2022
‘STATUS: need a world interlude’, The Modern Institute, Glasgow, UK

2022
‘A Collection without Boundaries. International Art since 1990’, GAM – Galleria Civica d’Arte Moderna e Contemporanea, Turin, Italy

2021
‘Exibition’, Winter Street Gallery, Martha’s Vineyard, USA
‘Tales of Manhattan’, Anton Kern Gallery, New York, USA
‘Casa Balla. From the house to the universe and back’, MAXXI – Museo nazionale delle arti del XXI secolo, Rome, Italy

2020
‘Remix 2020’, Kunsthalle Bremen, Germany
‘MY C ARTOGRAPHY. The Erling Kagge Collection’, Sala de Arte Santander, Madrid, Spain

2019
‘Artworks from the Videoinsight® Collection’, The Art and Science Videoinsight® Foundation, Turin, Italy
‘Wirrwarr’, Anton Kerr Gallery, New York, USA
‘Closer Look: Intimate-Scale Sculpture from the Permanent Collection’, Orange County Museum of Art, Santa Ana, USA
‘The TURNER’, The Royal Glasgow Institute of Fine Arts, Glasgow, UK
‘Chairs Beyond Right and Wrong’, R & Company, New York, USA
‘Alan Kane’s 4 Bed Detached Home of Metal’, The New Art Gallery Walsall, Walsall, UK
‘Cut & Paste: 400 Years of Collage’, Scottish National Gallery of Modern Art, Edinburgh, UK
‘Surface Tension’, Carolina Nitsch, New York, USA

2018
‘Eighty @ Eighty’, Palm Springs Art Museum, Palm Spring, USA
‘Op Art in Focus’, Tate Liverpool, Liverpool, UK
‘Eurovisions: Contemporary art from the Goldberg collection’, Canberra Museum and Gallery, Canberra, Australia
‘Innovative Printmaking’, Glasgow Print Studio, Glasgow, UK
‘If I go there, I won’t stay there’, Ltd Los Angeles, Los Angeles, USA
‘The Anthropologist in me’, Fórum Braga, Braga, Portugal
‘Five plus Five: Sculptures of China and Great Britain’, Haikou Hainan Airlines Sun & Moon Plaza, Hainan, China
‘Open House’, Jessica Silverman Gallery, San Francisco, USA

2017
‘I Self Collection’, Whitechapel Gallery, London, UK
‘An Eyeful of Wry’, Brynmor Jones Library gallery, University of Hull (Government Art Collection), Hull, UK
‘EUROVISIONS: Contemporary art from the Goldberg Collection’, National Art School, Sydney, Australia (touring to Heidie Museum, Melbourne and Canberra Regional Museum, Canberra) ‘L’emozione dei COLORI nell’arte’, GAM – Galleria Civica d’arte Moderna e Contemporanea, Turin, Italy and Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy

2016
‘The Revolutionary Suicide Mechanised Regiment Band’, Rob Tufnell, London, UK
‘I still believe in miracles’, Inverleith House, Edinburgh, UK
‘Jennifer Herrema & Jim Lambie’, VoidoidARCHIVE, Glasgow, UK
‘Generosity. The Art of Giving’, National Gallery of Prague, Prague, Czech Republic
‘Artificial Realities’, East Wing Biennial, The Courtauld Gallery, London, UK

2015
‘Devils in the Making’, GOMA, Glasgow, UK
‘Love Story – Works from Erling Kagge’s Collection’, Astrup Fearnley Museet, Oslo, Norway
‘Platform’, Holden Gallery, Manchester, UK
‘Summer Exhibition 2015’, Royal Academy of Arts, London, UK
‘Zabludowicz Collection: 20 Years’, Zabludowicz Collection, London, UK
‘Andy Warhol in the closet’, Museo d’Arte Contemporanea Villa Croce, Genova, Italy
‘Misappropriations: New Acquisitions’, Orange County Museum of Art, Newport, USA
‘The Triumph of Love: Beth Rudin DeWoody Collects’, Norton Museum of Art, West Palm Beach, USA
‘Below Another Sky’, Glasgow Print Studio, Glasgow, UK
‘The Curves of the Needle’, Baltic39, Newcastle, UK
‘Sleepless: The Bed in Contemporary Art’, Belvedere, Wien, Austria
‘Eyes on the Prize’, The Travelling Gallery, Various cities, UK
‘40 Years, 40 Artists’, Lillie Art Gallery, Glasgow, UK
‘A Secret Affair: Selections from the Fuhrman Family’, FLAG Art Foundation, New York, USA
‘20 Years of Collecting: Between Discovery and Invention, Zabludowicz Collection’, London, UK
‘Color Fields’, Bakalar & Paine Galleries, Massachusetts College of Art and Design, Boston, USA
‘Private Utopia: Contemporary Works from the British Council Collection’, Okayama Prefectural Museum of Art, Okayama, Japan

2014
‘Private Utopia: Contemporary Works from the British Council Collection’, Itami City Museum of Art, Itami, Japan
‘Project Ability Christmas Auction’, Project Ability gallery, Trongate 103, Glasgow, UK
‘On the Devolution of Culture’, 83 Page Street, London, UK
‘Archive Fever!’, The Clay and Glass Gallery, Ontario, Canada
‘Spaced Out: Migration to the Interior’, 220 West 18th Street, New York, USA
‘What is contemporary in contemporay art?’, Mário Sequeira Gallery, Braga, Portugal
‘You Imagine What You Desire’ Sidney Biennale, Sidney, Australia
‘That Petrol Emotiom’, Metropolitan Art Society, Beirut, Lebanon
‘Discordia’, Patricia Fleming Projects, Glasgow (Part of GENERATION 2014), UK
‘Private Utopia: Contemporary Works from the British Council Collection’, Tokyo Station Gallery, Tokyo, Japan
‘Below Another Sky’, Aberdeen Art Gallery, Aberdeen, UK
‘Manic Panic’, Shoot The Lobster, New York, USA
‘A MAN WALKS INTO A BAR…’, Landshuter Strasse 49, Mainburg, Germany
‘Contort Yourself’, Kayne Griffin Corcoran, Los Angeles, USA
‘Mutant Moments And Memorabilia – Andy Warhol, Jim Lambie and Baldvin Ringsted’, Voidoid Archive at The Poetry Club, Glasgow, UK

2013
‘You Are Here’, Worcester Art Museum, Worcester, UK
‘Fading Nights’, Gerhardsen Gerner, Berlin, Germany
‘My Crippled Friend’, Canzani Center Gallery, Columbus, USA
‘40/40, Glasgow Print Studio’, Glasgow, UK
‘A Conspiracy of Detail’, Mackintosh Museum, Glasgow School of Art
‘The Humors’, Perry Rubenstein Gallery, Los Angeles, USA
‘Something Abaout a Tree’, cur. by Linda Yablonsky, FLAG Art Foundation, New York, USA
‘Something About a Tree’, FLAG Art Foundation, New York, USA
‘Pull Down The Future’, SWG3, Glasgow, UK
‘Out of the House: Cranford Collection’, Sala de Arte, Fundación Banco Santander, Madrid, Spain

2012
‘Lost Line: Contemporary Art from the Collection’, LACMA, Los Angeles, USA
‘Reliefs, Objects and Sculptures from the Marli Hoppe-Ritter Colletion’, Museum Ritter, Waldenbuch, Germany
‘Look Now: Modern and Contemporary Art from Private Collections’, Montclair Art Museum, Montclair, USA
‘AKA Peace’, ICA – Institute of COntemporary Arts, London, UK
‘Take Off Your Silver Spurs and Help Me pass The Time’, Galerie Nikolaus Ruzicska, Salzburg, Austria
‘Decade: Contemporary Collecting 2002-2012’, Albright-Knox art Gallery, Buffalo, USA

2011
‘Home Alone’, The Sender Collection, Miami, USA ArtGig Tokyo, Tokyo, Japan, Tokyo
‘Industrial Aesthetics: Environmental Influences on Recent Art from Scotland’, Times Square Gallery, Hunter College, New York, USA
‘Made in the UK: Contemporary Art from the Richard Brown Baker Collection’, Museum of Art, Rhode Island School of Design, Providence, USA
‘Dublin Contemporary 2011’, St Stephen’s Green House, Dublin, Ireland
‘vanishing points: paint and paintings from the debra and dennis scholl collection’, BASS Museum, Miami, USA
‘Space oddity’, CCA Andratx, Mallorca, Spain ‘Compass’, Gropius Bau, Berlin, Germany

2010
‘Mixtapes: Popular Music in Contemporary Art’, Lewis Glucksman Gallery, Ireland
‘Undone: Making and Unmaking in Contemporary Sculpture’, Henry Moore Institute, Leeds, UK
‘The New Décor’, Hayward Gallery, London, UK
‘What Matters’, Worcester Art Museum, Worcester, UK
‘Bilder über Bilder’, MUMOK – Museum Moderner Kunst Stiftung Ludwig, Wien, Austria
‘The Library of Babel / In and Out of Place’, 176 Zabludowicz Collection, London, UK
‘Peeping Tom’, VEGAS Gallery, London, UK
‘Altogether Elsewhere’, Rodeo, Istanbul, Turkey
‘Permanent Trouble’, Kunstforum, Ostedeutsche Galerie Regensburg, Germany

2009
‘Saints and Sinners’, Rose Art Museum, Waltham, USA
‘Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection’, MoMA, New York, USA
‘White Noise’, James Cohan Gallery, New York, USA
‘Saint-Nazaire Biennale 2009: Le Sang d’un poète’, Frac Pays de la Loire, Carquefou, France
‘Colour Chart: Reinventing Colour, 1950 to Today’, Tate Liverpool, UK
‘The Kaleidoscopic Eye: Thyssen-Bornemizsa Art Contemporary Collection’, Mori Art, Tokyo, Japan

2008
‘Family and Friends’, Anton Kern Gallery, New York, USA
‘Towada Art Project’, Towada Art Centre, Towada, Japan
‘Thyssen-Bornemisza Art Contemporary Collection’, Kunsthaus Graz, Austria
‘FILMS, (screening of Ultralow)’, Sadie Coles HQ, London, UK
‘Color Chart’, MoMA, New York, USA
‘Malcolm McLaren Musical Paintings’, Aurel Scheibler, Berlin, Germany
‘Sympathy for the Devil: Art and Rock & Roll Since 1967’, Musee D’Art Contemporarian de Montreal, Montreal, Canada
‘Glasgow International’, Glasgow, UK
Martian Museum of Terrestrial Art, Barbican Centre, London, UK
‘La Invención de lo Cotidiao’, La Colección Jumex, Museo National de Arte, Mexico City, Mexico

2007
‘Unmonumental’, New Museum, New York, USA
‘Wild West’, Galerie Gebr. Lehmann, Berlin, Germany
‘Fit to Print’, Gagosian Gallery, New York, USA
‘Melting Point’, Tokyo Opera City Art Gallery, Tokyo, Japan
‘When We Build, Let Us Think We Build Forever’, Baltic Gateshead, UK
‘Substance and Surface’, Bortolami Gallery, New York, USA
‘Domestic Irony. A curious glance at private Italyn collections’, Museion, Bolzano, Italy
‘Off the Wall’, Scottish National Gallery of Modern Art, Edinburgh, UK
‘Half Square, Half Crazy’, Villa Arson, Nice, France
‘Breaking Step’, Museum of Contemporary Art, Belgrade, Serbia
‘Reconstruction 2’, Sudeley Castle, Winchcombe, Gloucestershire, UK
‘Sympathy for the Devil: Art and Rock & Roll Since 1967’, Museum of Contemporary Art, Chicago, USA
‘Passion Complex: Selected Works from the Albright-Knox Art Gallery’, 21st Century Museum of Contemporary Art, Kanazawa, Japan
‘Gallery Artists Summer Show’, Sadie Coles HQ, London, UK
‘Ironie der Objekte’, Museion, Bolzano, Italy
‘Collectors 1 – Collezione La Gaia’, Cesac – Centro Sperimentale per le Arti Contemporanee, Caraglio, Italy
‘Breaking Step’, Museum of Contemporary Art, Belgrad

2006
‘Off the Wall: Floor and Ceiling-based works from the Collection of the Scottish National Gallery of Modern Art’, Scottish National Gallery of Modern Art Edinburgh, Edinburgh, UK
‘al cubo’, Galleria Franco Noero, Turin, Italy
‘This is Not For You: Sculptural Discourses’, Thyssen-Bornemisza Art Contemporary, Wien, Austria
‘Frontiers – Collecting the Art of Our Time’, Worcester Art Museum, Worcester, USA
‘Among the Ash Heaps and Millionaires’, Ancient and Modern, London, UK
‘Strange Powers’, Creative Time, New York, USA
‘Gregor Schneider: Totalschaden/Total Damage’, Bonner Kunstverein, Bonn, Germany
‘If it didn’t exist you’d have to invent it: a partial Showroom History’, The Showroom, London, UK
‘Abstract art now – strictly geometrical?’, Wilhelm-Hack Museum, Ludwigshafen am Rhein, Germany
‘Collectors 1: Collezione la Gaia’, Il Filatoio, Caraglio
‘JaGGy-edge’, The Travelling Gallery, UK
‘How to Improve the World, British Art 1946-2006’, Hayward Gallery, London, UK
‘All Hawaii Entrées/Lunar Reggae’, Irish Museum of Modern Art, Dublin, Ireland
‘Implosion’, Anton Kern Gallery, New York, USA
‘Life is a beach’, Sommer Contemporary Art, Tel-Aviv, Israel
‘Good Vibrations’, Palazzo delle Papesse, Siena, Italy
‘Having New Eyes’, Aspen Art Museum, Aspen, USA
‘In the darkest hour there may be light’, Serpentine Gallery, London, UK

2005
‘Frontiers–Collecting the Art Our Time’, Worcester Art Museum, Worcester, USA
‘Omaggio al Quadrato’, Galleria Franco Noero, Turin, Italy
‘Minimalism and After IV’, Daimler Chrysler Contemporary, Berlin, Germany
‘Extreme Abstraction’, Albright Knox Gallery, Buffalo, New York, USA
8th Biennale d’Art Contemporain, Lyon, France
‘The Turner Prize (nominee)’, Tate Britain, London, UK
‘Post Notes’, ICA (Institute of Contemporary Arts), London, UK and Midway Contemporary Art, Minneapolis, USA

2004
‘Works from the Boros Collection’, Museum für Neue Kunst, Karlsruhe, Germany
54th Carnegie International, Carnegie Museum of Art, Pittsburg, USA
‘From Aural Sculpture to Sound by Ink’, Galerie Art: Concept, Paris, France
Brand New and Retro’, Up Empire, London, UK
Collage, Bloomberg, London, UK
‘Synth’, Kunstraum B/2, Leipzig, Germany
‘Into My World, Recent British Sculpture’, The Aldrich Contemporary Art Museum,Connecticut, USA
‘Stalemate’, MCA, Chicago, USA
‘Sodium & Asphalt’, Museo Tamayo Arte Contemporaneo, Mexico City and Museo de Arte
Contemporaro de Monterrey, Monterrey, Mexico
‘Ouroboros’, CCA – Center for Contemporary Arts, Glasgow, UK
‘last winter spring never came’, Platform Garanti Contemporary Art Center, Istanbul, Turkey
‘Genesis Sculpture – Experience Pommery #1’, Domaine Pommery, France

2003
50th Biennale di Venezia, Venice, Italy
‘Objects in mirror are closer than they appear’, Badischer Kunstverein, Karlsruhe, Germany
‘Love Over Gold’, Gallery of Modern Art, Glasgow, UK
‘Il Racconto del Filo’, MART, Trento, Italy
‘The Moderns’, Castello di Rivoli, Turin, Italy
‘I Got Ants in My Pants’, Gallery Side 2, Tokyo, Japan
‘Cut Out’, Barbara Gross Galerie, Munich, Germany
‘Architecture Scmarchitecture’, Kerlin Gallery, Dublin
‘Days Like These – Tate Triennial’, Tate Britain, London, UK
‘Painting Not Painting’ Tate St.Ives, UK
‘The Fourth Sex’, Fondazione Pitti Immagine, Florence, Italy
‘OUTLOOK’, Athens, Greece
‘Plunder’, Culture as Material, Dundee Contemporary Arts, UK
‘Silver Convention’, Galerie Giti Nourbakhsch, Berlin, Germany
‘The Unhomely’, Kettle’s Yard, Cambrige, UK
‘Grayscale/CMYK’, Royal Hibernian Academy, Dublin, Ireland

2002
‘Vip’, Kunsthalle Palazzo, Liestal, Switzerland
‘EU2’, Stephen Friedman Gallery, London, UK
‘New’, Scottish National Gallery of Modern Art, Edinburgh, UK
‘Early One Morning’, Whitechapel Gallery, London, UK
‘Jim Jonathon Kenny Frances and Sol’, Stedlijk Bureau, Amsterdam
‘Electric Dreams’, Barbican Gallery, London, UK
‘Hello My Name Is…’ Carnegie Museum of Art, Pittsburgh, USA
Roma Roma Roma, Rome, Italy
‘There is A Light that Never Goes Out’, Galleria Sonia Rosso, Pordenone, Italy
‘My Head is on Fire But My Heart Is Full Of Love’, Charlottenbourg Museum, Copenhagen, Denmark
‘Acid Trails??Statements’, Miami Basel, Miami, USA
‘Painted, Printed & Produced in Great Britain’, Grant Selwyn Fine Art, New York, USA
‘Gale Gates et al’, Brooklyn, New York, USA
‘Life Is Beautiful’, Laing Art Gallery, Newcastle, UK

2001
‘Here and Now’, Dundee Contemporary Arts, Dundee, UK
‘Between Object and Arabesque’, Kunsthallen Brandts, Klaedefabrik
‘Funktional Fictional’, Kunsthalle zu Kiel, Kiel, Germany
‘Tailsliding’, British Council touring show
‘Painting at the Edge of the world’, Walker Art Center, Minneapolis, USA
‘Silhouettes’, Lenbachhaus, München, Germany

2000
‘Electric city’, The Lighthouse, Glasgow, UK
‘Off the record’, Bucknell Art Gallery, Pennsylvania, USA
‘Raumkörper, Basel Kunsthalle, Basel, Switzerland Sadie Coles HQ, London, UK
Parking Meters, Cologne, Italy
Heart and soul, Los Angeles, USA
‘What if’, Moderna Museet, Stockholm, Sweden ‘The British Art Show 5’, Edinburgh, Cardiff,UK
Galleria Sonia Rosso, Pordenone, Italy
Mark Selwyn, Los Angeles, USA
‘Black Gloss’, Anton Kern, New York, USA
‘Dream Machines’, Dundee Contemporary Arts, Dundee, UK

1999
‘Matthews Higgs’, Galerie Krinzinger, Wien, Austria
‘Papermake’, Modern Art Inc., London, UK
‘Creeping Revolution’, Foksal Gallery, Warsaw, Poland
‘To be continued…’, Walsall Public Projects
‘Dots and Loops’, MK Expositeruimte, Rotterdam, The Netherlands Heart and soul, London, UK
‘The Qeen is Dead’, Stills Gallery, Edinburgh, UK
‘Silk purse’, Waygood, Newcastle, UK

1998
‘Lovecraft’, Spacex Gallery, Exeter, UK
‘All or nothing’, La Friche – Gallery Triangle, Marseille, France
‘Slant 6’, Jacob Javit’s Center, New York, USA
‘The Modern Institute @ Sadie Coles HQ’, Sadie Coles HQLondon, UK ‘Host’, Tramway, Glasgow, UK
‘Two Up’, Property Gallery, Glasgow, UK

1997
‘This is… These are’, Kirsty Ogg, Norwich, UK
‘European Couples and Others’, Transmission Gallery, Glasgow, UK

1996
‘The world of Ponce’, Southpark, Glasgow, UK
‘Brain Mail’, Broad Studio 17, Cal Art’s, Los Angeles, USA
‘Girls High’, Fruitmarket Gallery, Edinburgh, UK
‘Insanestupidhatfuctpervert, Cubitt St., London, UK
‘Sick Building’, Globe Gallery, Glasgow, UK
‘Art for People’, Transmission Gallery, Glasgow, UK
‘Kilt ou Double’, La Vigie Galerie, Nîmes, France

1995
‘In Stereo’, Transmission Gallery, Glasgow, UK
‘Mary Redmond & Jim Lambie’, Assembly Gallery, Glasgow, UK
‘Jonnie Wilkes & Jim Lambie’, 115 Dalriada, Glasgow, UK