, Austin Museum of Art, AMOA, Austin, USA
‘Staging the Archive’, MACE, Museu de Arte Contemporânea de Elvas, Elvas, Portugal
‘The Object of Observation’, Johnen Galerie, Berlin, Germany
‘Beziehungsarbeit, Kunst und Institution’, Künstlerhaus Wien, Vienna, Austria
‘Paysages avec objets absents’, Fri Art, Centre d’Art Contemporain, Fribourg, Switzerland
‘The Anxiety of Photography’, Aspen Art Museum, Aspen, USA
‘God Only Knows Who The Audience Is’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
‘Agitated Histories’, Contemporary Museum, Baltimore, Baltimore, USA

2010

’21st Century Outlook’, FRAC – Ile-de-France Le Plateau, Paris, France
‘Prospective XXIe siècle’, FRAC – Ile-de-France Le Plateau, Paris, France
‘Didacticas’, Periférico Caracas, Caracas, Venezuela
‘Watchmen, Liars, Dreamers’, FRAC – Ile-de-France Le Plateau, Paris, France
‘Taking Place’, Stedelijk Museum Amsterdam, Amsterdam, Holland
‘Modelos para armar. Pensar Latinoamérica desde la Colección’ MUSAC – Musac – Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
‘À l’ombre d’un doute’, 49 NORD 6 EST – Frac Lorraine, Metz, France
‘Ce qui vient’, Les Ateliers de Rennes – Biennale d’art contemporain, Rennes, France
‘Incidentes de Viaje en Centro América, Chiapas, Yucatán y otros lugares’, Centro Cultural de España Guatemala (CCE/G), Ciudad de Guatemala, Guatemala
‘Todo A Nada’, Lectura Colecciones Muac, Museo Universitario de Arte Contemporáneo (MUAC), Mexico City, Mexico
‘In Lieu of unity’, Ballroom Marfa, Marfa, USA
‘Throwing Three Balls in the Air to Get a Straight Line’, Malmö Konsthall, Malmö, Sweden
‘Seconde main’, Musée d ́Art Moderne de la Ville de Paris – MAM/ARC, Paris, France
‘Lost And Found’, Neugerriemschneider, Berlin, Germany
’101 Collection: Route 1 – R for Replicant’, CCA Wattis Institute for Contemporary Arts, San Francisco, USA

2009

‘Registro 2 – mirar por segunda vez’, Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, Mexico
‘The Poetics of Space’, Marian Goodman Gallery, Paris
‘The rustle of language’, Kaufman Repetto, Milan, Italy
‘Where Do We Go From Here?’, Selections from La Colección Jumex, Bass Museum of Art, Miami, USA
‘Hecho en Casa’, Museo de Arte Moderno de Mexico City, Mexico City, Mexico
‘Pittoresk – Neue Perspektiven auf das Landschaftsbild’, MARTa Herford, Herford, Germany
‘Curators’ Series #2, Sculpture of The Space Age’, The David Roberts Art Foundation, London, UK
‘TILT _Twilight’ – La Box, École Nationale Superieure d ́Art de Bourges, Bourges, France
’5x5CASTELLÓ’ 09 Premi Internacional d’Art Contemporani Diputació de Castelló – EACC, Espai d ́Art Contemporani de Castelló, Castellon de la Plana, Spain
‘The Poetics of Space’, Galerie Marian Goodman, Paris, France
‘Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevičius’, Jan Mot, Brussels, Belgium
‘V.O.S.T. OV/OT, iMAL’ (interactive Media Art Laboratory), Brussels, Belgium
‘Usages du document’, Centre culturel Suisse, Paris, France
‘Desiring Necessities’, John Hansard Gallery, Southampton, UK
‘Beyond The Picturesque’, SMAK Stedelijk Museum voor Actuele Kunst, Gent, the Netherlands
‘Group Show’, Jack Hanley Gallery – New York, New York City, USA
‘Paper Exhibition’, Artists Space, New York City, USA
‘Ceramica Suro, Dialogo y Produccion’, Sala Jesus Gallardo, Leon, Mexico
‘Collected Things Connected’, Jack Hanley Gallery, New York, USA

2008

‘Other than Yourself’. An Investigation between Inner and Outer Space, Thyssen-BornemiszaArt Contemporary, Vienna, Austria
‘One Of This Things Is Not Like The Other Things’, Unosunove Art Contemporane, Roma, Italy
‘The Perception Of Ideas Leads To New Ideas’, Kunstverein Fur die Rheinlande und Westfalen, Dusseldorf, Germany
‘An Unruly History Of The Readymade’, Jumex Collection, Ecatepec Morelos, Mexico
‘Museum As Medium’, Koldo Mitxelena, San Sebastian, Spain
‘This Is Not A Void’, Galerie Luisa Strina, Sao Paulo, Brazil. Curated by Jens Hoffmann
‘I Desired What You Were, I Need What You Are’, Maze Galleria, Turin, Italy.
‘You & Me, Sometimes…’, Lehmann Maupin, New York, USA
‘The artist is a Mysterious Entertainer’, De Appel, Amsterdam, Holland
‘The Store’, Tulips & Roses, Vilnius, Lithuania
‘Martian Museum of Terrestrial Art’, Barbican, London, UK

2007

‘Disco Coppertone’, Locus Athens, Athens, Greece
‘Escultura Social’, Museum of Contemporary Art, Chicago
‘Learn to Read’, Tate Modern, London, UK
‘The Last Piece by John Fare’, gb agency, Paris, France
‘How Soon Is Now?’ Fundación Luis Sloane, Coruña, Spain
‘Whenever It Starts It Is The Right Time’, Frankfurter Kunstverein, Frankfurt am Main, Germany
‘Night at the Museum or What Betty Boop Saw’, Centro de Arte Reina Sofia, Madrid, Spain
‘Otra de Vaqueros’, Laboratorio Arte Alameda, Mexico City, Mexico
‘Saturday Live Actions & Interruptions’,Tate Modern, London, UK
‘Distorted Fabric’, De Appel, Amsterdam, Holland
‘No Negative’, Objective Exhibitions, Antwerp, Belgium
‘Some, Time, Waiting’, Kadist Foundation, Paris, France
‘Commitment’, Sbk Strombeek, Belgium
‘Elephant Cemetery’, Artists’ Space, New York, USA
‘May the Twelfth’, Store, London, UK

2006

‘Aspen 11′, Neue Alte Brucke, Frankfurt am Main, Germany
‘Neo-Con, Contemporary Returns to Conceptual Art’, Apex Art, Escuela Británico de Roma, and NewYork
‘Bunker o No Bunker Ramis Barquet’, Monterrey, Mexico
‘Le Spectre des Armatures’, Glassbox, Paris, France
‘Bring the War Home’, QED Gallery, Los Angeles, y Elizabeth Dee, New York, USA
‘Una Vision du Monde, La Collection Vidéo de Jean-Conrad et Isabelle Lemaitre’, La Maison Rouge, Paris, France
‘Some, Time, Waiting’, Several sites

2005

‘Angelo, Mai!’, Deconsecrated Church of San Gimiliano, Rome, Italy
‘Dis & Appearance’, Fri-Art, Fribourg, Germany
‘Missunderstandings’, Galería de Arte Mexicano, Mexico City, Mexico
‘Shipping and Receiving’, CalArts Graduate Show, Armory Arts Center, Los Angeles, USA
‘Life is Habit’, Stenersen Museum, Oslo, Norway
‘Fragile’, Analix Forever, Geneva, Switzerland
‘I Still Believe in Miracles’, Drawing Space, Convent du Cordeliers / ARC Museé d’art Moderne de la Ville de Paris, Paris, France
‘No Convenient Subway Stops’, Art in General, New York, USA
‘Data Space’, Centro Cultural Conde Duque, Madrid, Spain
‘Today is Just a Copy of Yesterday’, Galerie Jan Mot, Brussels, Belgium
‘Surely We Will Be Confused’, Viafarini/Careof, Milan, USA

2004

‘What Did You Expect?’, Galerie Jan Mot, Brussels, Belgium
‘Off the Record/Sound’, ARCMuseé d’art Moderne de la Ville de Paris and Couvent des Cordelieres, Paris, France
‘How to Learn to Love the Bomb and Stop Worrying’, Central de Arte, Guadalajara, Mexico

 

ACADEMIC EXPERIENCE

2011, 2013, and 2011-2014: SOMA, Mexico, Professor and Academic Board Member

2004: FITAC, Mexico (Director of Foro Internacional de Teoría de Arte Contemporaneo), Mexico

 

CONFERENCES

2014

‘Berlin Biennial’, Art Basel Salon, Basel, Switzerland

2013

‘Art Criticism in Latin America’, Art Basel Miami Salon, Miami, USA

2012

‘Restoring Depth: Questions for Twenty-First Century Curating and Collecting’, LUMA/Westabu, Zurich, Switzerland
‘La traición de lo contemporáneo, Seminario Fundación Cisneros, Caracas Venezuela
‘Artists & Archives: A Pacific Standard Time Symposium’, The Getty Research Institute, Los Angeles, USA

2011

‘State of Mind: New California Art circa 1970′, UC Berkeley Art Museum, Berkeley, USA

 

AWARDS & GRANTS

2009

‘Premi Internacional d’Art Contemporani Diputació de Castelló’ – EACC

2007

‘The Cartier Award’

2003-2005

‘Fullbright Grantee’
‘Colección Jumex Grantee’

2004

‘PAEE – FONCA/CONACULTA Grantee’

 

PUBLIC COLLECTIONS

Tate Modern, London, UK

Museè de la Ville de Paris, Paris, France
Museè National d’Art Moderne, Centre Georges Pompidou, Paris, France
Stedelijk Museum Amsterdam, Amsterdam, Holland
Kroller-Muller, Oterlo, Holland
Museo de Arte Carrillo Gil, Mexico City, Mexico
Museo Universitario de Ciencias y Artes, UNAM, Mexico City, Mexico
49 Nord 6 Est -FRAC, Lorraine in Metz, France
FRAC – Franche-Comté, Besançon, France
Coleccion FEMSA (Antes Museo de Monterrey) Monterrey, Mexico
The Morris and Helen Belkin Art Gallery, Vancouver, Canada
Fundacao Serralves, Porto, Portugal
Museo de Arte Contemporáneo de Castilla y León, Léon, Spain
Museo Nacional Centro de Arte Reina Sofìa, Madrid, Spain
Salomon R. Guggenheim Museum, New York, USA

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Mario García Torres

When Time Lost Its Patience

31 October 2017 - 3 February 2018 | Via Mottalciata 10/B

MARK HANDFORTH
Born 1969, Hong Kong
Lives and works in Miami, FL, USA
 
EDUCATION
1988-92
The Slade School of Fine Art, University College, London, UK
1990-91
Staatliche Hochschule fur Bildende Kunste, Stadelschule, Frankfurt am Main, German
 
SOLO EXHIBITIONS
2018
‘Zig,Zag &Flag’, Kayne Griffin, Corcoran, Los Angeles, USA (forthcoming)
2017
‘After Nature’, Galleria Franco Noero, Torino, Italy
‘Analog Spring’, Gavin Brown’s Entreprise, Sant’Andrea de Scaphis, Rome, Italy
2016
‘SMOKE’, Museo d’Arte Contemporanea Villa Croce, Genova, Italy (cat.)
‘Snow White and Pink Panther’, Galerie Eva Presenhuber, Zurich, Switzerland
2015
‘The Excentric Circle’, The Modern Institute, Aird’s Lane, Glasgow, Scotland
2014
‘Drop Shadow’, Studio des Acacias, Paris, France
Man In The Mirror, Vanhaerents Art Collection, Brussels, Belgium
‘Rough Dark Diamond’, Kayne Griffin Corcoran, Los Angeles, USA
‘Black Star’, Gavin Brown’s Enterprise, New York, USA
‘Sidewalk Island’, Governor’s Island, New York, USA
2013
‘Capricorno’, Galleria Franco Noero, Turin, Italy
‘Two Old Bananas’, Galerie Eva Presenhuber, Zurich, Switzerland
2012
‘L’Etoile de Bagnolet’, Permanent installation, Place de la Porte de Bagnolet, Paris, France
2011
‘Rolling Stop’, Museum of Contemporary Art, North Miami, USA (cat.)
Hessel Museum of Art and CCS Galleries, Bard College, Annandale-on-Hudson, USA
‘MCA Chicago Plaza Project: Mark Handforth’, Museum of Contemporary Art, Chicago, USA
2010
Gavin Brown’s enterprise, New York, USA
The Modern Institute, Glasgow, Scotland
2009
Kunstnernes Hus, Oslo, Norway
2008
Galerie Almine Rech, Paris, France
Galerie Eva Presenhuber, Zurich, Switzerland
Gavin Brown’s enterprise, New York, USA
2007
‘Platz’, Galerie Eva Presenhuber/Tessinerplatz, Zurich, Switzerland
‘Concentrations 51: Mark Handforth’, Dallas Museum of Art, Dallas, USA
2006
Galerie Eva Presenhuber, Zurich, Switzerland
‘Mark Handforth – No’, The Modern Institute, offsite, Glasgow, Scotland
2005
‘Stroom’, Den Haag, Netherlands
Galerie Almine Rech, Paris, France
Fondation Vasarely, Aix-en-Provence, France
Gavin Brown’s enterprise, New York, USA
Kunsthaus Zürich, Zurich, Switzerland (cat.)
2004
Wrong Gallery, New York, USA
‘Roma Roma Roma’, Rome, Italy
The Modern Institute, Glasgow, Scotland
2003
Le Consortium, Dijon, France
‘Lamppost,’ a Public Art Fund commission, New York, USA
2002
UCLA Hammer Museum, Los Angeles, USA
Gavin Brown’s enterprise, New York, USA
Galleria Franco Noero, Turin, Italy
2000
‘Free Bird’, Gavin Brown’s enterprise, New York, USA
1998
Gavin Brown’s enterprise, New York (with Dara Friedman), USA
1997
Miami Arts Project, four bus shelters for Metro-Dade Art in Public Places, Miami, USA
1996
‘she is stupid I am worried’, Frederic Snitzer Gallery, Miami, USA
‘not from where I’m standing’, Project Room, Museum of Contemporary Art, Miami, USA
1994
‘Cheap’, Jason Rubell Gallery, Miami Beach (with Adam Kuczynski), USA
1991
Galerie Krieg, Frankfurt am Main, Germany
 
SELECTED GROUP EXHIBITIONS
2017
‘99 Cents or Less’, MoCAD, Detroit, USA
‘Dr Pepper’, ICA Miami, USA
2016
FRAC Poitou-Charentes, Poitou-Charentes, France
2015
Domaine du Muy, Le Muy, France
‘Global Positioning Systems’, Perez Art Museum, Miami, USA
‘Armleder, Handforth, Landers’, Nils Staerk, Copenhagen, Denmark
Joie de Vivre – Palais des Beaux-Arts, Lille, France
Ugo Rondinone: I love John Giorno, Palais de Tokyo, Paris, France
2014
‘Man in the Mirror’, The Vanhaerents Art Collection, Brussels, Belgium
‘Art Parcours, Art|45|Basel, Basel, Switzerland
2013
‘Room To Live: Recent Acquisitions and Works from the Collection’. Mocca, Los Angeles, USA
‘Pivot Points: 15 Years and Counting’, Museum of Contemporary Art, Miami, USA
‘Retour du monde’, Publicly commissioned art on a Paris tram route,Musée d’art moderne et contemporain, Geneva, Switzerland
Marseille-Provence 2013, place François Villon, Aix en Provence, France
‘L’art à l’endroit’, Marseille Provence 2013, Aix-en-Provence, France
2012
‘Luminale Midwest: Sunlight on Cold Water’, Kunsthalle Detroit, Detroit, USA
‘Hors les Murs’,FIAC Jardin des Tuileries, Paris, France
2011
‘Painting Show’, Eastside Projects, Birmingham, United Kingdom
‘American Exuberance’, Rubell Family Collection, Miami, USA
2010
‘Born in Dystopia’, Rosenblum Collection, Paris, France (cat.)
‘At Home/Not at Home’, Hessel Museum of Art, New York, USA
‘Ghost Colour’, Collection Vanmoerkerke, Oostende, Belgium
2009
‘Tonite’, The Modern Institute, Glasgow, Scotland
‘Beg Borrow and Steal’, Rubell Family Collection, Miami, USA
‘Mapping the Studio: Artists from the François Pinault Collection’, Palazzo Grassi/Punta della Dogana, Venice, Italy
‘We Are Sun-kissed and Snow-blind’, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
2008
‘Pivot Points: Defining MOCA’s Collection’, Museum of Contemporary Art, North Miami, USA
‘The Freak Show’, Musée de la Monnaie, Paris, France
‘The Complexity of the Simple’, L & M Arts, New York, USA
2007
‘Disorder in the House’, Vanhaerents Art Collection, Brussels, Belgium
‘Jubilee Exhibition’, House Eva Presenhuber, Vnà, Switzerland
‘Château de Tokyo/Tokyo’, Redux, Ile de Vassivière, France
‘From Site to Site: Light Art in Parks’, Villas, and Museums, Internationale Lichttage Winterthur, Switzerland
‘The Freak Show’, Musée d’Art Contemporain de Lyon, Lyon, France
2006
‘The Uncertainty of Objects and Ideas’, Hirshhorn Museum and Sculpture Garden, Washington
‘5 Milliards d’Années’, Palais de Tokyo, Paris, France
‘La Force de l’Art’, Le Grand Palais, Paris, France
‘Optik Schröder’, Sammlung Alexander Schröder, Kunstverein Braunschweig, Braunschweig, Germany (cat.)
‘Boomrang’, Swiss Institute, New York, USA
2005
‘Light Art from Artificial Light’, ZKM Museum for Contemporary Art, Karlsruhe, Germany
‘Lotissement de Cimaises’, Villa Arson, Nice, France
2004
‘Never Never Landscape’, Atle Gerhardsen, Berlin, Germany (curated by Kirsty Bell)
‘Terminal 5’, JFK Airport, New York, USA
Regen Projects, Los Angeles, USA
‘It’s all an Illusion’, Migros Museum, Zurich, Switzerland
Galerie Almine Rech, Paris, France
‘Keep Your Head to the Sky’, Gavin Brown’s enterprise, New York, USA
‘Genesis Sculpture’, Domaine de Pommery, Reims, France
‘Whitney Biennial’, Whitney Museum of American Art, New York, USA
2003
‘Inaugural Group Exhibition’, Gavin Brown’s enterprise, New York, USA
‘Coollustre’, Collection Lambert en Avignon, Avignon, France
‘It Happened Tomorrow’, Lyon Biennale, Lyon, France
‘Breathing the Water’, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland
‘20th Anniversary- Welcome home’, Gavin Brown’s enterprise, New York, USA
2002
‘My head is on fire but my heart is full of love’, Charlottenborg Exhibition Hall, Copenhagen, Denmark
2001
‘Humid’, The Moore Building, Miami, (curated by Dominic Molon), USA
‘Lokalzeit’, Johanniterbrücke, Basel, Switzerland
2000
‘Making Art in Miami: Travels in Hyperreality,’ Museum of Contemporary Art, Miami, USA
‘Deja-Vu’, Art Miami, Miami, USA (curated by Amanda Cruz)
1999
‘Heads-up’, Museum of Contemporary Art, Miami, USA
‘Leftover Festivities’, Nature Morte, Delhi, India (curated by Clarissa Dalrymple)
1998
‘new art: south florida’, Museum of Contemporary Art, Miami (cat.), USA
‘Oriental Nights performance’, Gavin Brown’s enterprise, New York, USA
1997
‘Bobois,’ Galerie Krinzinger, Art Miami, Miami, USA
1996
‘Joint Venture’, Galerie Krinzinger, Vienna, Austria
1993
Jason Rubell Gallery, Miami Beach, USA
1991
‘Zwischen Dürer und Holbein’, Städel, Frankfurt am Main, Germany
 
SELECTED BIBLIOGRAPHY
2016
Ahillen, Steve, “Coal Creek grows art on the farm,” Knoxville News Sentinel, October
Nicolin, Paola, “Mark Handforth, Museo d’Arte Contemporanea di Villa Croce,” Artforum, July
2015
Heger, Natalie, “Summer Getaways: 10 Best Outdoor Sculpture Destinations in Europe,” Huffpost, July
Gleadell, Colin, “Market News: charity art auctions give back,” The Telegraph, March
2014
Vogel, Carol, “More Public Art For Governors Island,” The New York Times, April
Strasnick, Stephanie, “9 Funky, Surprising, and Selfie-Worthy Outdoor Art Installations….” Artnews, July
Thomson, Allese, “Mark Handforth,” Artforum, May 2014
Swenson, Eric Minh, “Mark Handforth: Rough Dark Diamond,” The Huffington Post, November
Zwick, Tray, “Grand Gesture; Governors Island becomes New York’s Latest Public Art Canvas,” Summer
Schwendener, Martha, “Ordinary Objects, Reimagined – Mark Handforth Sculptures at Governors Island,” The New York Times, August 2014
Wychowanok, Thibaut, “L’art en sa demeure,” Numéro, October 2014
2013
Sokol, Brett, “MOCA Goes Back to the Future,” Ocean Drive, April
“Interview with Mark Handforth,” Art Texts Pics, December
2012
‘L’art se deploie le long des rails’, JDD, April 1, 2012.
‘Mark di Suvero and Mark Handforth’, Mousse, issue 32, 2012.
Green, Tyler, ‘The Modern Art Notes Podcast: Mark Handforth’, ARTINFO, February 3, 2012.
Basciano, Oliver, ‘Off-Space Travels’, Art Review, January 2012.
2011
Douglas, Sarah, ‘Beauty in the urban wilderness’, The Art Newspaper, December 2011.
Nielsen, Kirk, ‘MOCA Sets the Tone for Art Basel 2011’, Ocean Drive, December 2011.
Rosenberg, Karen, ‘Art Fair: Business Over Activism’, The New York Times, December 2, 2011.
Weist, Nicholas, ‘Mark Handforth Did the Un-Basel During Basel’, Art in America, December 6, 2011.
Wollenweber, Heike, ‘Streching Physical Limitations of Art’, Aesthetica, December 19, 2011.
Suarez De Jesus, Carlos, ‘North Miami’s Mark Handforth makes a ‘Rolling Stop’ at MOCA’, Miami New Times, December 22, 2011.
Douglas, Sarah, ‘Lit Up’, New York Observer, December 1, 2011.
Trigg, Sarah, ‘Mark Handforth’, Modern Painters, December 2011.
‘Mark Handforth’, Art in America, Summer 2011.
Ellegood, Anne, ‘Mark Handforth: Rolling Stop’, Artforum, Summer 2011.
Thomas, Mike, ‘A Welcoming Look’, Chicago Sun Times, July 8, 2011.
‘Mark Handforth: Rolling Stop’, On View Magazine, October/November 2011.
‘MCA Chicago Plaza Project: Mark Handforth’, CBS Chicago, September 19, 2011.
2010
Kotze, Talitha, Review, The List, July 2010.
Moira, Jeffrey, Scotsman News, June 29, 2010.
2009
Frieze Art Fair Yearbook, ‘Mark Handforth’
2008
Sheets, Hilarie, Critic’s Pick, ArtNews, November 2008.
Cairns, Steven, MAP Magazine, Summer 2008.
Feinstein, Roni, ‘Handforth’s Fallen Angels’, Art in America, May, pp. 180-183
The New Yorker, March 31, 2008.
Baker, R.C., ‘Best in Show’, Village Voice, March 25, 2008.
Rosenberg, Karen, Review, New York Times, March 21, 2008.
Kerr, Merrily, Review, Time Out New York, March 19-25, 2008.
Knowles, David, ‘Miami Minimal’, Men’s Vogue, Feburary 2008, pp. 184-187
2007
Gayer, John, ‘The Uncertainty of Objects and Ideas; Review’, Art Papers, March/April 2007, pp.46- 47
Kuo, Michelle, ‘The Uncertainty of Objects and Ideas: Recent Sculpture; Review’, Artforum, February 2007.
‘Looking Back’, Frieze, January-February 2007, pp. 16-17.
2006
‘Cinq Milliards d’Annees’, Palais/, Fall/Winter 2006-7, pp. 6-7, 24, 26-27.
Ulmer, Brigitte, ‘Kunstszene unter Palmen’, Bolero, December 2006, pp. 78-80.
Burton, Johanna and Ellegood, Anne, ‘The Uncertainty of Objects and Ideas: Recent
Sculpture’, published by Hirschhorn Museum and Sculpture Garden, Washington, D.C., 2006.
2005
The New Yorker, May 23, 2005, p. 20.
‘13 Questions for Dara Friedman and Mark Handforth by The Wrong Gallery’, The Wrong Times, 2005, p. 1.
Ribas, Joao, Review, Time Out, May 12 – 18 2005, p. 74.
Lunn, Felicity, Review, Artforum, May 2005, p. 242.
Trocy, Eric; Varadinis, Mirjam, ‘Mark Handforth’, published by JRP/Ringier, 2005, Zurich.
Bonnet, Frederic; Varadinis, Mirjam; ‘Mark Handforth’, published by Les Presses du Reel, Dijon
Lauf, Cornelia, Review, Art In America, January 2005, pp. 134-135.
‘Work in Progress’, photo by Jason Schmidt, V Magazine, April 2005, p. 106.
2004
Ribas, João, ‘The Other Side of Paradise’, Art Review, Dec/Jan 04-05, pp. 94-97.
Trainor, James, ‘Road to Ruin’, Frieze, Issue 85, September 2004, pp. 89-91, 62-63.
Mottram, Jack, ‘Making His Mark’, Sunday Herald, Aug 1, 2004, p. 19.
Diez, Renato, ‘Alla Biennale del Whitney’, Arte, May 2004, pp. 104-111.
‘American Art in the Spotllght’, Whitney 2004 Biennial, NY Times.
Walker, Andrew Lee; Ward, Rachel K. ’Terminal 5’, published by Lukas & Sternberg, New York, 2004.
Weyland, Jocko, ‘American Splendor,’ Time Out New York, March 4-11, 2004,pp. 12-15.
Moreno, Gean, ‘Art Basel 2003’, Loft, December-January 2004, p. 60.
Kimmelman, Michael, ‘The Whitney’s Heavy Lifters Look Back’, The New York Times, May 30, 2004, p. 22.
Heartney, Eleanor, ‘The Well-Tempered Biennial’, Art in America, June/July 2004, pp. 70-77.
Genesis Sculpture, published by Beaux Arts Magazine, Hors Serie, edited by Stephanie Moisdon
2003
De Brugerolle, Marie, ‘It Happened Tomorrow: Lyon Biennale’, Flash Art, November-December 2003, pp. 41,50.
Bonnet, Frederic, ‘A Changing World’, Excerpt from 10 Floridians Catalog, Miami Art Central, 2003, City Miami.
Frédéric Bonnet, ‘Troubles quotidiens’, in Mouvement, no. 25, novembre-décembre 2003, pp. 56-59.
‘Lamp Unto Thy Feet’, The New York Times, April 30, 2003, p. B4.
Troncy, Eric, ‘Decryptage’, Numero, March 2003, pp. 323-328.
Troncy, Eric, ‘A Future One Would Like to Be Able to Defer’, 2003, Parkett no. 79, pp. 189-196.
Troncy, Eric, ‘Coollustre’, published by Les Presses du Réel, Dijon, 2003.
Casadio, Maruccia, ‘Archeologic’ mVogue Italia, October 2003, No. 626, pp. 677-681.
2002
Smith, Roberta, ‘Art in Review’, The New York Times, March 22, 2002, p E36.
Adm, No. 134, July 2002, p. 118,
González, Manuel E., et. Al, 10 Floridians, published by Miami Art Central, 2002.
2001
Molon, Dominic, Humid., published by The Moore Building, 2001, Miami.
Moreno, Gean, ‘Cityscape Miami’, Flash Art, November/December 2001, pp. 59-60.
Wallach, Amei, ‘In Miami, a Hot Spot of Art, the Temperature’s Rising’, The New York Times, September 16, 2001, pp. 33-36.
1999
Gean, Moreno, ‘Mark Handforth: Studio View’ New Art Examiner, October 1999.
Feinstein, Roni, ‘Report from Miami’, Art in America, May 1999.
1998
Basualdo, Carlos, ‘cream: contemporary art in culture’, Phaidon Press, London, 1998.
Brackman, Yvette, ‘Dara Friedman & Mark Handforth’, Time Out New York (review), February 12-19, 1998.
Johnson, Ken, ‘Dara Friedman and Mark Handforth’, New York Times, Feb 6, 1998.
Dellinger, Jade, ‘Flash Art Cityscape’(interview), Flash Art Magazine,
March-April 1998.
Turner, Elisa, ‘Art Fellows, canvas of choice’, The Miami Herald, June 27, 1998.
1996
Busse, Bettina, ‘Joint Venture’, Galerie Krinzinger, Vienna, Austria, October 1996.
Cantor, Judy, ‘Techno Trashing’, New Times, July 18, 1996.
Turner, Elisa, ‘Latest MOCA installation speaks of art without an angle’, The Miami Herald, June 1996.
Clearwater, Bonnie, ‘not from where I’m standing’, Museum of Contemporary Art, Miami, May 1996.
Kimmelman, Michael, ‘Ambitious Miami Reaches for a Place in the Sun’, New York Times, March 31, 1996.
1994
Kohen, Helen, ‘Revenge of the Artist’, The Miami Herald, April 15, 1994.
Zarko, Cyn, ‘Basic Instinct’, Ocean Drive magazine, June 1994.
1993
Kohen, Helen, ‘A Glimpse at a Chosen Few’, The Miami Herald, July 23, 1993.
 
COLLECTIONS
Dallas Museum of Art
Le Consortium
FRAC Centre
Museum of Contemporary Art, North Miami
Museum of Contemporary Art Los Angeles
Francois Pinault Collection
Rachofsky Collection
Rubell Family Collection
Whitney Museum of American Art
 
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Mark Handforth

After Nature

15 Mag - 14 Ott 2017 | Piazza Carignano 2

Mark Handforth

Capricorno

6 Nov – 21 Dec 2013

Mark Handforth

Solo Show

21 Mar - 20 Apr 2002

MARTINO GAMPER
Born 1971 (Merano, Italy)
Lives and works in London, UK
 
EDUCATION
Academy of Fine Arts, Vienna (sculpture)
University of the Applied Arts, Vienna (product design)
Masters in the Design Products Department at the RCA, London, UK
 
SOLO EXHIBITIONS
2017
‘Tabula Rasa Museo del Risorgimento-Galleria Franco Noero, Torino, Italy
‘Middle Chair’, Pollok House, Pollok Country Park, Glasgow, UK
‘100 Chairs in 100 Days’, City Gallery Wellington, Wellington, New Zealand
‘Screenshot: Martino Gamper and Brigitte Niedermair’, One Poultry, London (Project for Dedar), UK
2016
‘Below Stairs’, Sir John Soane’s Museum, London, UK
‘No Ordinary Love – Martino Gamper with Friends’, SEE••DS, London (A show curated by Martino Gamper in collaboration with Actant Visuelle ), UK
‘16a Quadriennale D’Arte’, Palazzo delle Esposizioni, Rome, Italy
‘100 Chairs in 100 Days’, RMIT Design Hub, Melbourne, Australia
Anton Kern Gallery, New York (with Francis Upritchard)
2015
‘100 Chairs in 100 Days’, The MIMOCA Foundation, Marugame, Japan
2014
‘In a State of Repair’, La Rinascente, Milan (with Serpentine Gallery, London), UK
‘Chair Lift’, Showroom Moroso, Milan (with Peter McDonald), Italy
‘Martino Gamper: design is a state of mind’, Touring exhibition, Serpentine Sackler Gallery, London (2014); Pinacoteca Giovanni e Marella Agnelli, Turin (2015); Museion, Bolzano (2015)
2013
‘Tu Casa, Mi Casa’, The Modern Institute, Glasgow, Scotland
2011
Condominium – Galleria Franco Noero, Turin, Italy
2008
Total Trattoria – The Aram Gallery, London, UK
2006
Confronting the Chair – Martino Gamper, Design Museum, London, UK
 
GROUP EXHIBITIONS
2017
‘Take me (I’m Yours)’, pirelli Hangar Bicocca, Milan, Italy
‘Re-Connection. Gamper reinterpreta Sottsass’, Alpi, Milano, Italy
2016
‘16a Quadriennale D’Arte’, Palazzo delle Esposizioni , Rome, Italy
‘Below Stairs’, Sir John Soane’s Museum, London, UK
2015
‘Post Forma’, British Art Show 8, Leeds, UK, Touring exhibition, Leeds Art Gallery (2015 – 2016), Edinburgh (2016), Norwich (2016), Southampton (2016 – 2017)
‘Transformers’, MAXXI, Rome, Italy
‘Milk revolution’, American Academy in Rome, Rome, Italy
2014
‘House Party with Dzek’, Kate Macgarry, London, UK
‘On the Devolution of Culture’, 83 Page Street, London, UK
‘Edge of the Seat: The Artist’, Large Glass, London, UK
‘Period Room’, Palais de Tokyo, Paris, France
2013
‘Monacopolis’, Nouveau Musée National de Monaco, Monaco, France
2012
‘Metamorphosis: le collezioni Moroso fra design e arti visive’, Casa Cavazzini, Museo di Arte Moderna e Contemporanea di Udine, Udine, Italy
‘Synesthesia – M+B’, Los Angeles, CA
‘A drawing while waiting for an idea – Large Glass, London, UK
Visionäre Sammlung Vol. 18: Das Haus Des Künstlers – Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich, Switzerland
‘Bauhaus Live’,The Aram Gallery, London, UK
‘Scott Burton’, Fondazione Giuliani, Rome, Italy
‘Glow Rod Tanning with ..’, Giò Marconi Gallery, Milan, Italy
‘Material’, Salon 94 Freemans, New York City, NY
2011
‘The Feeling of Things’, FRAC, Ile-de-France Le Plateau, Paris, France
‘Totem and Taboo’, Quartier21, Vienna, Austria
‘Gesamtkunsthandwerk’, Hamish McKay Gallery, Wellington, UK
‘Overlap’, An Exhibition About Art And Design, Den Frie Centre of Contemporary Art, Copenhagen, Denmark
‘Stealing the Senses’, Govett-Brewster Art Gallery, New Plymouth, New Zealand
‘Happy Tech. Macchine dal volto umano’, Triennale Bovisa, Milan, Italy
2010
Premio MOROSO per l’arte contemporanea, GC.AC, Galleria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy
‘SI – Sindrome Italiana’, MAGASIN, Centre National d’art Contemporain de Grenoble,Grenoble, France
‘Rare Furniture and Design’, Art & Rapy, Contemporary Art Gallery, Monaco, France
‘21×21. 21 artisti per il 21° secolo’, Fondazione Sandretto Re Rebaudengo,Turin, Italy
2009
‘Ciao Milano!’Mehdi Chouakri, Berlin, Germany
2nd Triennial of contemporary art, fashion and design, Hasselt Triennial, Hasselt, Belgium
Feierabend: Francis Upritchard, Martino Gamper, Karl Fritsch, Kate MacGarry, London, UK
2008
‘Nowhere/Now/Here’ Laboral, Centro de Arte y Creación Industrial, Gijón, Spain
‘Undiszipliniert / Undisciplined’, WUK, Kunsthalle Exnergasse, Vienna, Austria
Manifesta 7 – Comitato Manifesta 7, Bolzano, Italy
‘The Flight of the Dodo’, Project Arts Centre, Dublin, Ireland
‘Prototypes & Experiments’, the Aram Gallery, London, UK
2007
‘Wouldn´t be so nice…’, Centre d´Art Contemporain Geneve, Geneva, Switzerland
 
OTHER PROJECTS
2017
‘Breakfast Pavillion’, Venice, Italy
 

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Martino Gamper

Condominium

22 Sep - 25 Oct 2011

MIKE NELSON
Born in 1967, Loughborough, UK
Lives and works in London, UK
 
EDUCATION
1992
Chelsea College of Art & Design, MA Sculpture
1986-90
Reading University, BA (Hons) Fine Art – first class
 
AWARDS AND RESIDENCIES
2007
Shortlisted for the Turner Prize, Tate Liverpool
2001
Shortlisted for the Turner Prize, Tate Britain
Paul Hamlyn Foundation Award
1998-01
Sculpture Research Fellow, Edinburgh College of Art, Edinburgh
1996-7
Berwick Gymnasium Fellowship, Berwick-upon-Tweed (6 month residency, Oct 96-Apr 97)
1996
Shortlist Award, Paul Hamlyn Foundation Award to Individual Artists: Sculpture & Installation
Pepinieres europeennes pour jeunes artistes (3 month residency, May – July), Bucharest
1995
London Arts Board Grant to Individual Artists
1993
First prize winner – Economist Summer Show, London
1990
Boise Travel Scholarship – Egypt, Turkey, Syria, North America, Mexico
 
TEACHING
Guelph University, Canada
Rijksakademie, Amsterdam
Research Fellow, Edinburgh College of Art, Edinburgh
Visiting lecturer at Chelsea College of Art, London, MA programme
Goldsmith’s College, London, MA programme
Sheffield Hallam University, BA programme
University of Brighton, BA programme
Reading University, BA programme
University of Portsmouth, BA & MA programme
Academia De Arta, Bucharest
 
SOLO EXHIBITIONS
2017
‘Cloak of rags (Tale of dismembered bank, rendered in blue)’, Galleria Franco Noero, Turin, Italy
‘The Everywhere Studio’, The Institute of Contemporary Art, Miami, FL
2016
‘Amnesiac Shrine or The misplacement…’, Museum Boijmans Van Beuningen, Rotterdam
‘Cloak’, Nouveau Musée National de Monaco, Offsite project – UBS building, Principaute de Monaco
‘Procession, process. Progress, progression. Regression, recession. Recess, regress.’, Galleria
Franco Noero, Turin, Italy
‘Sensory Spaces 8’, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
‘Imperfect Geometry for a Concrete Quarry’, Kalkbrottet, Limhamn, Malmö, Sweden
2015
‘Mike Nelson’, 303 Gallery, New York, USA
13th Lyon Biennale, Lyon, France
2014
‘Eighty Circles Through Canada’, Tramway, Glasgow, Scotland
‘Studio Apparatus for Kunsthalle Munster’, Kunsthalle Munster, Munster, Germany
‘Amnesiac Hide’, The Power Plant, Toronto, Canada
2013
‘Mike Nelson’, CAG – Contemporary Art Gallery, Vancouver, Canada
‘More things (To the memory of Honoré de Balzac), Matt’s Gallery, London, UK
‘M6’, EastSide Projects, Birmingham, UK
2012
‘Space the saw (platform for a performance in two parts)’, Neugerriemschneider, Berlin
‘408 Tons of Imperfect Geometry’, Malmö Konsthall, Sweden
‘The Ebb Tide An Invocation, curated exhibition from Archive of Modern Conflict, Sussex University, Brighton, UK
2011
British Pavilion, 54th International Art Exhibition of La Biennale di Venezia, Venice, italy
‘September 11th’, Moma PS1, New York, USA
2010
‘The Coral Reef’, Tate Britain, London, UK
‘Quiver of arrows’, 303 Gallery, New York, USA
2009
‘Triptych, The Paradise [33]’, Douglas Hyde Gallery, Dublin, Ireland
‘The caves of misplaced geometry’, Galleria Franco Noero, Turin, Italy
‘Kristus och Judas: a structural conceit (a performance in three parts)’, Statens Museum for Kunst, Copenhagen, Denmark
2008
‘Le Cannibale (Parody, Consumption and Institutional Critique)’, Villa Arson, Nice, France
2007
‘A Psychic Vacuum’, Creative Time Project, New York, USA
Art|38|Basel, Public Art Projects, Galleria Franco Noero, Basel, Switzerland
‘Lonely Planet’, ACCA, Australian Center for Contemporary Art, Melbourne, Australia
2006
‘Mirror Infill’, Frieze Projects, Frieze Art Fair, London, UK
‘After Jack Kerouac’, Centre d’Art Santa Monica, Barcelona, Spain
‘Amnesiac Shrine or Double Coop Displacement’, Matt’s Gallery, London, UK
2005
‘Spanning Fort Road and Mansion Street – between a formula and a code’,commissioned by Turner Contemporary, Margate, UK
‘The Unforgiven / Gli Spietati’, Galleria RomaRomaRoma, Roma, Italy
‘Agent Dickson at the Red Star Hotel’, curated by Cristiana Perrella, The British School at Rome, Roma, Italy
‘Studio apparatus for Mamco’, Mamco – Musée d´art moderne et contemporain, Geneva
2004
‘Triple Bluff Canyon’, Modern Art Oxford, Oxford, UK
CCAC Institute, San Francisco, USA
2001
‘Nothing is True. Everything is Permitted’, Institute of Contemporary Art, London, UK
‘The Deliverance and The Patience’, Peer Commission for the 2001 Venice Biennale,
Giudecca, Venice, Italy
2000
‘The Coral Reef’, Matt’s Gallery, London, UK
1999
‘TOURIST HOTEL’, Douglas Hyde Gallery, Dublin, Ireland
‘To The Memory of H.P. Lovecraft’, Collective Gallery, Edinburgh, UK
1998
‘On-site Project’, Camden Art Centre, London, UK
1997
‘Master of Reality’, Berwick Gymnasium Gallery, Berwick-upon-Tweed, UK
‘Lionheart’, Galerie im KunstlerHaus, Bremen, Germany
‘The Amnesiacs’, Campbells Occasionally, Copenhagen, Denmark
1996
‘TRADING STATION ALPHA Cma’, Matt’s Gallery, London, UK
‘No can Teach A Dog Old Tricks New’, Academia De Arta, Bucharest, Romania
1995
‘Agent Dickson at the Red Star Hotel’, Hales Gallery, London, UK
1994
‘Charity Shop’, Transmission Gallery, Glasgow, UK
 
GROUP EXHIBITIONS
2018
‘General Rehearsal’, Moscow Museum of Modern Art, Moscow, Russia
2017
‘Pompei@Madre. Materia archeologica’, MADRE – Museo d’Arte Contemporanea Donnaregina, Napoli, Italy
2016
‘Wanderlust, The High Line, New York, USA
2015
‘La Vie Moderne’, 13th Lyon Biennale, Lyon, France
‘Sex Shop’, Transition Gallery, London, UK
2014
‘Inside’, Palais de Tokyo, Paris, France
2013
‘Folk Devil’, David Zwirner, New York, USA
2012
‘Art Unlimited’ solo presentation of ‘After Kerouac’, Art|43|Basel
‘Double Take, 2nd Mardin Biennial, Mardin, Turkey
2011
‘The Art of Climbing Mountain’s’, 303 Gallery, New York, USA
‘Outrageous Fortune’, Hayward Touring Exhibition, Focal Point Gallery, Southend, cur. by Andrew Hunt
‘Eroi’ GAM, Galleria d’Arte Contemporanea, cur. by Danilo Eccher and Alessandro Rabottini, Turin, Italy
‘Open House’, Singapore Biennale, Singapore, cur. by Matthew Ngui, Russel Storer and Trevor Smith
‘Never The Same River (Possible Fututres, Probable Pasts)’, Camden Arts Centre, London, UK
2010
‘Prospects’, Biennial of International Contemporary Art, New Orleans
‘Che cosa sono le nuvole? Opere dalla Collezione Enea Righi’, Museion, Bolzano, Italy
‘Crash: Homage to JG Ballard’, Gagosian Gallery, London, UK
‘The Library of Babel / In and Out of Place‘, Projectspace 176, London, UK
‘Contemplating the Void: Interventions in the Guggenheim Museum‘, Solomon R. Guggenheim Museum, New York, USA
2009
‘Altermodern’, Tate Triennial, Tate Britain, London, USA
‘Journey With No Return’, Akbank Cultural Centre, Istanbul, Turkey
2008
‘A show of many parts, each part more spectacular and elaborate than the last’, The City Gallery, Leicester, UK
‘Reality Check’, Staten Museum for Kunst, Copenaghen, Denmark
‘You Dig the Tunnel, I’ll Hide the Soil’, White Cube, London, UK
‘Psycho Buildings – Artists and Architecture’, Hayward Gallery, London, UK
‘Eclipse – Art in a Dark Age’, Moderna Museet, Stockholm, Sweden
‘Of this tale I cannot guarantee a single word’, Royal College of Art, London, UK
‘Martian Museum of Terrestrial Art – Mission: to interpret and understand contemporary art’, Barbican Art Gallery, London, UK
‘Print The Legend – The Myth of the West’, The Fruitmarket Gallery, Edinburgh, UK
2007
‘The Turner Prize’, Tate Liverpool, Liverpool, UK
‘Breaking Step/U Raskoraku’, Museum of Contemporary Art, British Council, Belgrade, Serbia
2006
‘Al Fuoco’, Galleria Franco Noero, Turin, Italy
‘Wandering Rocks’, Gimpel Fils Gallery, London, UK
‘Heads’, Pescali & Sprovieri, London, UK
‘A Secret Service – Art, Compulsion, Concealment‘, Hatton Gallery, Newscastle/Tyne, UK
‘John Frumism’, curated by Rob Tufnell, Hotel Gallery, London, UK
2005
‘No Manifesto’, GAMeC, Bergamo, Italy
‘Still Life-Naturaleza muerta, arte contemporáneo británico y peruano‘,
Museo de Arte de Lima, Lima, Peru
‘Strange Weather’, Modern Art, London, UK
‘Into My World’, Aldrich Contemporary art Museum, Ridgefield, USA
‘Monuments to the USA‘, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
2004
XXVI° São Paulo Biennial, São Paulo, Brazil
‘Micro/Macro British Art 1996-2002‘, Mucsarnok | Kunsthalle, Budapest, Hungria
2003
‘Independence’, South London Gallery, London, UK
‘Poetic Justice’, 8th International Istanbul Biennial, Istanbul, Turkey
‘Capp Street project: 20th Anniversary Exhibition’, CCAC Wattis Institute of Contemporary Arts, San Francisco, USA
2002
Biennale of Sydney, cur. by Richard Grayson, (new commission: ‘42 Orwell Street’), Sydney
2001
‘The Cosmic Legend of the Uroboros Serpent’, Turner Prize, Tate Britain, London
‘Intentional Communities’, cur. by Charles Esche, Rooseum – Center for Contemporary Art, Malmo, Sweden
‘New Settlements’, cur. by Jacob Fabricius, Nikolaj Contemporary Art Center, Copenhagen (new commission: ‘The Genie’), Denmark
2000
‘British Art Show 5’, National Touring Exhibitions for Hayward Gallery, London. Sited at multiple venues in Edinburgh, Southampton, Cardiff, Birmingham, UK
‘Another Place’, Tramway, Glasgow (new commission: ‘The Resurrection of Captain Mission’)
1999
‘Holding Court’, Entwistle, London, UK
‘Word enough to save a life, Word enough to take a life’, Clare College Mission Church, London, cur. by Simon Morrissey, (new commission: ‘Melnais Kakis’)
‘It’s Immaterial’, Chiltern Sculpture Trail
‘The Office of Misplaced Events (Temporary Annexe)’, Lotta Hammer, London, UK
1998
‘Grey Area – Andrew Bannister/Philip Lai/Mike Nelson’, Bonnington Gallery, Nottingham, UK
‘Camouflague 2000’, Gallerie Praz-Delavallade, Paris, France
‘How to build a universe that doesn’t fall apart two days later’, cur. by Will Bradley, Fly, Glasgow
‘Show me the Money III’, Duke’s Mews, London, UK
‘It’, Sali Gia, London, UK
‘Kling Klang’, HMS Plymouth, East Boat Dock, Liverpool, UK
‘BACKSPACE’, Matt’s Gallery, London, UK
1997
‘Wish You Were Here Too’, Glasgow, UK
‘Oktober 1917 – 1997’, Norwich Gallery, Norwich, UK
1996
‘Transit Zone – Mike Nelson/Ania Rachmat/Erlend Williamson’, W139, Amsterdam, The Netherlands
1995
‘Maikafer Flieg’, Hochbunker, Cologne, Germany
1994
‘Turning Up’, The View, Liverpool, UK
‘Miniatures’, The Agency, London, UK
‘Wish You Were Here’, Leeds, UK
1993
‘Economist Summer Show’, collaboration with Public Art Development Trust
1992-3
BT New Contemporaries’, Cornerhouse, Manchester; Orchard Gallery, Derry; Mappin Art Gallery, Sheffield; City Museum & Art Gallery, Stoke-on-Trent, Centre for Contemporary Arts, Glasgow, UK
 
SELECTED PUBLICATIONS
2012
‘Contemporary Art in the United Kigndom’, Artworld series, Black Dog Publishing
‘Defining Contemporary Art: 25 Years in 200 Pivotal Artworks’, Phaidon, London, UK
‘Sanctuary: Britain’s Artists and their Studios’, Thames & Hudson, London, UK
2011
‘Lemistry: A Celebration of the Work of Stanislaw Lem’, (contribution to collection of essays and fiction), Comma Press, Manchester, UK
‘Mike Nelson. I, Impostor’, 54th International Art Exhibition – La Biennale di Venezia 2011’, British Council, London, UK
2009
‘Kristus och Judas: A Structural Conceit’ (a performance in three parts), Museum for Kunst, Copenhagen, DE
‘A Psychic Vacuum’, Creative Time, New York, USA
‘Altermodern: Tate Triennal 2009’, Tate Britain, London, UK
2008
‘Eclipse: Art in a Dark Age’, Moderna Museet, Stockholm, SWE
‘Psycho Buildings: Artists Take on Architecture’, Hayward Gallery, London, UK
‘Martian Museum of Terrestrial Art. Mission: to interpret and understand contemporary
art’, Barbican Art Gallery, London, UK
‘You Dig the Tunnel, I’ll Hide the Soil’, White Cube, London, UK
‘Print The Legend: The Myth of the West’, The Fruitmarket Gallery, Edinburgh, UK
‘Of This Tale, I Cannot Guarantee A Single Word’, Royal College of Art, London, UK
2007
‘After Kerouac’, Pork Salad Press
2006
‘Lonely Planet’, ACCA, Southbank, Australia
2005
‘Mike Nelson: Between a formula and a code’, Turner Contemporary, Margate
‘Studio apparatus for Mamco – an intermediate structure for a museum: introduction, Introduction; building transplant in three sections; towards a revisiting of future objects, (as Voodoo Strine); MAMCO, musée d’art moderne et contemporain, Geneva, CH
2004
‘Mike Nelson: Triple Bluff Canyon’, Modern Art Oxford, UK
2003
‘Magazine’, produced by Bookworks, co-published by Matt’s Gallery, London, UK
‘Capp Street Project: 20th Anniversary exhibition’, CCAC Wattis Institute of Contemporary Arts, San Francisco
‘Micro/ Macro’, Mucsarnok, Kunsthalle, Budapest, British Council, London, UK
2001
‘Turner Prize 2001’, Tate Britain, London, UK
‘A Forgotten Kingdom’, ICA Institute of Contemporary Arts, London, UK
‘The Genie’, an artist’s project for Documents, Editor Vincent Pécoil
‘British Art Show 5’, National Touring Exhibitions for Hayward Gallery, London, UK
2000
‘Extinction Beckons’, with texts by Jaki Irvine, Matt’s Gallery, London, UK
1999
‘TOURIST HOTEL’, Douglas Hyde Gallery, Dublin, IRL
1998
‘Projects 1997’, Galerie im KunstlerHaus, Bremen, DE
1997
‘Pepineres 1995 – 1997’, Pepineres
1996
‘Untitled bookwork’, produced to accompany Transit Zone, W139, Amsterdam, NED
‘Life/Live’, Musée d’Art Moderne de la Ville de Paris, FR
1995
‘Maikafer Flieg’, Hochbunker, Cologne, DE
1994
‘BT New Contemporaries 1993/4’
 
SELECTED ARTICLES
2011
Dorment, Richard, ‘In every pavillion, a parallel universe’, The Daily Telegraph, June 12, 2011
McLean-Ferris, Laura, ‘Tapping the light fantastic’, The Indipendent (Views Paper), June 7, 2011
Cooke, Ben, Interview with, Tate Channel (online video), June 77, 2011 http://canne.tate.org.uk/media/980220684001
Lord, Christopher, ‘Biennale Bests’, The National, June 6, 2011
Darwent, Charles, ‘The Flotsam and jetsam onf the Grand Canal’, The Indipendent, June 5, 2011
Withers, Rachel, ‘Remembered Rooms’, The Guardian (Review), June 4, 2011
McKie, Andrew, ‘Setting the Art World Alight’, Wall Street Journal (Europe), June 3, 2011
Campbell-Johnston, Rachel, ‘Depth in Venice’, The Times, June 3, 2011
Sooke, Alistar, ‘Seduced by Venice’, Daily Telegraph, June 3, 2011
Humphries, Oscar, The Evening Standard, June 3, 2011
Today Programme, BBC Radio, June 2, 2011
Venice Biennale broadcast on BBC News at 10, June 1, 2011
Dorment, Richard, ‘A first-class trickster at work’, Daily Telegraph, June 1, 2011
Higgins, Charlotte, ‘Turner-tipped Black’s palace in peach and pistachio’,The Guardian, June 1, 2011
McLean-Ferris, Laura, ‘Lose yourself in a dusty corner of Istanbul’, The Indipendent, June 1, 2011
Sharp, Rob, ‘British entry for Venice acclaimed ‘a masterpiece’, The Indipendent, June 1, 2011
Campbell-Johnston, Rachel, ‘Depth in Venice. Mike Nelson latest work at the Venice Biennale is deep enough to get lost in, finds’, The Times, June 2011
Withers, Rachel, ‘Remembered rooms’, The Guardian, June 2011
Hastings, Sophie, ‘Sculpt Classic’, GQ, P. 159, June 2011
Buck, Louisa, ‘I’m not quite sure what installation is…’, The Art Newspaper, n. 225, June 2011
Milliard, Coline, ‘Space Invader’, Modern painters, April 2011
Villiani, Andrea, ‘Reinvestigations’, Mousse magazine, April – May 2011, pp.174 – 184
Herbert, Martin, ‘Simon Starling: Never the Same River (Possible Futures, Probable Pasts)’, Artforum, March 2011, p. 259.
2010
Farzin, Media, ‘Mike Nelson Quiver of Arrows Review’ Bazaar II, Summer 2010
Gartenfeld, Alex. ‘Mike Nelsonʼs America is Unhitched’ , Art in America, March 15, 2010
Yablonsky, Linda. ‘Artifacts: Mike Nelsonʼs Trailer Trash’ The New York Times, March 4, 2010
Harris, Jane. Review, Time Out New York, April 1-7, 2010
Levin, Kim. Review, ARTnews, June 2010
Higgins, Charlotte, ‘Mike Nelson to represent Britain at the Venice Biennale 2011’, Guardian online, www.guardian.co.uk
2009
‘Mike Nelson – A Psychic Vacuum’, Art Forum, January 2009
2008
Cullinan, Nicholas, ‘Mike Nelson’s ‘The coral reef’, The Burlington Magazine, November 2008
Kelly, Peter, ‘Mike Nelson’, Blueprint, May 2008
Robecchi, Michele, ‘Mike Nelson: Leverage of Space’, Flash Art, October 2008
2007
‘Mike Nelson – A Psychic Vacuum’, Art Forum, December 2007
‘Mike Nelson’, MOUSSE, Iusse11, November 2007
Art Market, Metro, New York Edition, 2007
‘Mike Nelson – A Psychic Vacuum’, Art in Review, The New York Times, 12 October 2007
‘Mike Nelson meets Manhattan’, The Art Newspaper, October 2007
‘Mike Nelson’, The New Yorker, 3 September 2007
‘Belonging and Belief, Found in Scrap Lumber’, The Atrs, The New York Times, 29 August 2007
2006
Elley, Peter, ‘Looking Back: Significant solo shows 2005’, Frieze, Issue 96, January-Febbruary 2006
Tema Celeste, October 2006
2005
Sossai, Rosa maria, ‘Mike Nelson’, Flash Art, vol XXXVIII, no. 23, July ­ September 2005
Emporium and the senses, Maeve Connolly, Third Text, Vol 19 issue 4, July 8, 2005
Hill, Joe, ‘Istanbul Biennial’, Contemporary, No. 59
Elley, Peter, ‘8th Istanbul Biennial’, Frieze, Issue 80, February 2005
2004
Moura, Rodrigo, ‘The 26th Bienal de Sao Paulo: Free territory or No-man’s Land?’, Flash Art, November-December 2004
Hartney, Eleanor, ‘Mending the Breach’, Art in America, Istanbul Biennial, December 2004
Januszak, Waldemar, ‘Unsafe as Houses’, The Sunday Times, June 6, 2004
Croft, Catherine, ‘Cracking Nelson’s enigma’, Building design, May 21, 2004
Higgins Charlotte, ‘Edinburgh Preview: On the Move’, The Guardian, Saturday August 7, 2004
Hackworth, Nick, ‘Mike Nelson: Triple Bluff Canyon’, The Evening Standard
Searle, Adrian, ‘Riddle of the sands’, The Guardian, May 11, 2004
Boucher, Caroline, ‘Mike Nelson: Triple Bluff Canyon’, Observer Review, May 16, 2004
‘Can you tell what it is yet? No? Good’, The Independent on Sunday, May 9, 2004
‘Mike Nelson: Triple Bluff Canyon’, The Guardian Guide, May 8, 2004
Lubbock, Tom, ‘If these walls could speak’, The Independent Review, May 11, 2004
Jamieson, Alistar, ‘All aboard the Pumpkin Palace for a journey through the state of the world’, The Scotsman, August 19, 2004
Beaumont, Susanna, ‘Director’s Choice’, The List, August 19-26, 2004
Jeffrey, Moira, ‘Mike Nelson: The Pumpkin Palace’, The Herald, Friday August 13, 2004
Hedges, Ruth, ‘Driven’, The List, August 5-12, 2004
Barley, Nick, ‘The Pumpkin Palace’, The List, August 19-26, 2004
Black, Catriona, ‘Don’t miss The Pumpkin Palace’, The Sunday Herald, August 22, 2004
Bickers, Patriscia, ‘Triple Bluff, Mike Nelson interviewed by Patricia Bickers’, Art Monthly, No. 278, July-August 2004
2003
Darwent, Charles, ‘Mike Nelson: Lionheart’, The Independent on Sunday, July 27, 2003
Lack, Jessica, ‘Mike Nelson: Walsall’, The Guardian Guide, July 26, 2003
Rogers, John, ‘Mike Nelson’, Fused Magazine, Issue 16
Grant, Simon, ‘10 Artists to Watch’, ArtNews, March 2003
Withers, Rachel, ‘A Thousand Words’, Artforum, February 2003
2001
Meredith, Rachel, ‘The Turner Prize 2001’, Tate, Winter 2001
Gilhooley, Derren, ‘Artful Dodgers’, Harpers & Queen, December 2001
Alien World, Vogue, November 2001
Coomer, Martin, ‘Foursight’ Time Out, November 2001
Cumming, Laura, ‘Almost Infamous’, The Observer, October 14, 2001
Packer, William, ‘A Theatre of Desolate Space’, Financial Times (Weekend), October 13, 2001
Loafers Guide, Life, The Observer magazine, October 13, 2001
Croomer, Martin, ‘A Maze Thing’, Time Out, October 10-17, 2001
Ratman, Niru, ‘Master of the Universe’, The Face, October 2001
Pursglove, Anna, ‘It’ll Win, But is it art’, Evening Standard Magazine, October 12, 2001
Lubbock, Tom, ‘Much Ado About Nothing’, The Independent, October 9, 2001
Cork, Richard, ‘Confusion is Nelson’s Victory’, The Times, October 3, 2001
Dorment, Richard, ‘Storytellers in the Studio’, Daily Telegraph, October 3. 2001
Ratman, Niru, ‘Master of the Universe’, The Face, October 2001
Artist’s pages, Modern Painters, October 2001
Darwent, Charles, Modern Painters, October 2001
Corks, Richard, ‘Richard Corks Choice’, The Times (Play), September 29, 2001
Irving, Mark, ‘This artist is building a maze’, The Independent on Sunday, September 23, 2001
Gayford, Martin, ‘The Alternative History Man’, Daily Telegraph, (Arts & Books) September 8, 2001
Jones, Jonathan, ‘Welcome to My Worlds’, The Guardian, September 4, 2001
Bishop, Claire, ‘The Shy Man of the Turner’, The Evening Standard, August 31, 2001
Beasley, Stephen, ‘Contemporary Art’, Untitled, No. 26, Autumn/winter 2001
Wilson, Andrew, ‘The Zones of Venice’, Art Monthly, July/Aug 2001
Howarth, Sophie, ‘Mike Nelson’, Tate Magazine
Darwent, Charles, ‘Go on, get lost’, The Independent on Sunday, October 7, 2001
Jones, Jonathan, The Guardian
Bishop, Claire, The Evening Standard
Godfrey, Mark, ‘Venice Biennale’, Untitled No. 25, Summer 2001
Dorment, Richard, ‘Postcards from the cutting edge’, The Daily Telegraph, June 13, 2001
Cork, Richard, ‘Too many tours spoil the broth’, The Times 2, June 13, 2001
Field, Marcus The Independent on Sunday, June 10, 2001
Searle, Adrian, ‘Appalling fascination of a career-enhancing competition’, The Guardian, May 31, 2001
Kennedy, Maey, ‘Bookies see film-maker as surprise favourite’, The Guardian, May 31, 2001
2000
Searle, Claire, ‘Art – Review of 2000’, The Guardian, G2, December 29, 2000
Bishop, Claire, ‘Master of Reality’, Untitled, No. 22, Summer 2000
Jones, Jonathan, ‘Species of Spaces’, Frieze, July – August 2000
Stoddart, Hugh, ‘Mike Nelson, The Coral Reef’, Contemporary Visual Arts, Issue 29
Beaumont, Susanna, ‘Another Place’, THE LIST, June 8-22, 2000
McLaren, Duncan, ‘Another Place’, Pick of the Galleries, The Independent on Sunday, June 11, 2000
Hunt, Ian, ‘British Art Show 5’, Art Monthly, No. 236, May 2000
Currah, Mark, ‘Mike Nelson’, www.londonart.co.uk, April 2000
Withers, Rachel, ‘Mike Nelson’, Artforum, April 2000
Glover, Izi, ‘Mike Nelson’, Time Out, No. 1543, March 14-22, 2000
Jones, Jonathan, ‘Rooms with a dingy view’, The Guardian, March 22, 2000
Burrows, Dave, ‘Mike Nelson’, everything Magazine, Issue 3.2, March 2000
Jones, Jonathan, ‘Mike Nelson: The Coral Reef’, The guide tuesday, The Guardian, March 21, 2000
Ellis, Samantha, ‘Coral Reef’, Going Out, The Evening Standard, March 21, 2000
McLaren, Duncan, ‘Coral Reef’, Pick of the Galleries, The Independent on Sunday, March 19, 2000
Thompson, Jon, ‘Shifting Spaces’, www.eyestorm.com, March 3, 2000
Mikhail, Kate, ‘Mike Nelson’, Thursday Review, The Independent, March 2, 2000
Beech, Dave, ‘Mike Nelson’, Art Monthly, No. 234, March 2000
Shave, Stuart, ‘Spaced out’, iD the drenched issue, No. 195, March 2000
1999
Morrisey, Simon, ‘Myth as Material’, Contemporary Visual Arts, Issue 26, November 1999
Morrisey, Simon, ‘Mike Nelson TOURIST HOTEL’, Contemporary Visual Arts, Issue 23, March 1999
Wilkinson, Dan, ‘Mike Nelson at the Collective Gallery’, londonart.co.uk magazine, September 1999
Mahoney, Elizabeth, ‘In Memory of HP Lovecraft’, The Guardian, August 23, 1999
1998 Beech, Dave, ‘HMS Art’, Art Monthly, No. 221, November 1998
Wilson, Michael, ‘It & Show Me the Money 3’, Untitled, No. 17, Autumn 1998
1997 Larsen, Lars Bang, ‘Mikes mystiske liv’, Politik, October 24, 1997
Barrett, David, ‘Mike Nelson, Master of Reality’, Frieze, Issue 36, 1997
Rushton, Steve, ‘Telling Tales: Art & Corporate Identity’, Mute, September 1997
Koster, Christoph, ‘Ein Tier namens Mensch’, Taz Bremen, June 12, 1997
Carter, Stephan, ‘Szenen aus der Jagdgesellschaft’, Weser-Kurier, June 25, 1997
Zenglein, Detlev, ‘Begegnung mit dem Mull’, Prinz Bremen, June 1997
Griese, Horst, ‘Mike Nelson im Kunstlerhaus Bremen’, ŒPunkt’ Kunst im Nordwestern, June 1997
Steen, Ikken, ‘Mike Nelson: Lionheart’, Journal am Abend, Radio Bremen II, June 18, 1997
1996
‘Art & The City: A Dream of Urbanity’, Art & Design No. 50, Academy Group Limited
Davies, Peter, ‘Mike Nelson, Matt’s Gallery’, Flash Art, Vol. XXIX, No.189, Summer 1996
Grennan, Simon, ‘Mike Nelson, Matt’s Gallery’, Untitled, No.10, Spring 1996
Burrows, David, ‘Mike Nelson, Matt’s Gallery’, Art Monthly, No.194, March 1996
Tilroe, Anna, ‘Met film kan ik een regenboog in eek kamer maken’, NRC Handelsblad, March 1996
Currah, Mark, ‘Mike Nelson, Matt’s Gallery’, Time Out, February 21-28, 1996
Movin, Lars, ‘At lide for kunsten i London’, Information, February 25, 1996
Craddock, Sacha, ‘Around the Galleries’, The Times, February 27, 1996
1995
Irvine, Jaki, ‘Mike Nelson, Hales Galler’, frieze, issue 23, Summer 1995
1994
Reitmar, Heidi, ‘Turning Up, The View, Liverpool’, Art Monthly, No.181, November 1994
 
PUBLIC AND MUSEUM COLLECTIONS
Arts Council Collection, London, UK
Hayward Gallery, London, UK
British Council Collection, London, UK
Rennie Collection, Vancouver, Canada
Zabludowicz Collection, London, UK
Moderna Museet, Stockholm, Sweden
The New Art Gallery, Walsall, UK
Tate Collection, London, UK
MAMCO, Geneva, Switzerland
V-A-C Collection, Moscow, Russia
RISD Museum, Providence, RI
 
SELECTION PANELS
2009
Rijksakademie, Amsterdam
2002/3
Prix de Roma, Rijksakademie, Amsterdam
2001
Bloomberg New Contemporaries 2001, London
New Works Scotland, Collective Gallery Program, Edinburgh
 
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Mike Nelson

Cloak of rags (Tale of a dismembered bank, rendered in blue)

February 6 - May 13, 2017 | Via Mottalciata 10/B

Mike Nelson

Processsion, process. Progress, progression. Regression, recession. Recess, regress.

30 March - 25 March 2017 | Via Mottalciata 10/b

Mike Nelson

The caves of misplaced geometry

28 May - 12 Oct 2009

Mike Nelson

Untitled No.22 (High Plains Drifter)

6 Nov 2008 - 10 Jan 2009

NEIL CAMPBELL

Born in 1958, in Saskatchewan, Canada
Lives and works in Vancouver, B.C., Canada

EDUCATION

1974 – 75 School of the Museum of Fine Art, Boston
1975 – 76 Vancouver School of Art, Honors Prize
1977 – 79 Concordia University, Montreal, M.F.A. / Studio

AWARDS

2003 B.C. Arts Council, Project Assistance for Visual Artists
2000 B.C, Arts Council, Project Assistance for Visual Artists
1994 – 95 Canada Council Research Grant
1993 Project Grant – Centre International d’Art Contemporain, Montréal
1992 Studio Residency, Musée d’Art et d’Histiore, Geneva

TEACHING EXPERIENCE

1992 – 93 New York University, Intro with Peter Schuyff
1995 – 2005 Emily Carr School of Art and Design, Studio / Painting – Sessional

SOLO EXHIBITIONS

2013 Macaulay & Co. Fine Art, Vancouver, Canada (forthcoming)
2011 Galleria Franco Noero, Torino, Italy
Blanket Gallery, Vancouver, Canada

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Neil Campbell

Solo Show

20 May - 30 Jul 2011

Neil Campbell

Solo Show

24 Jan - 27 Feb 2007

PABLO BRONSTEIN
Born in 1977, Buenos Aires, Argentina
Lives and works in London, UK

EDUCATION
2006-7
Kunstzeitraum residency, Munich, Germany
2005
Research & Development Grant, Grizedale Arts, Cumbria
2004
MA Visual Arts; Goldsmiths College, London
200
Postgraduate Diploma, Visual Arts; Goldsmith College, London
2001
BA Fine Art; Slade School, UCL, London

SOLO EXHIBITIONS
2020
Forthcoming: Sir John Soane’s Museum, London, UK
2019
Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT
2018
Bloomberg SPACE, London, UK
Herald St, London, UK
2017
‘The largeness of China seen from a great distance’, Galleria Franco Noero, Turin, Italy
‘Conservatism, or the long reign of pseudo-georgian architecture’, The Architecture Gallery, RIBA, London, UK
Jupiter Artland, Edinburgh, UK
Synthetic Landscapes, Weston Park, Sheffield, UK
2016
‘Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK
Staatsgalerie Stuttgart, Stuttgart, DE
‘Haydn’s creation’, Garsington Opera, Buckinghamshire and Saddler’s Wells, London, UK
2015
‘Pablo Bronstein: studies in Mannerist decomposition’, Museo Marino Marini, Florence
‘The Grand Tour: Pablo Bronstein and the treasures of Chatsworth’, Nottingham Contemporary, Nottingham, UK
‘The Grand Tour’, Chatsworth House, Derbyshire, UK
‘We live in Mannerist times’, The Museum of Fine Arts, Houston
‘We live in Mannerist times’, Galleria Franco Noero, Turin,
‘Art on the Underground Commission’ 2015, London, UK
2014
‘Pablo Bronstein: Enlightenment Discourse on The original of Architecture’, REDCAT, Los Angeles
‘Recent History’, Herald St, London

GROUP EXHIBITIONS
2018
‘The Land We Live In – The Land We Left Behind’, Hauser & Wirth Somerset, Bruton, UK
History in the Making’, Alan Cristea Gallery, London, UK
2017
‘Idea Home Show’, Middlesbrough Institute of Modern Art, Middlesbrough, UK
Stages: Drawing the Curtain’, Plug In Institute of Contemporary Art, Winnipeg, CA
Spaces without drama or surface is an illusion, but so is depth’, Graham Foundation, Chicago, US
Synthetic Landscapes’, Weston Park, Sheffield, UK
2016
Art Unlimited, Art|Basel 46, Basel, Switzerland
‘Collected By Thea Westreich Wagner and Ethan Wagner’, Whitney Museum, New York, US; Pomidou Centre, Paris, FR
‘Drawing on Childhood’, Foundling Museum, London, UK
2015
‘British Art Show 8, Leeds Art Gallery, Leeds
‘SUPER SUPERSTUDIO’, Padiglione d’Arte Contemporanea, Milan
‘TATE: Performance Room screening – DO DISTURB, Palais De Tokyo, Paris
‘History is Now: 7 Artist Take on Britain, Hayward Gallery, London
‘L’Année dernière à Marienbad’, Kunsthalle Bremen
‘Beauty Codes’, Cura Basement, Rome
‘Tower’, Ibid, London

PERMANENT COLLECTIONS
Tate Collection, London
Collection Städtische Galerie im Lenbachhaus und Kunstbau, Munich
Pinakothek der Moderne, Munich
Brooklyn Museum, New York
Metropolitan Museum of Art, New York
Graphische Sammlung / Collection of Prints and Drawings at the Swiss Federal Institute of Technology, Zurich
Arts Council Collection, UK
Pinakothek der Moderne, Munich, DE
Museum of Art, Rhode Island School of Design, Providence, US
New York Public Library, New York, US
Centre Pompidou, Paris, FR
The Museum of Fine Arts Houston, Houston, US

BIBLIOGRAPHY
2014
Enlightenment Discourse on the Origins of Architecture, REDCAT, Los Angeles, 2014
2013
A is Building, B is Architecture, published by Koenig Books, London, 2013
2011
P. Bronstein, ‘Neo-Georgian Architecture’, published by Walther Koenig, 2011
Antoine Caron & The Development of Early Ballet (working title), XN Editions, Paris, 2011

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Pablo Bronstein

The largeness of China seen from a great distance

31 October 2017 - 3 February 2018 | Piazza Carignano 2

Pablo Bronstein

We live in Mannerist times

5 February - 31 March 2015

Francesco Vezzoli, Pablo Bronstein

Francesco Vezzoli – Pablo Bronstein con Giorgio de Chirico

10 Nov 2012 - 15 Jan 2013

Pablo Bronstein

Palazzi Torinesi

8 Nov 2008 - 10 Jan 2009

Pablo Bronstein

Five Urns

16 May - 23 June 2007

PAULO NAZARETH
Born in 1977, Governador Valadares, Brazil
Lives and works throughtout the world
 
EDUCATION
2006 – 2010
Studies in Linguistics, Universidade Federal de Minas Gerais, Brazil
2005 – 2006
MFA, Academy of Fine Arts, Universidade Federal de Minas Gerais, Brazil
2003 – 2005
BFA, Academy of Fine Arts, Universidade Federal de Minas Gerais, Brazil
1998 – 2000
Wood craving with Mestre Orlando, famous artist from Bahia, Belo Horizonte, Brazil
 
AWARDS AND GRANTS
2012
2° lugar, Prêmio MASP de Artes Visuais – Mercedes-Benz, Sao Paulo, Brazil
2010
Prêmio 12° Salão Nacional de Arte de Itajaí, Santa Catarina, Brazil
2005
Special reference from the jury – 4° Salão de Artes Jataí, Brazil Selected for Rumos Itaú Cultural
2004-2005
Bolsa Pampulha – 28° Salão de Arte de Belo Horizonte, Brazil
 
SOLO SHOWS
2018
Museu da Pampulha, Belo Horizonte, BR
2017
‘INNOMINATE’, Mendes Wood DM, New York, USA
‘Old Hope’, Mendes Wood DM, São Paulo, Brazil
2016
Art Unlimited, Art Basel, Basel CH
PAULO NAZARETH: Mining Histories, Tanzhaus Düsseldorf, Düsseldorf, DE
Genocide in Americas, Projeto Brasil, HAU, Berlin, DE
2015
Genocide in Americas, Meyer Riegger, Berlim, Alemanha
2014
‘Journal’, ICA, London, UK
‘Banderas Rotas’, Galleria Franco Noero, Turin
‘Che Cherera’, Mendes Wood DM, Sao Paulo, Brazil
2013
‘Veneza Neves’, Veneza, Ribeirão das Neves, Minas Gerais, Brazil
2012
‘Premium Bananas’, Museu de Arte de São Paulo – MASP, Sao Paulo, Brazil
‘Noticias de America’, Mendes Wood DM, Sao Paulo, Brazil
2010
‘Na impossibilidade de nomear’, Muna – Museu de Uberlândia, Uberlândia, Brazil
2008
‘Paulo Nazareth LTDA’, Porto Alegre, Brazil
2007
Museu de Arte de Pampulha, Belo Horizonte, Brazil
2005
‘O Junta Dor de Coisas’, Espaço Multimeios Mestre Orlando CCIR Lagoa do Nado
‘Clandestina’, Galeria da Escola de Belas artes UFMG, Belo Horizonte, Brazil
2004
‘Gambiarreiro’, Galeria de Arte do SESI MINAS, Minas Gerais, Brazil
 
SELECTED GROUP EXHIBITIONS
2018
‘Dancing with Myself’, Punta della Dogana / Palazzo Grassi, Venice
‘EXTREME. NOMADS’, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany
‘Woderlust, San José Museum of Art’, San José, US
‘RAY Foto-Triennale 2018’, MMK, Frankfurt, DE
‘And Then There Were None’, Meyer Riegger, Karlsruhe, DE
2017
‘Field Gate’, Remai Modern, Sasktoon, Canada
‘Traduttore, Traditore’, Gallery 400, College of Architecture and the Arts, University of Illinois, Chicago, USA
‘The Lotus in Spite of the Swamp’, Prospect.4 Triennial, New Orleans, USA
‘MODUS OPERANDI, Société d’électricité, Brussels, Belgium
‘Modos de ver o Brasil: Itaú Cultural 30 Anos’, Oca, São Paulo, Brazil
‘OSSO Exposição-apelo ao amplo direito de defesa de Rafael Braga’, Instituto Tomie Ohtake, São Paulo, Brazil
‘Potência e Adversidade – arte da América Latina nas coleções em Portugal’, Museu de Lisboa, Lisboa, Portugal
2016
‘New Shamans/Novos Xamãs: Brazilian Artists’, Rubell Family Collection, Miami, USA
‘CROSSWORDS’, Hangar – Centro de Investigação Artística, Lisbon, Portugal
‘Atopía. Migración – Legado y Ausencia’, Centro Cultural Metropolitano de Quito, Quito, Ecuador
‘Humanas Interlocuções’, Fundação Vera Chaves Barcellos, Rio Grande do Sul, Brazil
‘Everything you are I am not: Latin American art from the Tiroche DeLeon Collection’, Mana Contemporary, Jersey, United States
‘Soft Power. Arte Brasil’, Kunsthal KAdE, Amersfoort, Netherlands
‘Much wider than a line’, SITE Santa Fe, Santa Fe, United States
‘Adornos do Brasil Indígena: resistências contemporâneas’, Sesc Pinheiros, São Paulo, Brazil
‘Wanderlust’, High Line Art, New York City, USA
2015
‘Indigenous voices’, Padiglione Istituto Italo-Latinoamericano (IILA), 56 Venice Biennial, Venice, Italy
‘Tunga Jac Leirner Paulo Nazareth Marepe, 11 Columbia and Galleria Franco Noero, Monaco, FR
‘Rights of Nature: Art and Ecology in the Americas’, Nottingham Contemporary, Nottingham, UK
‘Here There’ (Huna Hunak), QM Gallery Al Riwaq, Doha, Qatar
‘Alimentário’, Museu da Cidade – OCA, Sao Paulo, Brasil
2014
‘Imagine Brazil’, Musée d’art contemporain de Lyon, Lyon, France
‘Alimentário’, Museu de Arte Moderna Rio de Janeiro, Rio de Janeiro, Brasil
‘Cães Sem Plumas’, Museu de Arte Moderno Aloisio Magalhães, Recife, Brasil
‘É Tudo Nordeste?’, 3ª Bienal da Bahia, Salvador, Brasil
‘The Rise and Fall of Art Biennales’, LATVIAN Center for Contemporary Art,
Riga, Latvia
‘BRICS’, Ol Futuro Flamengo, Rio de Janeiro, Brazil
2013
‘Imagine Brazil’, Astrup Fearnley Museet, Oslo, Norway
‘Meanwhile…Suddenly and Then’, 12th Lyon Biennial, Lyon, France
‘Conversation Pieces’, Neuer Berliner Kunstverein, Berlin, Germany
‘Roesler Hotel #24 – Cães sem plumas [prólogo]’, Galeria Nara Roesler, Sao Paulo, Brazil
‘Chambres à Part, Edition VIII’, La Réserve Paris, Paris, France
‘Unstable Territory: Borders and identity in contemporary art’, Centre for Contemporary Culture at Palazzo Strozzi | CCC Strozzina, Florence, Italy
‘avante brasil’, Kunst Im Tunnel, Düsseldorf, Alemanha
‘Coleção Itaú de Fotografia Brasileira’, Instituto Tomie Ohtake, Sao Paulo, Brazil
‘The insides are on the outside – O interior está no exterior’, Casa de Vidro, Sao Paulo, Brazil
‘The Encyclopedic Palace’, 55 Biennale di Venezia, Venice, Italy
‘Museum as Hub: Walking Drifting Dragging’, New Museum, New York, USA
Bienal de Montevideo, Montevideo, Uruguay
2012
Benin Biennial, Cotonou, Benin
‘New Brasil, Bolivia Now’, Memorial da América Latina, Sao Paulo, Brazil
‘City as a Process’, Ekaterinburg Branch of the National Center for Contemporary Arts, Ekaterinburg, Russia
Il va se passer quelque chose, Maison de l’Amérique Latine, Paris, France
2011
23°33’42′′_46°40’09′′ Mendes Wood at Torri, Galerie TORRI, Paris, France
‘Caos e Efeito’, Itaú Cultural, São Paulo, Brazil
‘MYTHOLOGIES’, Cité Internationale des Arts, Paris, France
‘Meditação, Transe’, Mendes Wood DM, São Paulo, Brazil
2010
‘Por aqui forma tornam-se attitudes’, SESC Vila Mariana, São Paulo, Brazil
‘Entre Pontos’, JACA – Jardim Canadá Art Center, Belo Horizonte, Brazil
Artistas de BH em Buenos Aires, Belizario Arte Contemporânea, Belo Horizonte, Brazil
12° Salão Nacional de Arte de Itajaí, Santa Catarina, Brazil
‘Diante da Duvida de Nomear o que Vejo…’, MAC, Curitiba, Brazil
‘Interações Florestais Terra Una – Liberdade’, Minas Gerais, Brazil
‘Intervenções do coletivo Kaza Vazia’, Galeria de Arte Itinerante, Brazil
2009
‘Mll2 – 2nd annual manifestation of performance’, Belo Horizonte, Brazil
‘Pesta Seni Performa’, CCCL, Surabaya, Indonesia
‘Festival de Performance de Belo Horizonte’, Belo Horizonte, Brazil
‘Na impossibilidade de nomear…’, Muna Museu de Uberlândia, Uberlândia, Brazil
‘Belizario – Arte Contemporânea’, Belo Horizonte, Brazil
‘Mercado de Arte: quem…Mercado de Banana’, Centro Cultural São Paulo, São Paulo, Brazil
2008
‘Paulo Nazareth LTDA’, DMAE Porto Alegre, Porto Alegre, Brazil
‘Sobre o Deslocamento de Coisas e Gent’e, Palácio das Artes, Belo Horizonte, Brazil
‘Sobremesa de Queijos’, Museu Mineiro, Minas Gerais, Brazil
Salão de Arte de Jataí, Jataí, Brazil
2007
‘Multiparidade’, Palácio das Artes, FCS-MG, Belo Horizonte, Brazil
‘Individual’, Museu de Arte da Pampulha, Belo Horizonte, Brazil
2006
‘Praradoxo Brasil Rumos’, Itaú Cultural, São Paulo, Brazil
‘Praradoxo Brasil Rumos’, Paço das Artes, Rio de Janeiro, Brazil
2005
‘Litholabor’, Galeria da EBA – UFMG, Minas Gerais, Brazil
‘Bebados e Equilibristas’, Coletiva Galeria da EBA – UFMG, Minas Gerais Brazil
‘International Video-Performance Art Festival’, Tallinn, Estonia
‘Coletiva’, Museu de Arte Contemporânea de Jataí, Brazil
‘Escultura em expansão’, Biblioteca Central da UFMG, Minas Gerais, Brazil
2004
Mostra da EBA-UFMG Galeria EBA e Escola Música, Minas Gerais, Brazil
‘Possíveis Escultura’, Biblioteca Central da UFMG, Minas Gerais, Brazil
‘Escultura’, Coletiva Biblioteca Central UFMG, Minas Gerais, Brazil
‘Novos Ilustradores’, Biblioteca Central UFMG, Minas Gerais, Brazil
 
SELECTED BIBLIOGRAPHY
2012 ‘Contemporary Art Brazil’, Thames & Hudson, London, 2012
2012 ‘Paulo Nazareth Arte Contemporânea Ltda’, Mendes Wood DM, Sao Paulo/Editora Cobogó, Rio de Janeiro, 2012
 
COLLECTIONS
Boros Collection, Berlin
Thyssen-Bornemisza Art Contemporary, Wien
Pinault Collection, Paris
Coleção Banco Itaú, São Paulo
Museu de Arte Moderna do Rio de Janeiro – Gilberto Chateaubriand, Rio de Janeiro
Astrup Fearnley Museum of Modern Art, Oslo
Pinacoteca do Estado de São Paulo, Sao Paulo
Fundaciò La Caixa, Barcelona
Fondazione Sandretto Re Rebaudengo, Torino
 
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Paulo Nazareth

Banderas Rotas

27 Feb – 5 Apr 2014

PHILLIP LAI
Born in 1969, Kuala Lumpur, Malaysia
Lives and works in London, UK
 
EDUCATION
1993-94
MA Fine Art / Chelsea College of Art & Design
1990-93
BA Fine Art (sculpture) / Chelsea College of Art & Design
1988-89
Foundation Course / Middlesex Polytechnic
 
AWARDS, NOMINATIONS & RESIDENCY
2018
The Hepworth Prize for Sculpture
2006
Research and Development visit to Armenia (by invitation of the British Council) 1999 Award to Individual Artists – London Arts (formerly London Arts Board)
1996
One-month residency toward “Off Camp/On Base” exhibition, Tokyo / Japan
 
SOLO EXHIBITIONS
2018
‘In the Half Life’, Edouard Malingue Gallery, Hong Kong
2016
Stuart Shave/Modern Art, London
2014
‘Besides’, Camden Arts Centre, London, UK
‘Somewhat Abstract’, Nottingham Contemporary, Nottingham
 
SELECTED GROUP EXHIBITIONS
2017
‘One second ago’, Edouard Malingue Gallery, Hong Kong
2016
‘Theories of Modern Art’, Stuart Shave/Modern Art, London
‘Can I Step on It?’, Galeria Franco Noero, Turin, Italy
‘When Did Intimacy Begin Width’, curated by Torey Thornton, Jeffrey Stark, New York, NY, USA
2015
An Intervention, John Hansard Gallery, Southampton University, Southampton, UK
2014
‘Interior’, Stuart Shave/Modern Art, London
‘Somewhat Abstract, Nottingham Contemporary, Nottingham
2013
Sculptures by Thomas Schütte and Phillip Lai - Faggionato Fine Arts, London, UK
2010
‘No Soul For Sale – A Festival of Independents’ (Mousse contribution, curated by Jonathan Griffin), Tate Modern, Turbine Hall, London, UK
‘Keep Your Seat’, GAM Galleria d’Arte Moderna, Torino, Italy
 
SELECTED ARTICLES
2009
Del Vecchio, Gigiotto. ‘Aseptic Cosmic Spaces’, Mousse Magazine, February/March, 2009
Cairns, Steven. ‘The Function of Objects’, MAP Magazine, Spring 2009
2008
Cairns, Steven. ‘Turin: Phillip Lai’, MAP Magazine, Spring 2008
2007
Griffin, Jonathan. ‘Phillip Lai’, Frieze, April 2007
‘ART: Phillip Lai’, Kultureflash, January 2007
 
PUBLICATION & OTHER ACTIVITIES
2008
Lecturer in Fine Art, Goldsmiths College University of London, since 2006
Associate Lecturer in MA Fine Art, Chelsea College of Art & Design, since 2002
2006
Research and Development visit to Armenia (supported by British Council)
Artists Lecture Series, Arnolfini Bristol (organised by UWE)
2001
Invited Speaker at ‘Li Yuan Chia’ exhibition talk, Camden Arts Centre, London, UK
Visiting Tutor in Fine Art, Goldsmiths College University of London (to 2005)
 
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Group Show

Can I Step On It?

30 March - 14 May 2016

Phillip Lai

Visitor

14 May - 16 Jun 2012

Phillip Lai

A metal bar fell on someone’s head or something

10 Nov 2007 - 15 Jan 2008

SAM FALLS
Born 1984, San Diego, CA.
Lives and works in Los Angeles, CA.
 
EDUCATION
2010
MFA, ICP-Bard, New York, NY, USA
2007
BA, Studio Art, Reed College, Portland, OR
 
BIENNAL
2018
SUPERPOSITION: Equilibrium & Engagement, Biennale of Sydney
 
SOLO EXHIBITIONS
2018
‘Nature Is The New Minimalism’, Galleria Civica di Tranto, ’Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy
2017
‘Hammer Projects: Sam Falls’, Hammer Museum, Los Angeles, USA
Aspen Art Museum, Aspen, CO, US (presentation of Outdoor Sculpture in front of the Museum)
‘Sine sole sileo’, Galleria Franco Noero, Torino, Italy
Galerie Eva Presenhuber, New York, USA
2016
Zabludowicz Collection, London, UK and Sarvisalo, FI
Galerie Eva Presenhuber, Kastro, Antiparos, GR
Hannah Hoffman Gallery, Los Angeles, USA
2015
Giuliani Foundation, Rome, Italy
Galleria Franco Noero, Torino, Italy
Ballroom Marfa, Marfa, TX
The Kitchen, New York, NY
2014
Zabludowicz Collection, London, UK and Sarvisalo, Finland
Galerie Eva Presenhuber, Zurich, Switzerland
Karma, New York, NY
Hannah Hoffman Gallery, Los Angeles, CA
Pomona College Museum of Art, Pomona, CA
Public Art Fund, MetroTech, Brooklyn, NY
2013
Galerie Eva Presenhuber, Zurich, Switzerland
Galerie Balice Hertling, Paris, France
LA><ART, Los Angeles, CA.
T293, Rome, Italy
Karma, Amagansett, NY
Michael Benevento, Los Angeles, CA
Firehouse Gallery, Cruated by Pascal Spengemann, Burlington, Vermont
Ribordy Contemporary, Geneva, Switzerland
2012
American Contemporary, New York, NY China Art Objects, Los Angeles, CA
Printed Matter, New York, NY
Marta Cervera, Madrid, Spain
M+B, Los Angeles, CA
Karma, New York, NY
Luce Gallery, Turin, Italy
2011
Sam Falls, West Street Gallery, New York, NY
‘Everything Keeps Being Nothing’, Higher Pictures, New York, NY
 
GROUP EXHIBITIONS
2017
‘The Sun Placed In The Abyss’, CMOA, Columbus Museum of Art, Columbus, USA
‘Concrete Island’, VENUS, Los Angeles, USA
2016
‘Wasteland’, Mona Bismark American Center, Paris, France
‘Another Minimalism, Art after California Light and Space’, Mead Gallery, University of Warwick, UK
2015
‘Another Minimalism – Art After California Light and Space’, Fruitmarket Gallery, Edinburgh, UK
‘Art Unlimited’, Solo presentation of ‘Untitled (Book for Jamie)’, Art|Basel
‘Apparitions: Frottages and Rubbings from 1860 to Now’, Hammer Museum, Los Angeles, CA, curated by Allegra Pesenti, chief curator of the Menil Drawing Institute
Galerie Eva Presenhuber, Zürich, Switzerland
2014
‘The Material Image, Marianne Boesky Gallery’, New York, NY, curated by Debra Singer
Franco Noero, Turin, Italy
‘Morning and Evening Asylum’, Tanya Leighton, Berlin/ Off Vendome, Dusseldorf, Germany
Ethan Cook / Sam Falls / Emanuel Rohss / Tris Vonna-Michel, T293-in-residence, Sadie Coles, London, UK
Flash Art, New York, NY
‘Per_forming a collection #1’, Madre Museum, Naples, Italy
2013
Metro Pictures, New York, NY
Hannah Hoffman Gallery, Los Angeles, CA
T293, Naples, Italy
Galerie Balice Hertling, New York
SQUAT BEIRUT, in collaboration with Balice Hertling and Nilufar Gallery at Metropolitan Art Society (MAS) Beirut, Lebanon
Sean Kelly Gallery, New York, NY
Marlborough Gallery, New York, NY
A Different Kind of Order: The ICP Triennial, International Center of Photography, New York, NY Anamericana, Depart Foundation, American Academy in Rome, Rome, Italy
2012
Nicole Klagsbrun, New York, NY
Michael Benevento, Los Angeles, CA
International Art Objects, Los Angeles, CA
11 Rivington, New York, NY
Modern Collections, London, UK
Grimm Gallery, Amsterdam, Netherlands
Pedro Cera Gallery, Lisbon, Portugal
Sam Falls/N. Dash, Twig Gallery, Brussels, Belgium
2011
Karma, White Flag Projects, St. Louis, Missouri
Sam Falls/Nick Van Woert, Death Valley, Cleopatra’s, Brooklyn, NY
Painted Pictures, Curated by Arthur Ou, Blackston Gallery, New York, NY
Somewhere to Go, OHWOW, Los Angeles, CA
Wax Apple, Bodega, Philadelphia, PA
M+B Gallery, Curated by Sam Falls and Matt Moravec, Los Angeles, CA
High Desert Test Sites, Curated by Andrea Zittel, Joshua Tree, CA
2010
Sam Falls/Daniel Turner, Pauline’s, Brooklyn, NY
50 Artists curated by Dean Daderko, Higher Pictures, New York, NY
Capricious Select, Fotografiska, Stockholm, Sweden
SRAUNUS, Villinus, Lithuania
New Genre Pictures, Flanders Gallery, Raleigh, NC
Magazine Group Show, 107 Shaw Gallery, Toronto, Ontario
New Photography, Woodstock Center for Photography, Woodstock, NY
LOOKbetween, Deep Rock, VA
Lower East Side Gallery, New York, NY
 
BIBLIOGRAPHY
2015
– (2015). Zebludowic Collection To Present Four Solo Sculpture Exhibitionists This Summer. In: Your Wellness. May.
Ballard, T. (2015). In The Now: Sam Falls at Ballroom Marfa. Retrieved June 7, 2015. from: http://www.blouinartinfo.com
Cotter, H. (2015). Review: ‘September Spring’, a Multimedia Memorial. In: NERO Magazine, 2015. From: http://www.neromagazine.it/n/?page_id=22970
Franco, G. (2015). Sam Falls: In: Mousse (Nr.48). May. p. 333.
Ghorashi, H. (2015). ‘You’ve got to get rid of your crutch’: Sam Falls on ‘September Spring’ at The Kitchen. Retrieved September 29, 2015. from: http://www.artnews.com
Giuliani, F. (2015). Sam Falls. In: Mousse (Nr.47). March. p. 292.
Helpem, J. (2015). ultimate american artist Sam Falls on the wonder of nature. In: i-D. March.
Hickey, A. (2015) Light over time: About Exhibitions. Retrieved May 1, 2015. from: http://www.publicartfund.org
Kanzler, J. (2015). Sam Falls. In: Kaleidoscope (Issue24). pp. 166-177.
King, J. (2015). Single-Origin Art. In. Mousse (Nr.48). May. pp. 284-293.
McGarry, K. (2015). Sam Falls. In: Interieur. March. p. 108.
McGarry, K. (2015). Sam Falls. Retrieved March 13, 2015. from: http://www.interviewmagazine.com
R.C. (2015). Artist work outside Texan galler’s door. In: The Art Newspaper (Vol.24 Nr.266). March.
2014
– (2014). Four outstanding solo shows at Zebludowic Collection London. In: Drooste Effect. July.
– (2014). Zebludowic Collection Presents New York By Young International Sculptors. Retrieved March 7, 2014. from: http://www.artlyst.com
– (2014). Zebludowic Collection To Present Four Solo Sculpture Exhibitionists This Summer. Retrieved May 27, 2014. from: http://www.artlyst.com
Ascari, A. (2013). Sam Falls. Retrieved February, 2013, from http://www.missoni.com
Botz, A. (2014). Sam Falls. In: Interview. 2014. pp. 48/49.
Charitou, K. (2014) South likes: Adriano Costa, Sam Falls, Samara Scott, Michael E. Smith at Zabludowicz Collection, London. In:South as a State of Mind, July.
Cobby, H. (2014). Contemporary sclupture, Zebludowic Collection. In: Trebuchet Magazine. July.
Cotter, H. (2014). Review: September Spring, a Multimedia Memorial. Retrieved September 17, 2014. from: http://nytimes.com
Doswald, Christoph [Hrsg.], Gasträume, Zürich: Arbeitsgruppe Kunst im öffentlichen Raum der Stadt Zürich, 2014, pp. 24/25, ill.
Egan, M. (2014). Light Moves. Retrieved December 4, 2014. from: http://www.wsj.com
Egan, M. (2015). Los Angeles: City of Art. Retrieved December 4, 2014. from: http://www.wsj.com
Emelife, A. (2014). Zebludowic Collection Solos. In: Because. June.
Emms, S. (2014). Zebludowic Collection: four big summer shows. June, 2014.
Falls, Sam. Death Sequence, New York: KARMA, 2014.
Girault, Lisa (Hrsg.) 2014, ‘Stars + Stripes: American Art of the 21st Centruy from the Goldberg Collection’, 03.10. – 16.11.2013, Bathurst Regional Art Gallery, Bathurst, p. 26, ill.
Güner, F. (2014). Immune to the hype. In: Elephant (Nr.20). Autumn 2014. pp. 75-87.
King, Jacob, “Single-Orgin Art”, In: Mousse, (N48) , pp. 284-293.
Luckraft, P. / Falls, S. (2014). Sam Falls: Zubludowicz Collection. Zubludowicz Collection: London.
Stillpass, Z. (2014). Sam Falls. In: l’Officiel d’Art. Retrived Feb, 2014. pp. 163 -167.
Whipps, S. (2014). The Zebludowic Collection. Retrieved July, 2014. from: http://www.zabludowiczcollection.com
2013
Pirovano, S. (2013). Come costruire un astro nascente. In: Panorama (September), pp 94-95.
Keefe, Alexander. “Sam Falls LAXART” Artforum, December 2013.
Rosenmeyer, Aoife. “Sam Falls” Frieze, November/December 2013.
Shea, Honora. “Sam Falls Looks At An Object’s Life Through Wind Chimes”, Whitewall, December 13, 2013.
“Sam Falls”, Flash Art, December, 2013.
Zhong, Fan. “The New Guard”. W Magazine, April 2013.
Elmquist, Rebecca. “The Artist Who Believes in Poetry” Muse Magazine, #33, 2013.
2012
Phillips, Christopher. ‘Sam Falls – Under the Big Bright Sun’, Art in America, November, 2012 Moshakis, Alex. ‘Sam Falls’s “Problems with Decomposition”’, The New York Times, December 4, 2012.
Tavecchia, Elena. ‘Sam Falls at American Contemporary’, Mousse Magazine, Spring 2012
Mizota, Sharon. ‘Sam Falls at China Art Objects’, Los Angeles Times, February 28, 2012
‘Top 30 Under 30: Art & Design’. Forbes, January 16, 2012.
2011
Wiley, Chris. “Ryan Trecartin, Willem De Kooning, New York Solo Photo Shows,” ARTFORUM, December 2011.
Smith, Roberta. ‘Sam Falls: ‘Everything Keeps Being Nothing.’ New York Times : 18 March
Aletti, Vince. The New Yorker: 21 March 2011
Kunitz, Daniel. ‘Sam Falls’, Modern Painters, Winter 2011.
Wiley, Chris. Depth of Focus, FRIEZE, Issue 43, November – December 2011
Martin, Lesley. ‘Sam Falls’, Aperture, Winter 2011
Robertson, Rebecca. ‘Building Pictures.’ ARTnews March 2011 : 76-83.
2010
Saltz, Jerry. ‘What Comes After X’. New York Times Magazine 2 August, 2010 : 71 ‘Editor’s Choice: New Artists and Curators’. Harper’s Bazaar : November 2010
 
PUBLICATIONS
2017
Shadow Zone
September Spring, Printed Matter Inc.
2016
Resonance, Mousse Publishing
2015
Four Seasons, Flash Art
Now, Nero
Death Sequence, Karma
2014
Dog Walks, Gottlund
Verlag Sound and Vision, Mousse
2013
Studio Space Print Time, Printed Matter
2012
Life Size, Karma
Studio Portrait, Printed Matter
Problems With Decomposition, Mörel Books Light Over Time, Gottlund Verlag
2011
Val Verde, Karma
Paint Paper Palms, Dashwood Books
There Are No More Stupid Poets/There Are No More Poets Stupid, Bodega Books Visible Library, Lay Flat
2010
Light Work, Gottlund Verlag Dans la Chambre Verte, JSBJ
Spring Allusions, self published Sense of Ending, self published
2009
Color Dying Light, Hassla Books Winter Chapel, self published Fall Saddles, self published
Summer Script, self published Return to the Alps, self published A Finality, self published
 
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Sam Falls

sine sole sileo

May 29 - October 2017 | Via Mottalciata 10/B

Sam Falls

22 March 2015 - 21 March 2016

SIMON STARLING
Born in 1967 in Epsom, England
Lives and works in Copenhagen 1990-1992
 
EDUCATION
MFA Glasgow School of Art 1987-1990
BA (Hons) Photography Nottingham Polytechnic
1986-87 Maidstone College of Art
 
AWARDS
2005
Turner Prize, Tate Britain, London,
2004
Nominee for The Hugo Boss Prize, Solomon R. Guggenheim Museum, New York, NY* 1999
Blinky Palermo Prize, Galerie Fur Zeitgenossiche Kunst, Leipzig, Germany
Henry Moore Sculpture Fellowship, Duncan and Jordanstone College of Art, Dundee, UK Paul Hamlyn Foundation Award for Artists, London, UK
 
SELECTED SOLO EXHIBITIONS
2017
‘Stitched, Stretched, Cut, Carved, etc.’, neugerriemschneider, Berlin, Germany
‘The Liminal Trio plays the Golden Door’, Casey Kaplan, New York, US
‘Contemporary Art in Hospitals’, KØS, Køge, Denmark
‘A Synchronology: the contemporary and other times’, Hunterian Art Gallery, Glasgow, UK
‘A l’ombre du pin tordu’, Musée Régional d’Art Contemporain Occitanie / Pyrénées-Méditerranée – Sérignan, Francia
2016
‘Simon Starling: Collected Works’, Rennie Collection, Vancouver, Canada
‘Simon Starling: At Twilight’, Japan Society, NY, US
‘At Twilight’, The Common Guild, Glasgow, UK
‘Red, Green, Blue, Loom Music’, Galleria Franco Noero, Turin, Italy
‘Zum Brunnen’, Kunstmuseum St. Gallen, Switzerland
‘Simon Starling’, Nottingham Contemporary, Nottingham, UK
‘Simon Starling’, Backlit, Nottingham, UK
2015
‘Nine Feet Later’, The Modern Institute, Glasgow, UK
‘Kunstpark’, Ordrupgaard, Charlottenlund, Denmark
‘Metamorphology’, MAC Montréal, Canada*
‘Bowls, Plates’, Casa Luis Barragán, Mexico City, Mexico*
‘El Eco’ (In collaboration with Pilar Pellicer and Yasuo Miichi), Museo Experimental el Eco, Mexico City, Mexico*
2014
‘Metamorphology’, Museum of Contemporary Art Chicago – MCA, IL, US*
‘Simon Starling: Pictures for an Exhibition’, Arts Club of Chicago, IL, US*
‘Project Gallery: Simon Starling’, Pérez Art Museum Miami, FL, US
‘In Speculum’, City Gallery Wellington, New Zealand*
‘The Expedition’, Statens Museum for Kunst, Copenhagen, Denmark
2013
‘Loft Lift’, Public Art Agency Sweden, Stockholm, Sweden
‘Offenes Depot #3 – Staatsgalerie Stuttgart’, Stuttgart, Germany*
‘In Speculum’, Institute of Modern Art – IMA, Brisbane, Australia
‘In Speculum’, Monash University Museum of Art – MUMA, Caulfield East, Australia*
‘Simon Starling’, Modern Art Oxford, Oxford, UK
‘Black Drop’, Radcliff Observatory, Oxford, UK*
‘Simon Starling Phantom Ride’, Duveen Galleries – Tate Britain, London, UK
2012
‘Triangulation Station B’, neugerriemschneider, Berlin, Germany
‘Triangulation Station A’, Casey Kaplan, New York, US
‘Loft Lift’, H+, Helsingborg, Sweden
‘Reprototypes, Triangulations and Road Tests’, Thyssen-Bornemisza Art Contemporary, Vienna*
‘Trois cent cinquante kilogrammes par mètre carré’, La Kunsthalle Mulhouse, Mulhouse Cedex, France
2011
‘Simon Starling’, Kunsthal Charlottenborg, Copenhagen, Denmark*
‘F as in Foglia’, Galeria Franco Noero, Turin, Italy
‘Recent History’, Tate St. Ives, Cornwall, UK
‘Project for a Masquerade (Hiroshima)’, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan*
‘e.g.’, (with Superflex), Kunsthaus Graz, Universalmuseum Joanneum, Graz, Austria
2010
‘Red Rivers’, Kamel Mennour, Paris, France
‘Recent History’, Contemporary Art Centre, Málaga, Spain*
‘Project for a Masquerade (Hiroshima): The Mirror Room’, The Modern Institute/Toby Webster Ltd, Glasgow, Scotland*
2009
‘Red White Blue’, Casey Kaplan, New York, US
‘THEREHERETHENTHERE (Works 1997 – 2009)’, Musee D’Art Contemporain Du Val-De-Marne (MAC/VAL), Vitry-sur-Seine, France
‘THEREHERETHENTHERE (La Source)’, Parc Saint Léger, Centre d’art Contemporain, Pougues-les-Eaux, France
‘Inverted Retrograde Theme, USA (House for a Song Bird)’, Bass Museum of Art, Miami Beach, FL, US
‘The Long Ton’, neugerriemschneider, Berlin, Germany
‘Under Lime’, Temporäre Kunsthalle, Berlin, Germany
‘Blackout’, (with Superflex), Kunsthallen Brandts, Odense, Denmark
2008
‘The Nanjing Particles’, MASS MoCA, North Adams, MA., US*
‘Richard Long and Simon Starling’, Spike Island, Bristol, UK
‘Concrete Light’, Limerick City Gallery of Art, Limerick, Ireland
‘Three Birds, Seven Stories, Interpolations and Bifurcations’, Ludwig Múzeum, Budapest, Hungary*
‘Plant Room’, Kunstraum Dornbirn, Dornbirn, Austria*
‘Project for a Public Sculpture (After Thomas Annan)’, The Modern Institute, Glasgow, Scotland
‘Three Birds, Seven Stories, Interpolations and Bifurcations’, Galleria Franco Noero, Torino, Italy*
‘Cuttings (supplement)’, The Power Plant, Toronto, Canada*
2007
‘Nachbau/Reconstruction’, Städtischen Kunstmuseum zum Museum Folkwang, Essen, Germany*
‘Simon Starling: Autoxylopyrocycloboros’, Musée d’art contemporain du Val-de-Marne – MAC/VAL, Vitry-sure-Seine, France*
‘Particle Projection (Loop)’, Wiels Centre for Contemporary art, Brussels, Belgium
‘Simon Starling’, Casey Kaplan, New York, US
2006
‘Simon Starling’, Heidelberger Kunstverein, Germany
‘Wilhelm Noack oHG’, neugerriemschneider, Berlin, Germany
‘Autoxylopyrocycloboros’, Cove Park, Scotland
‘24 hr. Tangenziale’, Galleria Franco Noero, Torino, Italy*
2005
‘C.A.M.’, Void Gallery, Derry, Ireland
‘Cuttings’, Kunstmuseum Basel, Museum für Gegenwartskunst, Basel, Switzerland*
2004
‘Tabernas Desert Run’, The Modern Institute, Glasgow, Scotland
‘Exposition’, Fundación Joan Miró, Barcelona, Spain
‘One Ton’, neugerriemschneider, Berlin, Germany
‘Simon Starling’, Casey Kaplan, New York, US
2003
‘Djungel’, South London Gallery, UK*
‘Work, Made-Ready, In Light of Nature’, MACRO, Rome, Italy* ’Simon Starling’, Villa Arson, Nice, France* ‘Carbon’, Kunsthalle Münster, Münster, Germany*
2002
‘Matthew Jones / Simon Starling’, Museum of Contemporary Art, Sydney, Australia*
‘Kakteenhaus’, Portikus, Frankfurt, Germany* ‘Hammer Projects – Simon Starling’, UCLA Hammer Museum, Los Angeles, CA., US
‘Djungel’, Dundee Contemporary Arts, Dundee, Scotland* ‘Flaga (1972-2000)’, Galleria Franco Noero, Torino, Italy* ‘Inverted Retrograde Theme, USA’, Casey Kaplan, New York, US
2001
‘Simon Starling: Work Made-Ready, Les Baux de Provence’, Kunstverein Hamburg, Hamburg, Germany
‘Burn Time/Reading Room’, Galerie für Gegenwartskunst, Barbara Claassen-Schmal, Bremen, Germany
‘Burn Time’, Lichthaus Plus Neue Kunst, (project) Bremen, Germany *
‘Inverted Retrograde Theme’, Seccession, Vienna, Austria* ‘East Doors (North)’, Harris Museum & Art Gallery, Preston, UK
‘Burn Time’, neugerriemschneider, Berlin, Germany* ’Simon Starling’, John Hansard Gallery, Southhampton, UK*
‘Poul Henningsen & Simon Starling’, Cooper Gallery, Dundee, Scotland* ‘CMYK/RGB’, FRAC Languedoc-Roussillon, Montpellier, France*
2000
‘Open Studio’, Camden Arts Centre, London, UK* ‘Method 1: Simon Starling’, Signal, Malmö, Sweden Studio 2000, Cologne, Germany
1999
‘Blinky Palermo Prize’, Galerie Fur Zeitgenössiche Kunst, Leipzig, Germany*
1998
‘Moderna Museet Projekt’, Moderna Museet, Stockholm, Sweden*
‘Le Jardin Suspendu’, The Modern Institute, Glasgow, Scotland
1997
‘Blue Boat Black’, Transmission Gallery, Glasgow, Scotland*
1995
‘An Eichbaum Pils Beer Can…’ The Showroom, London, UK*
‘Simon Starling’, KX. Kampnagel, Kabinett für Zeichnung, Kampnagel, Hamburg, Germany
1991
‘Museum Piece’, (with Paul Maguire), Mackintosh Museum, Glasgow School of Art, Scotland
 
SELECTED GROUP EXHIBITIONS
2018
‘n.c.n.d.n.t.’, neugerriemschneider, Berlin
‘Chair, Chair, Chair, Lamp, Table, Bed, Sofa’ – Furniture by Artists, David Risley Gallery, Copenhagen
‘Darbyshire, Gander, Pica, Starling’, Hayward Gallery – HENI Project Space Southbank Centre
‘Artists who make music Musicians who make art’, Queens Park Railway Club
‘General Rehearsal’, Moscow Museum of Modern Art, Moscow, Russia
‘Den Frie Udstilling 2018’, Den Frie, Copenhagen
‘Groundwork’, Goonhilly Earth Station, Cornwall, UK
2017
‘While I was also listening to David, Eleanor, Mariana, Genk, David, Jean, Mark, Daphne, Pierre, Shima, Simon, Zin, Christian and Virginie’, LA CRIÉE – Centre d’Art Contemporain, Rennes
‘L’emozione dei COLORI nell’arte’, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
‘Cosmic Spring’, Centre Pompidou Metz, Metz, France
‘Les objets domestiquent’, FRAC Nord-Pas-de-Calais
‘Alors que j’écoutais moi aussi…’, La Criée centre d’art contemporain, Renne
Contemporary Art in Hospitals’, KØS, Køge, Denmark
‘little lower layer’, MCA, Chicago, US
‘The Garden – End of Times, Beginning of Times. The Present and The Future’
Aaros Triennial, Aarhus, Denmark
2016
‘The Liquid Mountain’, Museum Valkhof, Nijmegen, The Netherlands
‘L’esprit du Bauhaus’, Musée des arts décoratifs, Paris, France
‘The Sun Placed in the Abyss’, Columbus Museum, OH, US
‘Das Loch’, Künstlerhaus Bremen, Bremen, Germany
‘Plant Culture’, Attenborough Arts Centre, Leicester, UK
‘As with all bright constellations’, Lothringer 13 Halle, Munich, Germany
‘The Scottish Endarkenment’, Dovecot Gallery, Edinburgh, UK
‘Radical Seafaring’, Parrish Art Museum, NY, US
‘Reset Modernity!’, ZMK, Karlsruhe, Germany
‘Surrogates’, Griffin Art Projects, North Vancouver, Canada
‘Légende’, FRAC Franche-Comté, Besançon, France
‘La Camera. Sulla Materialità della fotografia’, Palazzo de’Toschi, Bologna, Italy
2015
‘Collected by Thea Westreich Wagner and Ethan Wagner’, The Whitney, NY, US
‘Camera of Wonders’, Centro de la Imagen, Mexico City, Mexico (travelling to Museo de arte modern Medellín and Casa França-Brasil 2016/2017)
‘A story within a story…’, Göteborg International Biennial for Contemporary Art, Gothenburg, Sweden*
‘Making It’, The Space, Sevenoaks, UK
‘RAY 2015 Fotografieprojekte – Imagine Reality’, MMK, Museum für moderne Kunst, Frankfurt, Germany
‘Station to Station’, Barbican, London, UK
‘Eppur si muove – Art and technic, a shared space’, Mudam, Luxembourg City, Luxembourg
‘Tesla’, VITRARIA Glass Museum, Venice, Italy
‘Traces and Remains: Inquiries into the Present’, The Coppel Collection, Mexico City, Mexico (travelling to Hospicio Cabañas, Guadalajara; Museo Amparo, Puebla; Antiguo Colegio de San Ildefonso, Mexico City).
‘Re-Corbusier, Maison La Roche – Foundation Le Corbusier, Paris, France*
‘MetaModern’, Krannert Art Museum, IL, US (travelling to Scottsdale Museum of Contemporary Art, Palm Springs Museum of Art, Cincinnati Art Museum, Orlando Museum of Art and DeVos Museum in Michigan)
2014
‘I’m Yours’, Standard (Oslo), Norway
‘They Used to Call it the Moon’, Baltic Centre for Contemporary Art, Gateshead, UK
‘One Million Years – System und Symptom’, Museum für Gegenwartkunst / Kunstmuseum Basel, Switzerland*
‘curated by_vienna”, Galerie Martin Janda, Vienna, Austria
Yokohama Triennale 2014, Yokohama, Japan*
‘Private Utopia: Contemporary Works from the British Council Collection’, travelling to four museums in Japan*
‘Histories I: Works from the Serralves Collection’, Serralves Museum, Porto, Portugal
‘Generation’, Scottish National Gallery of Modern Art, Glasgow, Scotland*
‘New Collection Display’, Kunstmuseum Basel, Museum für Gegenwartskunst, Basel, Switzerland
‘Body & Void: Echoes of Henry Moore in Contemporary Art’, The Henry Moore Foundation, Hertfordshire, UK
‘The Dying of the Light: Film as Medium and Metaphor’, MASS MoCA, North Adams, MA, US
‘Die Gegenwart der Moderne’, Mumok, Vienna, Austria
‘Metal’, AV Festival, Middlesbrough Institute of Modern Art, Middlesbrough, UK
2013
‘A Whole Range of Furtively Titillating Stereotypes’, Galerie Micheline Szwajcer, Antwerp, Belgium
‘Seven films about space and time’, neugerriemschneider, Berlin, Germany
‘The Way of the Shovel’, Museum of Contemporary Art Chicago – MCA, IL, US*
‘Aquatopia. Imaginary of the Deep’, Tate St Ives, Cornwall, UK
‘Cross Over – Photography of Science-Science of Photography’, Museum Winterthur, Winterthur, Switzerland
‘Group Show’, Jean-Gabriel Mitterrand Gallery, Paris, France
‘Aquatopia. Imaginary of the Deep’, Nottingham Contemporary, Nottingham, UK
‘Le Pont’, Marseilles Contemporary Art Museum, Marseilles, France
‘Tipping Point’, Wolverhampton Art Gallery, Wolverhampton, UK
‘Festival Island #2’, Cneai, Chatou, France
‘La Fabrique des Possibles’, FRAC Provence-Alpes-Côte-d’Azur, Marseilles, France
‘art is: new art. Reflections on Schönberg in contemporary art’, Arnold Schönberg Center, Vienna, Austria
‘Ja Natuurlijk’, Gemeentemuseum, Den Haag, The Netherlands*
‘Puppet Show’, Eastside Projects, Birmingham, UK
2012
‘The Simple Life’, Kunstverein Springhornhof, Neuenkirchen, Germany
‘9th Shanghai Biennale’, Shanghai, China
‘Tomorrow Was Already Here’, Museo Tamayo, Mexico City
‘Tales of the City: Art Fund International and the GoMA collection’, GOMA, Glasgow, Scotland
‘On the Edge of the World: Selected works from the British Council Collection’, Oriel Myrddin Gallery, Camarthen, Wales
‘Plus de croissance: un capitalisme idéal…’, Centre d’art contemporain de la Ferme du Buisson, France
‘Camera Work’, The Adam Art Gallery, Victoria University of Wellington, New Zealand
2011
‘The Inaccessible Poem’, Mario Merz Foundation, Turin, Italy*
‘Found in Translation, Chapter L’, Casino-Luxembourg, Luxembourg
‘Le Printemps de Septembre – à Toulouse 2011’, Toulouse, France
‘Carlo Mollino. Maniera Moderna’, Haus der Kunst, Munich, Germany
‘Mystics or Rationalists?’, Ingleby Gallery, Edinburgh Art Festival, Edinburgh, Scotland
MOMENTUM 2011 6th Nordic Biennial for Nordic Contemporary Art,
Moss, Norway
‘Ostalgia’, New Museum of Contemporary Art, New Yok, US*
‘Staging the Archive’, MACE Museu de Arte Contemporanea de Elvas, Portugal
2010
‘BOOK SHOW’, Eastside Projects, Birmingham, UK
‘Unsichtbare Schatten – Bilder der Verunsicherung’ (with Superflex), MARTa Herford, Herford, Germany
‘A Place Out of History’, Museo Tamayo Arte Contemporaneo, Mexico City, Mexico
‘Les Lendemains d’hier’, Musée d’art contemporain de Montréal, Canada*
‘Languages and Experimentations’, MART museum, Rovereto, Italy
‘FALL OUT’, Malmö Konsthall, Malmö, Sweden, and Gl. Holtegaard, Holte, Denmark
‘Tracks, Traces and Transformations’, Nest, Den Haag, The Netherlands*
2009
‘Radical Nature, Art & Architecture for a Changing Planet 1969 – 2009’, Barbican Art Centre, London, UK*
‘Printed Matter – Set 6 aus der Sammlung des Fotomuseum Winterthur’, Fotomuseum Winterthur, Winterthur, Switzerland
‘Space as Medium’, Miami Art Museum, FL., US
‘Free as Air and Water’, The Cooper Union, New York, US
‘Capturing Time’, Kadist Art Foundation, Paris, France
‘Fare Mondi/Making Worlds’, Italian Pavilion at Giardini, 53rd Venice Biennial, Venice, Italy*
‘The Quick and the Dead’, Walker Art Center, Minneapolis, MN., US ‘Altermodern’, Tate Triennial, Tate Britain, London, UK*
‘The Space of the Work and the Place of the Object’, Sculpture Center, New York, US
2008
‘Objects of Value’, Miami Art Museum, Miami, FL., US
‘Free Radicals’, Artnews Projects, Berlin, Germany
‘Mexico: Expected/Unexpected Collection Isabel et Agustin Coppel’, La Maison Rouge, Paris, France. (Traveled to various venues).
‘Cronostasi: Filmic Time and Photographic Time’, Galleria Civica d´Arte Moderna e Contemporanea, Turin, Italy
‘Close Up’, Fruitmarket Gallery, Edinburgh, Scotland
‘Brussels Biennial 1’, Brussels, Belgium ‘The Greenroom: Reconsidering the Documentary and Contemporary Art’, Bard Center for Curatorial Studies, Annandale-on-Hudson, New York, US
‘Scotland and Venice – 2003, 2005, 2007’, Pier Arts Centre, Orkney, Scotland, ‘Reality Check’, Statens Museum for Kunst, Copenhagen, Denmark*
‘What is Life – Christine Borland, Graham Fagen, Simon Starling’, The Plant Exhibition Hall, Royal Botanic Garden, Edinburgh, Scotland
‘Compromised Places: Topography and Actuality’, Museo Colecciones (ICO), Madrid, Spain
‘Peripheral Vision and Collective Body’, Museion, Bolzano, Italy
‘Ephemera’, Green on Red Gallery, Dublin, Ireland ‘Les Ateliers de Rennes – Biennale d’art contemporain’, Musée des Beaux-Arts de Rennes, 1st Rennes Biennial, Rennes, France
‘Master Humphrey’s Clock’, De Appel, Amsterdam, The Netherlands
‘History in the Making: a retrospective of the Turner Prize’, Mori Art Museum, Tokyo, Japan, traveling to the Moscow Museum of Art, Moscow, Russia
‘Amateurs’, CCA Wattis Institute for Contemporary Arts, San Francisco
‘Of this tale I cannot guarantee a single word’, Royal College of Art Galleries, London, UK*
‘La Marge d’Erreur’, Centre d’art contemporain la synagogue de Delme, Delme, France
‘ITALIA ITALIE ITALIEN ITALY WŁOCHY’, ARCOS, Museo d’Arte Contemporanea Sannio, Benevento, Italy*
’Nathan Carter, Liam Gillick, Carsten Höller, Simon Starling, Garth Weiser’, Casey Kaplan, New York, US
’Martian Museum of Terrestrial Art’, Barbican Art Centre, London, UK
‘Greenwashing’, Fondazione Sandretto Re Rebaudengo, Torino*, traveled to Palazzo Ducale di Laurino, Salerno, Italy*
‘Schöner Wohnen’, neugerriemschneider, Berlin, Germany
‘Gravity. Colección Ernesto Esposito’, ARTIUM Centro – Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain ‘P2P’, Casino Luxembourg – Forum d’art contemporain, Luxembourg
‘Leftovers’, Mariano Pichler Collection, Micamoca, Berlin, Germany
2007
‘Kintsugi, Simon Starling’, “Appenzell Biennale”, Aktuelle Kunst im Schaukasten Herisau, Switzerland
‘This Winter’, Casey Kaplan, New York, US
‘Wenn Handlungen Form werden’, Neues Museum, Nuremberg, Germany*
’The History of a Decade That Has Not Yet Been Named’, Biennale d’art contemporain, Lyon, France
’Turner Prize: A Retrospective 1984-2006’, Tate Britain, London, UK ‘Hiram’, Galleria Antonio Ferrara, Reggio Emilia, Italy
‘Nachvollziehungsangebote’, WUK – Kunsthalle Exnergasse, Vienna, Austria
‘Out of Art’, Centre Pasqu’ART, Biel, Switzerland
‘Rouge baiser’, FRAC – Pays de la Loire, Carquefou, France
‘Visiones del Paraiso – Utopias, Distopias, Heterotopias’, Espacio 1414, Santurce, Puerto Rico
‘Des Mondes Perdus’, CAPC, Musée d’art Contemporain Bordeax, Bordeaux, France
‘Made in Germany, Young Contemporary Art from Germany’, Kestner Gesellschaft, Kunstverein Hannover and Sprengel Museum Hannover, Germany*
‘ZPC Volet #3. Entreprises Singulières’, MAC/VAL, Vitry-sur-Seine, France
‘Held together with water’, MAK – Museum für Angewandte Kunst, Vienna, Austria*
’Still Life’, The 8th Sharjah Biennial, Sharjah, United Arab Emirates
‘László Moholy-Nagy & Simon Starling’, Presentation House Gallery, Vancouver, Canada
‘Immagini, Forme e Natura delle Alpi’, Palazzo Pretorio, Fondazione Gruppo Credito Valtellinese, Sondrio, Italy*
’Nicolas Bourriaud’, 2nd Moscow Biennale of Contemporary Art, Moscow, Russia*
’ARTFutures 2007’, Bloomberg Space, London, UK
2006
‘Blind Date Passau’, Museum Moderner Kunst Stiftung Wörlen, Passau, Germany
‘Breathing Time: Works from the Debra and Dennis Scholl Collection’, Newcomb Art Gallery at Tulane University, New Orleans, LA, US
‘Ecotopia’, The Second ICP Triennial of Photography and Video, International Center of Photography, New York, US
‘Wo bitte geht’s zum Öffentlichen?’, Öffentlicher Raum Wiesbaden, Wiesbaden, Germany
‘Transformation; Aus eigener Sammlung’, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
‘On the Move II: Verkehrskultur’, Westfälischer Kunstverein, Münster, Germany
‘Strange I’ve Seen That Face Before – Kunst, Design, Architektur im Kopf’, Stadtisches Museum Abteiberg, Mönchengladbach, Germany*
’Objet à part,’ La Galerie, Centre d’art Contemporain, Noisy-le-Sec, France
‘Periferic 7: Focussing Iaşi, Strategies of Learning’, Periferic Biennial, Iasi, Romania
‘If it didn’t exist you’d have to invent it, a partial Showroom history’, The Showroom, London, UK
‘NowHere Europe – Trans:it. Moving Culture Through Europe’, National Museum of Contemporary Art (MNAC), Bucharest, Romania
1st Busan Biennale, Busan, South Korea
‘Casa aberta’, INHOTIM centro de arte contemporanea, Minas Gerais, Brazil
2005
Turner Prize, Tate Britain, London, UK
‘Omaggio al Quadrato’, Galleria Franco Noero, Torino, Italy ‘Paralleles Leben/Parallel Life’, Frankfurter Kunstverein, Frankfurt am Main, Germany*
’Universal Experience: Art, Life, and the Tourist’s Eye’, Museum of Contemporary Art Chicago, MCA Chicago, Chicago, IL, US.
Traveled to Haywaed Gallery, London, UK; MART, Rovereto, Italy*
THE HUGO BOSS PRIZE 2004, Solomon R. Guggenheim Museum, New York, US
‘Ambiance Des Deux Cotes Du Rhin’, Museum Ludwig, Cologne and K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
‘Lichtkunst aus Kunstlicht’, Zentrum für Neue Kunst und Medientechnologie (ZMK), Karlsruhe, Germany
‘36x27x10’, White Cube, in the former Palace of Republic, Berlin, Germany
‘The Forest: Politics, Poetics and Practice’, Nasher Museum of Art at Duke University, Durham, NC, US
‘The Party’, Casey Kaplan, New York, US
‘Drive: Cars in Contemporary Art’, Galleria d’Arte Moderna di Bologna, Bologna, Italy
‘Bidbidobidiboo’, Fondazione Sandretto Re Rebaudengo, Turin, Italy
‘En/Of’, Museum Kurhaus Kleve, Cleves, Germany
‘The Failure’, Korridor, Berlin, Germany
‘Academy Remix Symposium’, Portikus, Frankfurt, Germany
‘Goodbye Fourteenth Street’, Casey Kaplan, New York, US
2004
26° Bienal de São Paulo, São Paulo, Brazil
‘Socle du Monde’, Herning Kunstmuseum, Herning, Denmark
‘LAB’, Kröller Müller Museum Park, Otterlo, The Netherlands
‘Elders – Elsewhere’, Galerie Paul Andriesse, Amsterdam, The Netherlands
‘Schöner Wohnen, kunst van heden voor alle dagen’, BE-PART, platform voor actuele kunst, Waregem, Belgium*
‘Prototype: Contemporary Art Collection from Joe Friday’s Collection’, Carleton University Art Gallery, Ottawa, Canada*
‘In the Beginning there was the Journey’, 28th Biennale de Arte de Pontevedra, Spain*
‘Strange I’ve seen that face before’, Gallery of Modern Art (GoMA), Glasgow, Scotland. Traveled to Museum Abteiberg, Mönchengladbach, Germany*
‘Art Needs an Operation’, Casey Kaplan, New York, US
‘The Birthday Party’, Collective Gallery, Edinburgh, Scotland
2003
‘4th Münsterland Sculpture Biennale’, Münsterland, Marktplatz Beckum, Germany*
‘Outlook, International Art Exhibition,’ Benaki Museum, Athens, Greece* ‘New Space! Group Show!’, Franco Noero, Turin, Italy ‘Moving Pictures’, Solomon R. Guggenheim Museum, Bilbao, Spain*
‘Zenomap’, Scottish Pavillion, 50th International Exhibition of Art, Venice Biennale, Venice, Italy
‘Individual Systems’, Curated by Igor Zabel, 50th International Exhibition of Art, Venice Biennale, Venice, Italy
‘GNS (Global Navigation System)’, Palais de Tokyo, Paris, France*
‘Independence’, South London Gallery, London, UK
‘Special Dédicace Rochechouart’, Museum of Contemporary Art, Rochechouart, France
‘I Moderni: The Moderns’, Castello di Rivoli, Torino, Italy*
‘Faking Real’, LeRoy Neiman Gallery, Columbia University School of the Arts, New York, US
‘Moderna Museet c/o Malmö Konsthall’, Malmö Konsthall, Malmö, Sweeden
‘Hands Up, Baby, Hands Up!, Oldenburger Kunstverein, Oldenburg, Germany
‘Imperfect Innocence: Debra and Dennis Scholl Collection’, Contemporary Museum, Baltimore, traveled to Palm Beach Institute of Contemporary Art, Lake Worth, FL, US*
‘False Innocence’, Fundación Joan Miró, Barcelona, Spain*
2002
‘Inter.Play’, The Moore Space, Miami, FL, US, Traveled to Museo de Arte de Puerto RicoSan Juan, Puerto Rico*
‘Still Life/Naturaleza muerta’, Museo Nacional de Bellas Artes, Santiago, Chile, traveled to multiple venues*
‘Lap Dissolve’, Casey Kaplan, New York, US
‘Sphere’, Sir John Soane’s Museum, London, UK
‘Zusammenhänge herstellen’, Kunstverein Hamburg, Germany*
‘Der Globale Komplex – Continental Drift’, Grazer Kunstverein, Graz, Austria
‘Happy Outsiders’, Zacheta Gallery, Warsaw, Poland. Traveled to Katowice City Gallery, Poland and Pro Arte Institute, St. Petersburg, Russia
‘My Head Is On Fire But My Heart Is Full Of Love’, Charlottenborg Museum, Copenhagen, Denmark
‘Manifesta 4’, European Biennial of Contemporary Art, Frankfurt, Germany
‘Wrong Time, Wrong Place’, Kunsthalle Basel, Switzerland
‘That Place’, The Moore Space, Miami, FL, US
‘Summer Cinema’, Casey Kaplan, New York, US
‘Barby Asante, Journey into the East’, The Showroom, London, UK
‘Exchange and Transform’, Kunstverein, Munich, Germany
‘No Return – Positionen aus der Sammlung Haubrok’, Museum Abteiberg, Munchengladbach, Germany*
‘Roma Roma Roma, Rome’, Roma Roma Roma, Rome, Rome Italy
2001
‘Words and Things’, CCA, Glasgow, Scotland
‘The Larsen Effect’, Casino Luxembourg, Luxembourg. Traveled to O.K. Center of Contemporary Art, Linz, Austria
‘Squatters’, Museu Serralves, Museu de Arte Contemporanea, Porto, Portugal and Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
‘The Silk Purse Procedure’, Spike Island and Arnolfini Gallery, Bristol, UK
‘4 Circles’, Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany
‘Group show’, Casey Kaplan, New York, US ‘Open Country’, Musée Cantonal des Beaux-Arts, Luzern, Switzerland*
‘Here + Now: Scottish Art 1990-2001’, various venues: Dundee Contemporary Arts; Generator Projects; McManus Galleries, Dundee and Aberdeen Art Gallery; Peacock Visual Arts, Aberdeen, Scotland
‘Total Object Complete With Missing Parts’, Tramway, Glasgow, Scotland
‘Let’s Get to Work’, Susquehanna Art Museum and Art Gallery, Harrisburg, PA, US
‘Strategies against Architecture II’, Fondazione Teseco, Pisa, Italy
‘G3NY’, Casey Kaplan, New York, US
Dévolver Vivent les Frac’, Institut d’Art Contemporain, Villeurbanne, France
2000
‘Play-Use’, Witte de With, Rotterdam, The Netherlands
‘Spacecraft’, Bluecoat Display Centre, Liverpool, UK* ‘Future Perfect’, CVA, Cardiff, UK ‘Artifice’, Deste Foundation, Athens, Greece ‘If I Ruled the World’, CCA, Glasgow, Scotland ‘What If/Tänk om’, Moderna Museet Stockholm, Sweden* ‘Manifesta 3’, Ljubljana, Slovenia* ‘The British Art Show 5’, Edinburgh, Scotland; London, Cardiff, Southampton, Birmingham, UK (touring)* ’The work in this space is a response to the existing conditions and/ or work previously shown within the space’, neugerriemschneider, Berlin, Germany* ‘Micropolitique’, Le Magasin, Grenoble, France*
‘Jim Lambie, Lucy McKenzie, Victoria Morton, Simon Starling, Cathy Wilkes, Jonnie Wilkes’, Grant Selwyn Fine Art, Beverly Hills, CA, US
‘Robieres/Roberies’, Marres-Centre for Contemporary Art, Maastricht, The Netherlands
1999
‘Fireworks’, De Appel Arts Centre, Amsterdam, The Netherlands
‘Fang den Hut’, Galerie Eigen+Art, Leipzig, Germany ‘The Office of Misplaced Events’, 51 Cleveland St., London, UK ‘Prime, Dundee Contemporary Arts, Dundee, Scotland ‘Tyrebagger Sculpture Project’, Aberdeenshire, UK ’If I ruled the World’, The Living Art Museum, Reykjavik, Island ‘Un Certain’, ATA Centre d’Art Contemporain, Sofia, Bulgaria ‘Dummy’, Catalyst Arts project, Belfast, Ireland ‘Thinking Aloud’, Camden Art Centre, London, UK
1998
‘Bad Faith’, Three Month Gallery, Liverpool, UK*
‘Family’, Inverleith House, Edinburgh, Scotland ‘Reconstructions’, Smart Project Space, Amsterdam, The Netherlands* ‘Strolling: The Art of Arcades, Boulevards, Barricades’, Heide Museum of Modern, Victoria, Australia* ‘Bad Faith’, Waygood Gallery, Newcastle, UK ‘Lost and Found’ Decima Gallery, London, UK ’The Modern Institute @ Sadie Coles HQ London’, London, UK
1997
‘L’Automne dans toutes ses collections’, MAC, Marseille, France
‘Nerve: Glasgow Projects’, ArtSpace, Sydney, Australia* ‘Glasgow’, Kunsthalle Bern, Bern, Switzerland* ’B.c.c.’, Cleveland and The Tannery, London, UK ‘Fishing For Shapes’, Kunstlerhaus Bethanien, Berlin, Germany ‘Wish You Were Here Too’, 83 Hill St, Glasgow, Scotland
1996
‘After You Made Me Soft Again’, Galerie Barz, Hanover, Germany*
‘Once Removed’, Laure Genillard, London, UK ‘Kilt ou Double’, La Vigie Art Contemporain, Nîmes, France
‘Sick Building’, Transmission Gallery at Globe Space, Copenhagen, Denmark ’City Limits’, Staffordshire University, Stoke-on-Trent, UK* ‘Fishing for Shapes’, Projektraum Voltmerstrasse, Hannover, Germany
1995
‘Maikäfer Flieg Bunker’, Hochbunker Köln-Ehrenfeld, Köln, Germany*
1994
‘Institute of Cultural Anxiety’, ICA, London, UK*
‘About Place’, Collective Gallery, Edinburgh, Scotland
‘Miniatures’, The Agency, London, UK ’Oriel Mostyn Open’, Oriel Mostyn, Llandudno, UK ‘Modern Art’, Transmission Gallery, Glasgow, Scotland ’Die Zweite Wirklichkeit Aktuelle Aspekte des Mediums Kunst’, Wilhelmspalais, Stuttgart, Germany
1993
‘BT New Contemporaries 1993-94’, Touring: Manchester, Derry, Sheffield, Stoke-On-Trent, UK; Glasgow, Scotland*
’Left Luggage’, Hou Hanru’s home, Paris, France (Travelling Exhibition) ‘Matter and Fact’, Collection Gallery, London, UK*
1992
‘Invisible Cities’, Fruitmarket Gallery, Edinburgh, Scotland*
‘Three New Works’, Transmission Gallery, Glasgow, Scotland ‘Gesture No. 5’, Post West Gallery, Adelaide, Australia
 
CURATED EXHIBITIONS
2011
‘The Inaccessible Poem’, Mario Merz Foundation, Turin, Italy*
2010
‘Never The Same River (Possible Futures, Probable Pasts)’, Camden Art Center, London, UK*
 
PUBLIC PROJECTS
2010
Commission for a public sculpture for the city of Lyon, France
 
PERMANENT COLLECTIONS
Aarhus Kunstmseum, Denmark
Akzo Nobel Art Foundation, Arnhem, The Netherlands
Astrup Fearnley Collection, Museet for Moderne Kunst, Oslo, Norway Arts Council of Great Britain
British Council Collection, UK
Caldic Collection, Rotterdam, The Netherlands
Castello di Rivoli, Museo d’Arte Contemporanea, Rivoli – Torino, Italy Fondazione Sandretto Re Rebaudengo per l’Arte, Torino, Italy
Fons National d’Art Contemporain, Paris, France
FRAC Languedoc – Roussillon, Montpellier, France
FRAC Nord-Pas de Calais, France
FRAC des Pays de la Loire, France
Gallery of Modern Art, Glasglow, UK
GAM, Galleria d’Arte Moderna e Contemporanea, Torino, Italy Harvard University Art Museum, Cambridge, MA
Henry Moore Foundation, United Kingdom
KIASMA, Helsinki, Finland
Kroller Muller Museum, The Netherlands
Kunst Museum, Basel, Switzerland
Länsmuseet Gävleborg, Gävle, Sweden
Magasin 3 Konsthall, Stockholm, Sweden
Malmö Konstmuseum, Malmö, Sweden
Moderna Museet, Stockholm, Switzerland
Museo Tamayo, Mexico City, Mexico
Museum of Contemporary Art, Chicago, IL Norrköpings Konstmuseum, Norrköpings, Sweden Seattle Art Museum, Seattle, WA
SFMOMA, San Francisco, CA
Skövde Konstmuseum, Sweden
Statens Museum for Kunst, Copenhagen, Denmark Scottish Arts Council, UK
Solomon R. Guggenheim Museum, New York, NY TATE Modern, London, UK
Västeras Konstmuseum, Västeras, Sweden

* refers to catalogue
 

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Simon Starling

Red, Green, Blue, Loom Music

20 January - 5 March 2016

Simon Starling

F as in Foglia

27 May - 22 Ott 2011

Simon Starling

Three Birds, Seven Stories, Interpolations and Bifurcations

3 Apr – 28 Jun 2008

Simon Starling

[24 hr. Tangenziale]

29 Mar - 15 May 2006

Simon Starling

Flaga 1972 – 2000

24 Apr - 1 Jun 2002

STEVEN SHEARER
Born in 1968, New Westminster, Canada
Lives and works in Vancouver, Canada
 
EDUCATION
1992
BFA, Emily Carr College of Art & Design
1991
Alliance of Independent Colleges of Art c/o NSCAD New York Summer Studio Program
 
SELECTED SOLO EXHIBITIONS
2017
National Gallery of Canada, Ottawa, ON, Canada
Galerie Eva Presenhuber, Zurich, Switzerland
2016
The Brant Foundation Art Study Center, Greenwich, Connecticut, USA
2014
Galerie Eva Presenhuber, Zurich, Switzerland
2013
Gavin Brown’s enterprise, Harlem, New York, NY
2012
‘Bad Run’, Galleria Franco Noero, Torino, Italy
 
SELECTED GROUP EXHIBITIONS
2017
‘Double Take’, Skarstedt Gallery, London, Great Britian
2016
‘Freux Follets’, BBB centre d’art, Toulouse, France
2015
‘Works on Paper’, Galerie Eva Presenhuber, Zurich, Switzerland
2014
‘Trouble Boy’, Corner College, Zurich, Switzerland
‘1+1=1: When Collections Collide’, Musée des Beaux-Arts de Montreal, Montreal, QC, Canada
2013
‘Somos Libres’, MATE Asociaciòn Mario Testino, Lima, Peru
‘Folk Devil’, David Zwirner, cur. by Rodolphe von Hofmannsthal, New York, USA
‘Altars of Madness,’ Casino Luxembourg, Luxembourg
 
BIBLIOGRAPHY
2016
Cascone, Sarah, “Canadian Artist Steven Shearer Takes Center Stage at Peter Brant’s Foundaton,” Artnet News, September
2013
“Steven Shearer’s Teen Spirit,” Out of Order, May
2011
Lugli, Emanuele, “Steven Shearer,” Vogue L’uomo, June
Roelstraete, Dieter, “Post-Wharolian Mourners,” Kaleidoscope, Issue 11, Summer
Basciano, Oliver, “Pavilion Profile: Canada Steven Shearer,” Art Review, Issue 51, June
2009
First Person Magazine Issue #3, Summer 2009
2008
‘Steven Shearer: Voiceless Altars of Flesh’, F.R. David: The Stuff & Nonsense Issue, de Appel Arts Centre, Amsterdam, Winter 2008 pp. 28-33
Hainley, Bruce. ‘Double Album: Daniel Guzman and Steven Shearer’, Artforum, no.5, January 2008, p.131
Flood, Richard. ‘49° 16’ N’, Double Album Exhibition Catalogue
Lewis, Jim. ‘The Sayings’, Double Album Exhibition Catalogue
Johnson, Ken. ‘Two Boys Past Adolescence Still Just Being Boys’, New York Times, May 9, 2008
Basciano, Oliver. ‘Rock On: Daniel Guzman and Steven Shearer’, Exhibition Review, Art Review, no.21, April 2008, p. 27
Basciano, Oliver. ‘A Million Little Pieces’, Wonderland Magazine, Issue 12, February-March 2008, pp. 202-205
Davidge, Michael. ‘Death and the Middle Finger’, Black Flash: The Death Issue, v.26 no.1, pp.30-41
2007
‘Steven Shearer: Poems, 2001-2006’, Artist Portfolio, West Coast Line 50, v.40 no.2 Front Cover
Prince, Nigel (ed.) ‘Steven Shearer: Ikon Gallery, Birmingham/The Power Plant, Toronto’, Exhibition Catalogue
Goddard, Peter. ‘Power Plant show brings back the 1970’s’, The Star, December 13, 2007
Tousley, Nancy. ‘Portrait of the Artist as a Forgotten Teen Idol’, Monograph
Price, M. ‘Steven Shearer’, Exhibition Review, Flash Art International, v.40, July-September, 2007 p.136
Killgore, Bobby. ‘Young Collectors: David Simkins’, Art Basel Miami Beach, December 2007, pp.166-167
Millroy, Sarah. ‘Worth the Hype’, The Globe and Mail, December 12, 2007
D’Aurizio, Michele. ‘Special Guest: Steven Shearer’, Mousse, no.11, November, 2007, pp. 55-57
Green, Göran. ‘OH MY GOD!’, Vestfossen Kunstlaboratorium pp. 164-167
Keeley, Amanda. ‘A-Z from The Armory Show, New York 2007’, Whitewall, no.6, Summer 2007, pp.158-159
Rachline, Sonia. ‘L’Avenir en oevres’, Vogue, no.874, February 2007, pp. 214-221
Sandals, Leah. ‘The original guitar heroes’ National Post, December 6, 2007
Spence, L. ‘Steven Shearer: Ikon Gallery, Birmingham’, Exhibition Review, Canadian Art Magazine, v.24 no.3, Fall 2007, pp. 133-134
Geldard, Rebecca. Exhibition Review, Time Out London, October 24, 2007
Balzer, David. ‘Rock of Ages’ Eye Weekly Magazine, November 28, 2007
Van Der Velden, Daniel. ‘Crypto Logo Jihad: Black Metal and the Aesthetics of Evil’, Art Papers, November-December 2007
‘Hirsutes You: Steven Shearer’, Interview, Dazed and Confused, v.2 Issue 55, November 2007
2006
Szewczyk, Monika. ‘Close to Icons’, C Magazine, n.91, Autumn 2006, pp. 39-42
‘Guys’, Insert for Parkett, Artist Project, Parkett Magazine no.76, pp. 169-180
Casadio, Mariuccia. ‘The New Sound Systems’, Vogue Italia, no.665, January, 2006, pp.282-287
Griffin, Jonathan. ‘Writing in Strobe: Dicksmith Gallery, London Mar.30-May 6’, Exhibition Review, Frieze, Issue 100, June-August 2006, p.263
Charlesworth, JJ. ‘Writing in Strobe: Dicksmith Gallery, London Mar.30-May 6’, Exhibition Review, Art Monthly, May 2006 pp.28-30
Artist Project, JRP/Ringier Zine: Release pp.12-13
 
PUBLIC COLLECTIONS
Burger Collection, Zurich, Switzerland
Canada Council Art Bank, Ottawa, Canada
Ellipse Foundation Contemporary Art Collection, Lisbon, Portugal
EVN AG Werke Sammlung, Vienna, Austria
Honart Museum/Ebrahim Melamed Collection, Tehran, Iran
Kunsthaus Zurich, Zurich, Switzerland
London Regional Museum, London, Canada
Los Angeles Contemporary Museum of Art, Los Angeles, CA
Morris & Helen Belkin Gallery, University of BC, Canada
MUHKA Museum van Hedendaagse Kunst, Antwerp, Belgium
Musée des beaux-arts de Montréal, Canada
National Gallery of Canada, Ottawa, Canada
Rennie Collection, Vancouver, Canada
Sammlung Hauser und Wirth, St. Gallen, Switzerland
Vancouver Art Gallery, Vancouver, Canada
Rosenblum Collection & Friends, Paris, France
Burger Collection, Berlin, Germany
Ellipse Foundation, Alcoltao, Portugal

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Steven Shearer

Bad Run

30 May – 31 Jul 2012

Steven Shearer

Solo Show

25 Jan - 28 Feb 2006

Steven Shearer

Solo Show

11 Nov 2003 - 8 Jan 2004

TOM BURR
Born in 1963, New Haven, Connecticut
Lives and works in New York, NY and in Norfolk, Connecticut
 
EDUCATION
1987/88 Whitney Independent Study Program, New York
1982-1986 School of Visual Arts, New York
 
SOLO EXHIBITIONS
2017
‘Question the Wall Itself’, Walker Art Center, Minneapolis, USA
‘Surplus of myself’, Westfalischer Kunstverein, Munster, Germany
‘Stages’, Maureen Paley, London, UK
2016
‘Put Down’, Piece*Unique, Cologne, Germany
2015
‘Circa’, Bortolami, New York, USA
2014 ‘drunk emily’, Galleria Franco Noero, Torino, Italy
2013 ‘Dressage’, Parcours, Art Basel
‘Tom Burr and Linder’, Modern Art, London
 
SELECTED GROUP EXHIBITIONS
2017
‘University of Disasters’, Curated by Matthew Grumbach, Bortolami, New York, USA
‘Concrete Realities’, Bortolami, New York, USA
2016
‘I Beam U Channel’, Bortolami, New York, USA
2015
‘KölnSkulptur’, SkulpturenPark, Köln, Germany
‘to expose, to show, to demonstrate, to inform, to offer’, Museum moderner Kunst Stiftung
Ludwig Wien, Vienna, Austria
‘Body Proxy’, Allen Memorial Art Museum, Oberlin
‘Lustwarande ’15 – Rapture & Pain’, Parke De Oude Warande, Tilburg, Netherlands
‘Ull Hohn: painting, painting (with frame by Tom Burr), Peep-Hole, Milan, Italy
2014
‘De Pictura’, Galleria Franco Noero, Tùrìn
‘UIA (Unlikely Iterations of the Abstract)’, CAMH, Houston
‘Expérience Pommery #11 – Une Odysée: les 30 ans du FRAC Champagne-Ardenne’, Reims
‘Take it or leave it: Institution, Image, Ideology’, Hammer Museum, Los Angeles
 
PERMANENT COLLECTIONS
FRAC – Nord-Pas de Calais, Dunquerque
Kunstraum Grasslin, St. Georgen, Germany
Migros Museum für Gegenwartskunst, Zurich, Switzerland
MOCA Grand Avenue, Losa Angeles, CA
 
OTHER PROJECTS
2017
Tom Burr/New Haven Body Building: Pre-Existing Conditions, Bortolami, New Haven, CT, USA
 

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Tom Burr

drunk Emily

29 May - 1 August 2014

Group Show

De Pictura

16 Apr – 24 Mag 2014

Tom Burr

Promiscuous Pleats

5 Nov 2011 - 29 Feb 2012

Tom Burr

Descending

25 September – 29 October 2008

TUNGA
B. 1952 (Palmares, Brazil) – d. 2016 (Rio de Janeiro, Brazil)
 
EDUCATION
1969-1974
Faculdade de Arquitectura e Urbanismo Santa Ursula, Rio de Janeiro, Brazil
 
SELECTED SOLO EXHIBITIONS
2017
‘Tunga: o corpo em obras’, Museu de Arte de São Paulo, São Paulo, Brazil
2016
‘Pálpebras’, Galeria Millan, São Paulo, Brazil
‘Homage to Tunga’, Instituto Inhotim, Brumadinho, Brazil
2015
Solo presentation, Frieze Masters / Frieze Live, London, UK
‘Moi, Vous et la Lune’, Manège des Ecuries, Domaine de Chaumont-sur-Loire, France
2014
From ‘La Voie Humide’, Galleria Franco Noero, Torino
From ‘La Voie Humide’, Pilar Corrias, London, UK
From ‘La Voie Humide’, Luhring Augustine Gallery, New York, NY
 
SELECTED GROUP EXHIBITIONS
2018
‘Smoke Gets in Your Eyes’, Auroras, São Paulo, Brazil
2016- 2017
‘Tanz der Seligen Geister / Dança das Sombras Felizes’, Museum Morsbroich, Leverkusen, Germany
2016
‘Invisible Adversaries’, Hessel Museum, Bard College, Annandale-on-Hudson, NY
‘Eu, Você e a Lua’, Art Unlimited, Art|Basel 47, Basel, Switzerland
2015
‘Contingent Beauty: Contemporary Art from Latin America’, MFAH, Houston
‘Empty House Casa Vazia’, Luhring Augustine, New York, USA
2014
‘Inside’, Palais de Tokyo, Paris, France
‘La linea continua’, Blanton Museum of Art, Austin, TX
2013
‘Brasiliana: Installations forma 1960 to the presents’, Schim Kunsthalle frankfurt, Germany
‘Imagine Brazil’, Astrup Fearnley Museet, Oslo
‘Oder, Chaos, and the Space Between: Contemporary Latin American Art from Diane and Bruce Halle Collection’, Phoenix Art Museum, AZ*
‘Super 8’, Museum of Modern Art, Rio de Janeiro, Brazil
Ão, Art|44|Basel, Switzerland
2012
Inauguration, Contemporary Art Center Inhotim (CACI), Inhotim, Minas 
Gerais, Brazil
2011
‘Super 8’, Christopher Grimes Gallery, Santa Monica, CA
2010
‘Qu4rta Dimen Sao’, Museu Rodin, Salvador, Bahia, Brazil
Genealogias do Contemporâneo, Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil
‘Twenty Five’, Luhring Augustine, New York, NY
2009
‘32 Pieces: The Art of Chess’, Reykjavík Art Museum, Reykjavík, Iceland
Objects of Value, The Miami Art Museum, Miami, FL
2008
‘Arte≠Vida: Actions by Artists of the Américas’, 1960-2000, El Museo del Barrio, New York, NY
‘Pivot Points Part 2: New Mythologies’, Museum of Contemporary Art Miami, Miami, FL
2007
‘The 80’s: A Topology’, Museu Serralves: Museu de arte Contemporânea, Porto, Portugal
‘The Harder You Look’. Works on Paper, Eleni Koroneou Gallery, Athens, Greece
2006
‘Luzboa, installations on square Sao Antonia and in Sala do Risco’, Lisboa, Portugal
‘The Art of Chess’, Tatintsian Gallery, Moscow, Russia
2004
MAM: 1995-2004, Museu de Arte Moderna (MAM), Sao Paulo, Brazil
Inauguration, Contemporary Art Center Inhotim (CACI), Inhotim, Minas Gerais, Brazil
‘The L.A. Years’, Part 1, 25th Anniversary Exhibition, Christopher Grimes Gallery, Santa Monica, CA
2003
Arte Foto, Rio de Janeiro, Brazil
Galerie Daniel Templon, Paris, France
Drawings of the 70’s, MAM, Rio de Janeiro, Brazil
Compressores e Condensadores, Sao Paulo, Brazil
A Subversao dos Meios, Sao Paulo, Brazil
Moderna Museet, Stockholm, Sweden
‘Joia Brasil’, MAM, Rio de Janeiro, Brazil
2002
‘Body and Soul’, Solomon Guggenheim Museum, New York, NY
CCBB Rio de Janeiro, Rio de Janeiro, Brazil
‘Violenca e Paixao’, MAM (Museum of Modern Art), Rio de Janeiro, Brazil
New Acquisition of the MAM, Rio de Janeiro, Brazil
Centre de la Vieille Charite, Marseille, France
Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
2001
Galerie Nationale du Jeu de Paume, Paris, France
Valencia Biennal, Valencia, Spain
Istanbul Biennal, Istanbul, Turkey
 
AWARDS AND PRIZE
2005
Selected for the Artes Mundi prize, Wales, England
2000
Hugo Boss Award (nominee), Guggenheim Museum, New York, NY
1998
Johnny Walker Prize, Museu Nacional de Belas Artes, Rio de Janeiro, Brazil
1997
Acquisition Prize, Museum of Contemporary Art, Niteroi, Brazil Acquisition Prize,
Museum of Modern Art, Bahia, Brazil Acquisition Prize, Museum of Modern Art, Recife,
Brazil Embratel Prize, Museum of Modern Art Sao Paulo, Brazil 30 years Prize, Museum
of Modern Art Sao Paulo, Brazil
1986
Trienal Latinoamericana de Arte sobre papel Prize, Buenos Aires, Argentina
1985
Museo de Arte Moderno de Caracas, Venezuela
 
PUBLIC COLLECTIONS
Museum of Modern Art, New York
Museum of Contemporary Art Los Angeles
Museo Nacional Centro de Arte Reina Sofia, Madrid
Moderna Museet, Stockholm

 

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Tunga

From “La Voie Humide”

5 November - 23 December 2014

Tunga

From “La Voie Humide”

5 Novembre 2014 - 24 Gennaio 2015

GALLERIA FRANCO NOERO

 

Via Mottalciata 10/B                        Piazza Carignano 2
10154 Torino – Italia                         10123 Torino – Italia

 

GFN Srl                                             Carignano 2 Srl

P.IVA 09668720015                         P.IVA  11544240010

 

TEL
+39 011 882208

 

EMAIL
info@franconoero.com

 

SOCIAL

Facebook

Twitter

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Skype

Opening Hours

 

Via Mottalciata 10/B

Monday: 3:00pm - 7:00pm

Tuesday – Friday: 11:00am – 7:00pm

Saturday: 3:00pm – 7:00pm

 

Piazza Carignano 2

Tuesday – Saturday: 12:00 – 8:00pm

Closed on Monday

-

It is possible to visit the gallery during the opening hours or on appointment.

 

Paul Morrison

Solo Show

26 Nov 1999 - 15 Jan 2000

Henrik Olesen

Solo Show

15 Oct - 15 Nov 1999

Muntean / Rosenblum

Solo Show

10 Sep - 12 Oct 1999

Cristiano Pintaldi

Solo Show

3 Jun - 14 Jul 1999

Adam Chodzko

Solo Show

16 Apr - 16 May 1999

Daniele Puppi

Solo Show

11 Mar - 12 Apr 1999

Steven Brower

Solo Show

24 Nov 2000 - 12 Jan 2001

Henrik Håkansson

Solo Show

29 Sep - 16 Nov 2000

Ruth Root

Solo Show

14 Jun -31 Jul 2000

Costa Vece

Solo Show

11 May - 13 Jun 2000

Stefan Hirsig

Solo Show

30 Mar - 6 May 2000

Francesco Vezzoli

Arts & Facts

29 Feb - 29 Mar 2000

Rob Pruitt

Solo Show

18 Nov - 23 Dec 2001

Adam Chodzko

Solo Show

20 Sep - 10 Nov 2001

Jim Lambie

Solo Show

3 May - 16 Jun 2001

Andrew Kerr

Solo Show

22 Mar - 25 Apr 2001

Henrik Håkansson

Solo Show

17 Nov - 24 Dec 2002

Costa Vece

Solo Show

18 Sep - 31 Oct 2002

Toby Paterson

Solo Show 2002

18 Sep - 31 Oct 2002

Eric Wesley

Solo Show

7 Jun - 31 Jul 2002

Simon Starling

Flaga 1972 – 2000

24 Apr - 1 Jun 2002

Mark Handforth

Solo Show

21 Mar - 20 Apr 2002

Pieroth / Olesen

2002 Show

21 Feb - 16 Mar 2002

Jeff Burton

Solo Show

10 Jan - 10 Feb 2002

Steven Shearer

Solo Show

11 Nov 2003 - 8 Jan 2004

Group Show

New Space! Group Show!

19 Sep - 31 Oct 2003

Muntean / Rosenblum

2003 Show

15 Jan - 8 Mar 2003

Gabriel Kuri

Calorie counting

9 Nov 2004 - 8 Jan 2005

Jim Lambie

Mars Hotel

22 Sep - 31 Oct 2004

Lara Favaretto

Solo Show

27 May - 23 Jul 2004

Jeff Burton

Solo Show

26 Feb - 27 Mar 2004

Henrik Håkansson

July 20, 2004 (Pieris napi)

12 Nov 2005 - 14 Jan 2006

Group Show

Omaggio al Quadrato

13 Oct - 5 Nov 2005

Arturo Herrera

Solo Show

31 May - 30 Jul 2005

Costa Vece

Revolución / Patriotismo

22 Apr - 23 May 2005

Group Show

Camera fissa

18 Feb - 2 Apr 2005

Gabriel Kuri

dato duro, dato blando, dato ciego

8 Nov 2006 - 16 Jan 2007

Lara Favaretto

Non ho creduto in niente

19 Sep - 28 Oct 2006

Group Show

Al Cubo Al Fuoco

28 Jun - 28 Jul 2006

Simon Starling

[24 hr. Tangenziale]

29 Mar - 15 May 2006

Steven Shearer

Solo Show

25 Jan - 28 Feb 2006

Phillip Lai

A metal bar fell on someone’s head or something

10 Nov 2007 - 15 Jan 2008

João Onofre

Solo Show

20 Sep - 31 Oct 2007

Andrew Dadson

Solo Show

28 Jun - 31 Jul 2007

Pablo Bronstein

Five Urns

16 May - 23 June 2007

Jeff Burton

Solo Show

3 Apr - 5 May 2007

Neil Campbell

Solo Show

24 Jan - 27 Feb 2007

Robert Mapplethorpe

2 November 2016 - 18 March 2017 | Piazza Carignano 2

Henrik Olesen

2 November 2016 - 15 January 2017 | Via Mottalciata 10/B

Lothar Baumgarten

Specchio del mare

8 June - 15 October 2016 | Piazza Carignano 2

Arturo Herrera

Soave sia il vento

25 May - 1 October 2016 | Via Mottalciata 10/b

Robert Mapplethorpe

11 Columbia, Monaco

28 April - 24 June 2016

Mike Nelson

Processsion, process. Progress, progression. Regression, recession. Recess, regress.

30 March - 25 March 2017 | Via Mottalciata 10/b

Group Show

Can I Step On It?

30 March - 14 May 2016

Simon Starling

Red, Green, Blue, Loom Music

20 January - 5 March 2016

Mario García Torres

When Time Lost Its Patience

31 October 2017 - 3 February 2018 | Via Mottalciata 10/B

Andrew Dadson

SHADE

31 October 2017 - 15 May 2018 | Via Mottalciata 10/B - in residence

Pablo Bronstein

The largeness of China seen from a great distance

31 October 2017 - 3 February 2018 | Piazza Carignano 2

Sam Falls

sine sole sileo

May 29 - October 2017 | Via Mottalciata 10/B

Dana Awartani

I went away and forgot you..

29 Mag - 14 Ott 2017 | Via Mottalciata 10/B - in residence

Mark Handforth

After Nature

15 Mag - 14 Ott 2017 | Piazza Carignano 2

‘Displacement (Part 1) Choreography and mechanics of mind’ curato da Lilou Vidal – Bureau des Réalités

28 Mar - 15 Mag 2017 | Via Mottalciata 10/B - in residence

Mike Nelson

Cloak of rags (Tale of a dismembered bank, rendered in blue)

February 6 - May 13, 2017 | Via Mottalciata 10/B