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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
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Gabriel Kuri, dato duro, dato blando, dato ciego – Installation view
Galleria Franco Noero is pleased to present Gabriel Kuri’ second solo exhibition. One continuum of objects/signs placed on the floor or leaning gently against the walls is featured in the space of Via Giolitti, divided in three punctuated phrases that define the horizontal field of the gallery; the aggregation of objects, both found and fabricated, resonate for their semantic implications as well as for their material properties.
The notions suggested by this continuum refer to space, negative space, latent and consumed energy, image, reflection and void. A work composed by bent metal rods stuck into the wall at decreasing heights and colour gradation holds a standing five meter bamboo cane, marking the verticality of the space.
In the nearby space of Via Mazzini three sculptures are displayed, defined Speculations by the artist; they are essential geometrical interlocking structures that resemble large maquettes and function as platforms for hypotheses addressed through the display of objects/scenarios while suggesting a direction to be read.
The term Speculation refers to both their hypothetical quality as well as their visually echoing structure.